🦀 Silence, Brand! Live: is the kool-aid man a cryptid?

🦀 Silence, Brand! Live: is the kool-aid man a cryptid?

Welcome to Silence, Brand! [https://silencebrand.substack.com/], a potluck of internet absurdity at the intersection of brand marketing and internet culture written by a collective of award winning digital marketing professionals. If you like what we do, please consider becoming a paid subscriber [https://silencebrand.substack.com/subscribe]. Another week, another episode of Silence, Brand! Live [https://silencebrand.substack.com/s/silence-brand-live] where we somehow started with AI-generated hamster pants discourse and ended with Taylor Swift selling multiple versions of a song nobody has actually heard yet. How many vinyl variants society can realistically sustain??? We ended up in the Backrooms (again), debated whether the Kool-Aid Man is a cryptid, and thoroughly questioned Cash App’s understanding of whimsy. 🦀 Silence, Brand! Live [https://silencebrand.substack.com/s/silence-brand-live] is powered by Ecamm [https://www.ecamm.com/silencebrand/], a live streaming and video production tool that basically turns your laptop into a full-on studio by switching cameras, dropping graphics, sharing screens, and pushing your stream to multiple platforms like Substack, LinkedIn, and Instagram, all at once without everything catching on fire (most of the time). If you’ve ever wondered how we’re juggling all of this in real time, it’s Ecamm doing the heavy lifting. Get 15% off your first purchase at Ecamm with promo code SILENCEBRAND [https://www.ecamm.com/silencebrand/] 🦀 Topics on the table: Doja Cat versus Elon Musk continues. [https://x.com/DojaCat/status/2062339857931026583?s=20] The crew revisited Doja Cat’s latest Tweet aimed at Elon Musk, adding another chapter to one of the internet’s longest-running (maybe only???) celebrity v. platform owner feuds. The discussion quickly turned into a broader reflection on how social media posts increasingly function as historical documents in real time. The Backrooms movie and the power of open-source lore. [https://variety.com/2026/film/box-office/backrooms-box-office-kane-parsons-1236763407/] Dayna unpacked why the Backrooms movie has resonated so strongly with Gen Z audiences. Unlike traditional franchises, the Backrooms originated as a collectively built internet mythos, making it less of a story adaptation and more of a community-authored universe finally making its way to the big screen, where thousands of contributors shape a shared narrative. Brands enter the Backrooms. [https://www.instagram.com/p/DY-uM-TgSpd/] With the Backrooms dominating online conversation, brands quickly began creating their own liminal-space content. The gang reviewed several examples and discussed the difference between simply placing a product inside a trend [https://www.instagram.com/p/DZLGSHTtcAS/?hl=en] versus creating something that meaningfully participates in the joke. McDonald’s understood the assignment. [https://www.instagram.com/p/DY7Qn6SJFeG/] Among the various Backrooms activations, McDonald’s earned recognition for putting real effort into its execution. Even if it wasn’t tied to a product launch, it demonstrated that high-effort participation can still resonate when a brand understands the moment. Is the Kool-Aid Man a cryptid? [https://www.instagram.com/p/DZI5M7Nxm1F/] Kool-Aid emerged as one of the group’s favorite Backrooms executions thanks to a visual that showed the Kool-Aid Man smashing through a wall into the Backrooms. The conversation immediately evolved into a debate about whether the Kool-Aid Man was entering the Backrooms or becoming the monster of the Backrooms. Cash App turns a TikTok trend into a product. [https://techcrunch.com/2026/06/04/cash-app-launches-a-wand-for-tap-and-pay/] Months after creators went viral using 3D-printed payment wands [https://www.tiktok.com/@chrisgrulloncomedy/video/7596875512216145207] (we spotted this back in January [https://silencebrand.substack.com/p/oh-honey-thats-hot?utm_source=publication-search]) Cash App officially launched its own version. The reaction was mixed. The group appreciated the whimsy but questioned whether a $25 branded version captured the same magic as the original DIY trend. The discussion around the payment wand expanded into a larger conversation about the lifecycle of internet trends. At what point does participation become commodification?And how long is too long before a brand