Vita Brevis - Business, Art, Life and Death
What does it take to turn a kid from Brooklyn into a multi-billion dollar global asset class? Doug Woodham knows. A former McKinsey partner, Christie's president for the Americas, and PhD economist, Doug is one of the few people alive who can speak to both the cultural and financial mechanics of how Jean-Michel Basquiat went from downtown New York scenester to the most licensed, collected, and commodified artist of the past century. In this conversation, we get into the estate's iron grip on the narrative, the client pyramid theory of artist branding, Keith Haring's forgotten Pop Shop, and why the art market may be losing its cultural relevance. Essential listening for anyone who thinks about art, money, and legacy. Show Notes: * Why nobody wanted to buy Basquiat in the early 1990s — and what changed * The identity pivot that resuscitated his market * Madonna, Warhol, and the marketing gold of cool * Keith Haring's Pop Shop — the forgotten origin of artist licensing * Gerard Basquiat's masterful and controlling estate strategy * The client pyramid — how artists monetize every level of their audience * Murakami, Kusama, Arsham, Koons — the new generation of artist-brands * Why the art market is shrinking in cultural relevance * What new collectors should know before spending serious money Episode recorded April 8, 2026
16 episodes
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