i n d e p e n d e n c e - a counterfactual exercise

The Counterfactual Interview - The Biibz

Endorphin and a certain political figure of note engage in a most dangerous public relations game. -- no credits because middle finger to certain political action committees.

i n d e p e n d e n c e - a counterfactual exercise

exploring a highly sensitive conflict through conversation, yielding two very different results. -- no credits this episode, to reflect that this episode is solely by me, and does not reflect the views of the folks who make technology available to all.

c a t a s t r o p h e - a counterfactual exercise

exploring two sides of a very sensitive conflict, with two very different results. -- no credits, to reflect that this episode is the work of me and just me.

AI X-Risk Theater - re:Re:re:RE:minding the Body Electric

Endorphin encounters a language model from the not-too-distant past. It's a clip show, but with a single, lengthy clip. -- CREDITS Text Generation via LLAMA 3.1 405B BASE Voices from the TTS v2 of the NovelAI text generation service, a product from a company now called Anlatan. @BoneAmputee of EleutherAI for making VQGAN+CLIP and Diffusion (AND MANY MORE) models available for use via BATbot.ai, which is what makes some background images. Katherine Crowson (@RiversHaveWings on Twitter) for the KLMC2 animation notebook. David Marx (@DigThatData on Twitter) for souping above KLMC2 notebook to make use of initial images, which takes KLMC2 abilities to next level. Multi-prompt scheduling still baffles me, but I'll tackle them someday. Music Compiled By Deef on Spotify, most permissions on https://twitchmusic.carrd.co Any voices from the text-to-speech model that might resemble persons living or dead are coincidental, and if I use them it's because of my respect for their work, and I think they'd get a hoot that their voice was being used to show how large language models would speak 24/7 epic poems about anything if we let them. In the meantime, because I use them, I will not be monetizing any of this. This is evidence of capabilities for the public good. And my resume/CV!

AI X-Risk Theater - SUPAHBASE!

AI try to make an AI-sploitation film about a hot drone swarm next door, the type you want to take to mother to supplement her palliative care. -- CREDITS Text Generation via LLAMA 3.1 405B BASE Voices from the TTS v2 of the NovelAI text generation service, a product from a company now called Anlatan. @BoneAmputee of EleutherAI for making VQGAN+CLIP and Diffusion (AND MANY MORE) models available for use via BATbot.ai, which is what makes some background images. Katherine Crowson (@RiversHaveWings on Twitter) for the KLMC2 animation notebook. David Marx (@DigThatData on Twitter) for souping above KLMC2 notebook to make use of initial images, which takes KLMC2 abilities to next level. Multi-prompt scheduling still baffles me, but I'll tackle them someday. Music Compiled By Deef on Spotify, most permissions on https://twitchmusic.carrd.co Any voices from the text-to-speech model that might resemble persons living or dead are coincidental, and if I use them it's because of my respect for their work, and I think they'd get a hoot that their voice was being used to show how large language models would speak 24/7 epic poems about anything if we let them. In the meantime, because I use them, I will not be monetizing any of this. This is evidence of capabilities for the public good. And my resume/CV!