Extraordinary Everyday: The dressing gown

How an interior designer really sees your home

What do designers notice the moment they walk through your front door? Interior designer Adelaide Bragg and photographer and author Robyn Lea reveal how they read a room—translating light, objects and atmosphere into deeply personal stories. We explore their collaboration on City, Coast and Country and what it takes to style and capture uniquely Australian homes with meaning, not just bea

How was the fork an instrument of evil?

It sits quietly on the table, beside the knife and spoon, rarely asking for attention. But the fork hasn’t always looked — or behaved — the way it does today. From scandalous novelty to everyday necessity, this small object has played a powerful role in shaping how we eat, how we gather, and how manners became habit.

Public toilets: The design, history and politics of who gets to go

‘The sewer is the conscience of the city’, or so the French writer Victor Hugo once claimed. It’s a confronting idea, but a revealing one: the way a society deals with waste can tell us a lot about its values, priorities and politics. And yet our toilet habits are something we’re usually taught to ignore, avoid or feel embarrassed about. We look at one everyday object that sits right at the intersection of design, morality and public life: the public toilet. Used by everyone, discussed by few, and designed very differently across cultures and centuries, it turns out the humble loo has a lot to say about who we are.

Extraordinary Everyday: The dressing gown

Today, the dressing gown is as likely to appear over pyjamas during a dash to the bins as it is at a lazy breakfast table — but it wasn’t always this casual. Once, this was a garment that signalled leisure, status and a certain velvet‑chair‑owning elegance. In this episode, we wrap ourselves up and trace the surprisingly stylish design history of the dressing gown, from indulgent luxury to everyday comfort.

Mary Featherston: Design, disruption and advocacy

When we think about design in Australia today, it’s impossible not to trace its evolution back to pioneers like Mary Featherston, AM. A leading force in shaping a more human‑centred approach, Mary has spent decades reimagining design as something embedded in our everyday environments — not just objects, but experiences. From transforming the way we think about learning spaces to helping define a distinctly Australian mid‑century modern design language alongside Grant Featherston, her influence runs deep. These days, however, Mary sees herself as more of an activist than a designer. So just how did she get there? And does design still have a role to play in her activism?