joins the conversation? Taylor Swift launches a product before anyone hears the song. [https://wdwnt.com/2026/06/pre-order-taylor-swifts-i-knew-it-i-knew-you-collectors-edition-vinyl-for-toy-story-5/] The crew unpacked the rollout surrounding Taylor Swift’s latest music release [https://store.taylorswift.com/], including multiple collectible variants, limited-edition products, and pre-orders attached to music that audiences hadn’t actually heard yet. That’s the episode: hamster pants, liminal spaces, cryptid questions, payment wands, collectible vinyl economics, dead malls, dot cakes, and a reminder that every trend eventually comes back wearing a slightly different outfit. Our Lives are now available as podcasts on Apple Music [https://podcasts.apple.com/us/podcast/silence-brand-live/id1886769042] and Spotify [https://open.spotify.com/show/3dFjVla0Frvhqp9I9UEcmM?si=b5c440beb61b4cc9].¯\_(ツ)_/¯ Like and subscribe if you don’t want to look at us while we yap. We hope you enjoyed this installment of Silence, Brand!—a tri-weekly, late-night potluck of internet absurdity 🦀 Ryan Benson [https://www.linkedin.com/in/ryan-benson/] • Dayna Castillo [https://www.linkedin.com/in/daynabeck/] • Dejaih Smith [https://www.linkedin.com/in/dejaih-smith/] Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface. In addition to our newsletter, we offer bespoke cultural intelligence services for agencies and in-house teams, providing brand-tailored reports and insights to equip partners with the tools (and taste) to stay culturally fluent in a world that never stops posting. For all media pitches, service inquiries, story pitches and anything related to this here newsletter, hit us up at: editor@silencebrand.net [editor@silencebrand.net] 🦀 Follow our LinkedIn [https://www.linkedin.com/company/silencebrand] for updates and occasional shitposts. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe [https://silencebrand.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

🦀 Silence, Brand! Live: dot cakes, breaking curses, and summoning trending

Welcome to Silence, Brand! [https://silencebrand.substack.com/], a potluck of internet absurdity at the intersection of brand marketing and internet culture written by a collective of award winning digital marketing professionals. If you like what we do, please consider becoming a paid subscriber [https://silencebrand.substack.com/subscribe]. In this week’s Silence, Brand! Live [https://silencebrand.substack.com/s/silence-brand-live], the gang opened with lip gloss, bedazzled salt, and tummy-ache girl essentials before spiraling into a very real conversation about beauty drama, viral dessert déjà vu, WWE witchcraft, and the anatomy of a TikTok trend that smells like summer. 🦀 Silence, Brand! Live [https://silencebrand.substack.com/s/silence-brand-live] is powered by Ecamm [https://www.ecamm.com/silencebrand/], a live streaming and video production tool that basically turns your laptop into a full-on studio by switching cameras, dropping graphics, sharing screens, and pushing your stream to multiple platforms like Substack, LinkedIn, and Instagram, all at once without everything catching on fire (most of the time). If you’ve ever wondered how we’re juggling all of this in real time, it’s Ecamm doing the heavy lifting. Get 15% off your first purchase at Ecamm with promo code SILENCEBRAND [https://www.ecamm.com/silencebrand/] 🦀 Topics on the table: Bedazzled products and the rise of tiny joy marketing. Dayna showed off a Korean FWEE lip gloss [https://fwee.us/] she bought specifically because it came with a bedazzling station, which naturally led to a discussion of rhinestoned salt [https://www.instagram.com/p/DY2xRd4z8nK/?hl=en], disco Tums, and why brands should let people make things stupidly cute again. Bread entering the hair care chat. Dejaih shared her experience testing a new product from Bread [https://www.instagram.com/bread/], a smaller hair care brand already making waves, and talked about how they’re already posturing like a bigger player. The read: they’re early, but the product, rollout, and community-first sampling energy make them one to watch. Beauty drama, blush technique theft, and MAC doing it right. Dejaih broke down the Patrick Ta backlash [https://www.essence.com/beauty/transition-blush-painted-by-esther-patrick-ta-controversy/] around blush products that allegedly mimic Painted by Esther [https://www.tiktok.com/@paintedbyesther/video/7643257448320568598]’s