Five Revue Sketches by Harold Pinter

Five Revue Sketches by Harold Pinter

1) That's Your Trouble 2) Trouble in the Works- (N.B. As published in Pinter: Plays II, this sketch ends on the line "Trouble". When asked by FIBBS "What do they want to make in its place?", WILLS replies, in line with the title, theme, and metaphorical conceit of the sketch, "Trouble" but, if memory serves, Pinter changed the last line in certain performances and screen interpretations of this sketch. The BBC, for example, released an animated version of the sketch in the 70s in which WILLS answers that the factory workers don't wish to make trouble, they wish to make something else. Love. And then, quite whimsically, (and comedically), a flourish of red hearts invaded the screen).   3) Last to Go 4) Special Offer 5) Apart From That Music: Messaien: II. Dieu est Saint from Meditations sur le mystere de Trinite Messaien: Turangalila Symphony, II. You by The Aquatones Station by Lapsley (Copyright)- Pinter Estate

The Last Train

Music: Ravel: Pavane pour une infante défunte  Pavane for a dead princess   (played at the piano by the composer)  Content Warning: Strong language, mental illness theme, xenophobia

Penalty

Music: Franz Schmidt: Prelude and Fugue in D major "Hallelujah" (for organ) Jean Langlais: Chant de Paix Content Warning: Strong language, mental illness theme, disturbing scenes, obesity references

Mmmmmmmmmmmmmmmmmmmmmm

A rhapsody of monologue, dramatic sketches, phone calls, and soundscapes. A speaker-set with a bizarre defect, a concerning voicemail, an ultra-competitive game of chess, a worrying barber, communication difficulties... Enjoy... Written, performed, realised, and edited by Charlie Price (Also featuring Liz Kuti) MUSIC (non-chronological): Miles Davis: All Blues from Kind of Blue Holst: First Suite in E flat for Wind Orchestra Wood: Canticles, (Magnificat), in E flat Schumann: Dichterliebe (1) Messiaen: Le Banquet Celeste Content Warning: Some strong language, fear, loud noises/decibel levels

Victoria Station by Harold Pinter

Short Play by Harold Pinter Performed and edited by Charlie Price Content Warning: Strong Language