Cinema 100 - DOUBLE FEATURE: "Snow White & the Seven Dwarfs" & "A Star Is Born"

Cinema 100 - DOUBLE FEATURE: "Make Way for Tomorrow" & "The Awful Truth"

1937 Ep 2 (16) "Make Way for Tomorrow" Directed by: Leo McCarey Release Date: April 30, 1937 "The Awful Truth" Directed By: Leo McCarey Release Date: October 21st, 1937 Our latest double feature captures two sides of love, marriage, and the fear of growing old in 1937 Hollywood. On one side, Leo McCarey’s deeply human Make Way for Tomorrow — a quiet, heartbreaking story about an elderly couple forced apart by circumstance, a film so emotionally honest that many consider it one of the saddest movies ever made. And then, on the complete opposite end of the spectrum, there’s The Awful Truth — a sparkling screwball comedy filled with wit, jealousy, divorce, and the electric chemistry of Cary Grant and Irene Dunne. Together, these films show how the same director could make audiences cry in one breath and laugh in the next — proving that love can be both devastating and absolutely ridiculous.

Cinema 100 - DOUBLE FEATURE: "Snow White & the Seven Dwarfs" & "A Star Is Born"

1937 Ep 1 (15) "A Star is Born Directed By: William Wellman Release Date: April 27, 1937 "Snow White and the Seven Dwarfs" Directed by: Walt Disney Release Date: December 21, 1937 We’re stepping into 1937 for a double feature that feels like Hollywood discovering its own reflection in two very different mirrors. First up, we’ve got Snow White and the Seven Dwarfs—Disney’s first full-length animated feature, a film that didn’t just break new ground, it basically proved animation could carry real emotion, real stakes, and real box office weight. It’s fairy tale magic being turned into a cinematic revolution. And then we flip the reel to A Star Is Born—a story about fame, ambition, and the brutal rise-and-fall cycle of Hollywood itself. It’s glossy on the surface, but underneath it’s pure industry soul-searching. Two films. One year. One reshaping of what movies could be—dreams on one side, and the cost of those dreams on the other.

Cinema 100 - 1937 Draft

Rob and Will sit down deciphering through countless amounts of films from the year 1937. Discussing all genres and what is the proper and most effective way to find the best 8 films from each year. Stick around to find out what movies they select.

Cinema 100 - 1936 Oscars Episode - *MINI EPISODE*

S3 E13 Will and Robert discuss the 8 movies they watched from the year and make their choices for Best Picture, Director, Actor, Actress, and Supporting roles. Will their picks match yours? Listen and find out!

Cinema 100 - DOUBLE FEATURE: "After the Thin Man" & "My Man Godfrey"

1936 Ep 4 (12) " After the Thin Man" Directed By: W.S. Van Dyke Release Date: December 25th, 1936 "My Man Godfrey" Directed By: Gregory La Cava Release Date: September 6th, 1936 What if I told you the smartest, sharpest commentary on the Great Depression came wrapped in cocktails, chaos… and some of the funniest dialogue ever put on screen? Tonight, we’re diving into two of 1936’s most irresistible comedies. First, After the Thin Man—where William Powell and Myrna Loy return as Nick and Nora Charles, a married couple so charming they make solving a murder look like a side hobby between drinks. It’s fast, it’s witty, and honestly… their relationship might be the real mystery. Then there’s My Man Godfrey, pairing Carole Lombard with Powell in a completely different role—as a so-called “forgotten man” who gets pulled into a wildly dysfunctional rich family. It’s hilarious on the surface, but underneath? A razor-sharp jab at class, privilege, and what it really means to have nothing… or everything. Two comedies. One legendary actor. And proof that laughter might just be the most dangerous weapon of all.