signature technique, especially after his team reportedly tried to meet with her and film her process. Meanwhile, MAC got praise [https://www.maccosmetics.com/mac-trend/olandria-blush-painted-by-esther] for actually collaborating with Painted by Esther, giving credit where it was due instead of acting like the technique fell out of the sky wearing blush. Dot cakes and the “wait, isn’t this just…” economy. [https://spoonuniversity.com/lifestyle/dot-cakes-where-to-buy/] Dubai chocolate is sunsetting, and dot cakes [https://www.tiktok.com/@ashleymarkletreats/video/7642516492377935135] might be next in line. The gang unpacked the viral dot cake obsession, from hour-long lines in New York to at-home recreations using Trader Joe’s sheet cake, sprinkles, and jars. Depending on who you ask, it’s mug cake [https://www.pinterest.com/thedesserts/mug-cake-recipes/], wine glass cake [https://www.cookingmamas.com/confetti-wine-glass-cake/], Funfetti [https://sugarspunrun.com/funfetti-cake-scratch/], cortadillo [https://www.isabeleats.com/cortadillo-mexican-pink-cake/], or maybe just another case of the internet discovering something that already existed and Christopher Columbus-ing it. Danhausen, WWE camp, and the Knicks getting uncursed. [https://bleacherreport.com/articles/25430512-wwes-danhausen-announces-knicks-merch-new-photos-after-cursing-cavs-nba-playoffs] Dayna explained Danhausen [https://prowrestling.fandom.com/wiki/Danhausen], the spooky, theatrical wrestler known for cursing teams, and his role in cursing the Cleveland Cavaliers while un-cursing [https://x.com/DanhausenAD/status/2058283859171480047?s=20] the Knicks. Wrestling is sport, theater, drag, fandom, and probably a little bit of magic if you believe hard enough. The crew celebrated the Knicks’ big win, Spike Lee’s generational brand loyalty, and the extremely New York feeling of a city collectively deciding maybe it is allowed to have something nice. Healing looks good on New York. Go sports! The summoning trend that has legs. [https://www.tiktok.com/music/Delirious-7278659670306802438] https://www.tiktok.com/music/Delirious-7278659670306802438Dejaih broke down the TikTok trend where people use a beat [https://www.tiktok.com/@notcchuuu/video/7643135443910905108?is_from_webapp=1&sender_device=pc&web_id=7572377013781775886], hand motions [https://www.tiktok.com/@its.trinitymariee/video/7642876468539755807?is_from_webapp=1&sender_device=pc&web_id=7572377013781775886], and a quick reveal [https://www.tiktok.com/@kurukurusankyoudai/video/7641898408592084242]to “summon” food, drinks, products, or moments. It’s simple, visual, language-agnostic, and easy to execute, which means it has real global potential. The group noted that this trend has unusually strong staying power because it doesn’t rely on speaking, text, or a niche reference. It can work for food, drinks, salons, products, groups of friends, and basically any reveal that benefits from a little “choose your fighter” energy. Our Lives are now available as podcasts on Apple Music [https://podcasts.apple.com/us/podcast/silence-brand-live/id1886769042] and Spotify [https://open.spotify.com/show/3dFjVla0Frvhqp9I9UEcmM?si=b5c440beb61b4cc9].¯\_(ツ)_/¯ Like and subscribe if you don’t want to look at us while we yap. We hope you enjoyed this installment of Silence, Brand!—a tri-weekly, late-night potluck of internet absurdity 🦀 Ryan Benson [https://www.linkedin.com/in/ryan-benson/] • Dayna Castillo [https://www.linkedin.com/in/daynabeck/] • Dejaih Smith [https://www.linkedin.com/in/dejaih-smith/] Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface. In addition to our newsletter, we offer bespoke cultural intelligence services for agencies and in-house teams, providing brand-tailored reports and insights to equip partners with the tools (and taste) to stay culturally fluent in a world that never stops posting. For all media pitches, service inquiries, story pitches and anything related to this here newsletter, hit us up at: editor@silencebrand.net [editor@silencebrand.net] 🦀 Follow our LinkedIn [https://www.linkedin.com/company/silencebrand] for updates and occasional shitposts. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe [https://silencebrand.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

🦀 Silence, Brand! Live: crabs and condoms

