Monsters Myths and Manias
In 1893 composer Erik Satie wrote Vexations, a dissonant, repetitive and unnerving piano piece that takes up to 24 hours to play. Demonic music that warps the minds of those who played it, a topless cellist, a bra made of televisions and a phial of amphetamine... This is the weird musical history of this piece and the disturbing and uncanny effect it had on its performers... More weird stuff on my website: https://paulweatherhead.com/weird-calderdale-strange-and-horrible-local-history/ [https://paulweatherhead.com/weird-calderdale-strange-and-horrible-local-history/] Sources Gavin Bryars (1983) ‘Vexations and its performers’, Contact: Journal for Contemporary Music, 26, pp.12-20 (p.13) Robert Orledge (1988) ‘Understanding Satie’s ‘Vexations’’, Music & Letters, 79(3) pp. 386-395. Available at: http://www.jstor.org/stable/855366 [http://www.jstor.org/stable/855366] [ [https://paulweatherhead.com/2024/08/16/saties-vexations-weird-musical-history-14/#_ednref3]Steven M Whiting (2010) ‘Serious Immobilities: Musings on Satie’s “Vexations”’, Archiv für Musikwissenschaft, 67(4) pp. 310-317
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