epi 003 — "the jig is up"

epi 004 — "primetime"

Before streaming fragmented audiences and algorithms dictated what we watched, Black television helped shape culture in real time. This week on Cool Theory, we're discussing the creators, networks and shows that defined an era. From Martin, Living Single and A Different World to Moesha, The Fresh Prince of Bel-Air and In Living Color.  We talk about how Black audiences helped build networks like Fox and UPN, the creative architects behind some of television's most important shows, and what was gained and lost when "urban" programming stopped being a central part of the conversation. Follow Cool Theory: Instagram: @cool.theory Website: coming soon New episodes biweekly.

epi 003 — "the jig is up"

Episode 3: The Black Auteur Era. In this episode, we get into the era where Black filmmakers began shifting the image from representation to authorship. From Spike Lee, John Singleton, and Reginald Hudlin to the creative partnership between Robert Townsend and Keenan Ivory Wayans, we explore the rise of directors and storytellers who brought new perspectives, styles, and realities to the screen. We talk about the emergence of films like Menace II Society, Juice, and New Jack City, the rise of Denzel Washington as the first true modern Black movie star, and the impact of women in cinema, both behind the camera and in front of it, through films like Eve’s Bayou, Daughters of the Dust, Waiting to Exhale, and Set It Off. This is the era where Black cinema becomes more personal, political, regional, stylish, and self-defined, and where the filmmaker becomes part of the cultural conversation itself.

epi 002 — "paid in full"

Episode 2: The 1980s. In this episode, we look at how Black culture moved to the center of consumerism, capitalism, and global visibility. From the crossover success of Michael Jackson and Whitney Houston to Eddie Murphy’s rise as a box office force, the 80s reshaped what Black success looked like and who it was for. We get into how that shift shows up across film and television, from The Cosby Show and its legacy of representation, to Miami Vice and the rise of MTV-era aesthetics, to Purple Rain and the merging of music, celebrity, and cinema. We also discuss The Color Purple and the question of who tells Black stories, Lean on Me and early blueprints for the “hood classic,” and Harlem Nights, what it means to have ownership, and what happens when that ownership isn’t fully received. This is the era where Black culture becomes highly visible and highly profitable. The question is: who actually benefits from that shift? instagram: @cool.theory production: Money Mick + Blaze The Rebel  home base: More More Now Records hosted and conceptualized by: Kia and Rissy

epi 001 — "a badasssss beginning"

Episode 1: Blaxploitation. We’re starting in the 1970s, looking at the rise of Black cinema through films like Shaft, Super Fly, Foxy Brown, and Sweet Sweetback’s Baadasssss Song. This episode explores the tension between visibility and exploitation, the role of music in shaping the era, and how these films reflected and influenced Black culture. Who controlled the image, who profited from it, and what does that legacy look like today? produced by Cool Theory hosted by Kia + Marissa more from cool theory:  bio.site/cooltheory  instagram.com/cool.theory