Fragrance check. Moonwalk Sea Cocoa — pineapple upside-down cake meets coconut, passion fruit, Italian mandarin, Sicilian frozen lemon. Ryan gives it a 10/10 for summer. World Cup is a month out and… condoms? Toronto’s handing them out, fan-zone funding still hasn’t been dispersed in a bunch of cities, Houston traffic is already cooked, and LA looks unprepared from the inside. Meanwhile Mercedes-Benz Stadium is covering its logos for sponsor reasons — except the one on the roof, because skylight. Hello, “Edlina Stadium.” Spotify’s “Party of the Year” — first song ever played: * Ryan: We Can’t Stop by Miley Cyrus (2013, fresh off Groove Shark getting busted) * Janine: Settled Down by No Doubt (Aug 2012) * Benton: Paris in the Rain by Lauv (Dec 2017 — “sad and gay, 13 was not it”) * Deja: Un Beso by Aventura (2015, recovering iTunes loyalist) Instagram is in its flop era. Nobody posts publicly anymore and Meta did it to themselves with the finsta push. Lizzo went on TikTok Live to yell about the algorithm and honestly, fair. Public likes and reposts are pushing people back toward privacy — though the Scrub Daddy × Jeopardy comment-section crossover did go off. New “Instance” feature looks like Lapse, or Airbuds, or those old Messenger chat heads floating around your screen. Meta’s whole thing is copying competitors after the competitor has its meltdown — Stories, Threads, now this. Threads is testing an ad-free subscription. Twitter Blue walked so this could… also walk, probably. Nobody at the table is paying. AP x Swatch. People camped out for days based on AI-generated mockups that turned out to be nothing like the real thing, which is a pocket watch you can’t even wear. Bigger conversation: AI hype isn’t tanking brands, but it’s not moving the needle either. Everyone’s just kind of fine being mid. PSA on mic setups. If you’ve got a branded mic stand, don’t let your DJI mic stick out the top. We see it. New acronym just dropped: SPAM. Social, PR, Advertising, Marketing. Filed neatly under the Omnicom/IPG merger. Women in SPAM, rise up. Crab spam musubi is the official snack, pending recipe. Brought to you by Ecamm Multi-stream to Substack, LinkedIn, and Instagram from one app, different aspect ratios, and recording saved automatically. Worked great today, when used correctly. ecamm.com/silencebrand [http://ecamm.com/silencebrand] - that’s two Ms, Ryan. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe [https://silencebrand.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

🦀 Silence, Brand! Live: Pale Blue Dots, Piss Bottles, and a Mozzarella Cheese Stick

Met Gala 2026: Pale Blue Dots, Piss Bottles, and a Cheesestick Ryan, Benton, Janine, and Dejaih break down the 2026 Met Gala — the looks that landed, the ones that didn't, the brand plays worth watching, and the chaos around it. Plus a Lady Gaga 2019 detour, Bezos discourse, and a new virus we're absolutely not doing again. (00:00) Cold open — mic checks, backgrounds, getting started (00:44) The theme problem — most attendees forgot it existed; "technically on theme" became the bar (01:16) Alyssa Lu in Louis Vuitton — strong concept, prom execution (02:11) Sarah Paulson — eye mask saved it (02:33) Hudson — archival look, but the morning-after walk of shame stole the show (03:59) Sam Smith — fine fit, complicated feelings (04:31) Kylie Jenner & Kendall in Schiaparelli — a sculptural defense (05:01) Heidi Klum — Halloween energy, worm-face callback (05:51) Anne Hathaway — drawing on a dress, Devil Wears Prada 2 promo read (06:31) Detour: Lady Gaga, Met Gala 2019 — the four-look performance, telephone era, pink wagon (09:23) The Bezos-sponsored era — YouTube livestream Met Gala vs. the old spectacle (10:51) TGI Fridays Cheesestick — winning the "I don't give a f**k" war, used the current stairs (13:01) KFC caviar box — branding-first, mother-of-pearl spoon respect (15:06) Cécred — Beyoncé activation, influencer styling, real campaign energy (18:10) Amazon piss-bottle protest — "Temu Lex Luthor" enters the lexicon (20:34) Lauren Sanchez, Madame X strap theory & DWP2 parody speculation (22:38) Rachel Sennott's pale blue dot — and the jammed shoe (25:03) Red-heels publicity-agent girl — directing traffic, Tory Burch sign her (26:33) Hantavirus check-in — cruise ship PR disaster, please no branded tweets (29:44) Sponsor: Ecamm — ecam.com/silencebrand (30:57) Outro — thumbnail attempts, Dayna's in Tokyo, we did it Get full access to Silence, Brand! at silencebrand.substack.com/subscribe [https://silencebrand.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

🦀 Silence, Brand! Live: iceman, influencers on the water, tomodachi life

Welcome to Silence, Brand! [https://silencebrand.substack.com/], a potluck of internet absurdity at the intersection of brand marketing and internet culture written by a collective of award winning digital marketing professionals. If you like what we do, please consider becoming a paid subscriber [https://silencebrand.substack.com/subscribe]. In this week’s Silence, Brand! Live [https://silencebrand.substack.com/s/silence-brand-live], the gang ricocheted from Drake’s icy comeback stunt to influencer cruise ship mess to the extremely cursed phrase “cloud bob,” before ending up in the surprising chaos of Tomodachi Life. Between Drake trying to rebrand himself in a post-Kendrick world, Virgin Voyages turning Black creator drama into content gravity, and Vogue apparently trying to gentrify Tracee Ellis Ross’s afro in real time, the through line was clear: brands, platforms, and media outlets keep chasing “the moment,” but the moments that actually land are the ones that feel specific, human, and a little less desperate. 🦀 Silence, Brand! Live [https://silencebrand.substack.com/s/silence-brand-live] is powered by Ecamm [https://www.ecamm.com/silencebrand/], a live streaming and video production tool that basically turns your laptop into a full-on studio by switching cameras, dropping graphics, sharing screens, and pushing your stream to multiple platforms like Substack, LinkedIn, and Instagram, all at once without everything catching on fire (most of the time). If you’ve ever wondered how we’re juggling all of this in real time, it’s Ecamm doing the heavy lifting. Get 15% off your first purchase at Ecamm with promo code SILENCEBRAND [https://www.ecamm.com/silencebrand/] 🦀 Topics on the table: Drake’s Iceman rollout and the return of big dumb spectacle. [https://www.nytimes.com/2026/04/22/world/canada/drake-album-ice-block-toronto.html] The crew unpacked Drake’s new album stunt, which involved a giant ice installation [https://www.tiktok.com/@houseofhighlights/video/7631075972174875917], hidden release date clues, a streamer winning $50,000 for finding the release date hidden in the ice, and at least one fire department appearance. The general consensus was that yes, it’s technically working, but it also feels like a very 2016 kind of chaos, not necessarily a 2026 one. Iceman is a weird title right now, actually. One of the first questions raised was whether naming your album Iceman in the current political climate is maybe not the cleanest SEO move, given that ICE already has a pretty strong brand association and it’s not exactly one anyone wants extra of. Drake, famously, does not always meet the moment. Spectacle fatigue is real, but apparently we’re still escalating. The conversation widened into whether these increasingly dangerous, oversized outdoor activations are just the next phase of flash mobs, lookalike contests, and pull-up culture. The vibe was very much, “Have we reached the point where no one will leave the house unless there is some kind of content-driven spectacle involved?” Virgin Voyages, TikTok, and influencer marketing. [https://www.virginvoyages.com/press/latest-releases/largest-tiktok-creator-influencer-cruise-ship-takeover] Then came the creator cruise, which the crew described less like a dream trip and more like a three-day petri dish with content capture built in. There are tons of rumors and viral moments coming off the trip, from a cheating scandal [https://www.tiktok.com/@sophdaloafff/video/7630632713300528397?_r=1&_t=ZT-95mmLg5zLsz] that allegedly ended in a shaved head to Beyoncé’s former dance captain getting kicked off stage for dancing too hard [https://www.complex.com/music/a/alex-ocho/beyonce-dance-captain-cruise-incident-ashley-everett]. The question wasn’t whether there was drama [https://www.tiktok.com/@kaylaybanez/video/7631207534434454814?_r=1&_t=ZT-95kFKXrzwDu] … it was whether the drama was organic, encouraged, or just inevitable once you put a thousand people with ring lights on a floating content farm. Threads as the new rant speakeasy. One especially interesting thread in the conversation was that some of the loudest creator complaints about the Virgin Voyages trip were happening on Threads, not Twitter. That led to a broader observation that Threads is starting to feel like a more private, less performative place to pop off, which may be exactly why people are using it that way. Live threads and Meta maybe cooking? Threads is rolling out live conversation features [https://about.fb.com/news/2026/04/threads-live-chats/] around sports, which feels like one of the first moments where the platform wasn’t just copying a format but actually trying to own one. They might have cooked a little. Tim Apple and the presidential Wattpad era. The episode took a hard left into Trump’s extremely weird Truth Social post about Tim Cook [https://www.yahoo.com/news/articles/fact-check-donald-trump-did-033414961.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAEqswnLQwSG5blT5C0TE0bvpdEHNEzbUopuSCYThAFjFp9gG5g1XNYh2SfR6cxy4cktiDDhei__WWIqcPNUHcNBL9RdD9O6_CraLcHEjz7SbD15_BZLA_WW2O6_X2pjwPpaUdtexhId5iOR5t1i--L9_GxKLoGK4HR6m3yqI_XdD], which read less like a normal statement and more like a bitter little fanfic about helping Apple “where he could.” Everyone agreed it was backhanded, self-centered, and impossible to read without hearing “Tim Apple” echo in the distance. The pickup artist to Trump pipeline, spiritually. From there, the crew found themselves staring at a 2000s-era VH1 pickup artist [https://www.buzzfeednews.com/article/katienotopoulos/neil-strauss-is-worried-about-pickup-artists] and realizing that the language of backhanded compliments, weird masculine posturing, and public negging never actually died. It just got older, richer, and somehow more annoying. Cloud bob, or the gentrification of the afro. [https://www.laineygossip.com/how-is-vogues-description-of-cloud-bob-any-different-from-afro/] One of the most immediate crashouts of the episode came from Vogue referring to Tracee Ellis Ross’s hair as a “cloud bob,” which the crew correctly identified as a deeply cursed attempt to rename a Black hairstyle into something more digestible for white fashion language. It’s the soft-focus editorial repackaging of something that never needed rebranding in the first place. Tomodachi Life and the chaos of unrestricted customization. Tomodachi Life, the new Nintendo release has everyone making absurd characters, cursed scenarios [https://www.tiktok.com/@previouslocations/photo/7630636749122751757?_r=1&_t=ZT-95mmBUVdWaT], and custom items with alarming freedom. It’s part nostalgia hit, part chaos generator, and part evidence that the internet will always turn a wholesome sandbox into a deeply specific joke machine within minutes [https://www.instagram.com/p/DXQVH-nEQD6/?img_index=7&igsh=MWxpM2xhaG1qZ3dmYw%3D%3D]. The game is unhinged, but also weirdly wholesome. For every raunchy custom item and wildly inappropriate dialogue prompt, there was also genuine excitement around the game’s inclusive features [https://www.tiktok.com/@freshbeeth/video/7629843824965192974?_r=1&_t=ZT-95mmCAEzEo2], including nonbinary gender options, pronouns, and a genuinely impressive range of textured Black hairstyles. The point was not that the game is pure. It’s that it’s broad enough to hold both chaos and care, which is more than can be said for most platforms right now. Our Lives are now available as podcasts on Apple Music [https://podcasts.apple.com/us/podcast/silence-brand-live/id1886769042] and Spotify [https://open.spotify.com/show/3dFjVla0Frvhqp9I9UEcmM?si=b5c440beb61b4cc9].¯\_(ツ)_/¯ Like and subscribe if you don’t want to look at us while we yap. We hope you enjoyed this installment of Silence, Brand!—a tri-weekly, late-night potluck of internet absurdity 🦀 Ryan Benson [https://www.linkedin.com/in/ryan-benson/] • Dayna Castillo [https://www.linkedin.com/in/daynabeck/] • Dejaih Smith [https://www.linkedin.com/in/dejaih-smith/] • Benton Williams [https://www.linkedin.com/in/bntn/] Our team of award-winning brand marketers and culture experts trawls the depths of the social internet, catching trends as they bubble up, so you’re prepared when they surface.In addition to our newsletter, we offer bespoke cultural intelligence services for agencies and in-house teams, providing brand-tailored reports and insights to equip partners with the tools (and taste) to stay culturally fluent in a world that never stops posting. For all media pitches, service inquiries, story pitches and anything related to this here newsletter, hit us up at: editor@silencebrand.net [editor@silencebrand.net] 🦀 Follow our LinkedIn [https://www.linkedin.com/company/silencebrand] for updates and occasional shitposts. Get full access to Silence, Brand! at silencebrand.substack.com/subscribe [https://silencebrand.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]