Caged Men

Episode Ten: Renfield w/ Katie Edward

Back on track and on the upswing with Renfield! This episode we talk about Nic Cage's vampire-acting inspirations, the amazing efforts of makeup and effects people (even when the movies aren't very good), and we do our best to defend the honor of Ska music. Katie's Twitch stream is: twitch.tv/marvelouskatie

Episode Nine: The Carpenter's Son w/ Kate Everson

We're off the map with a brand new feature release starring Nicolas Cage: The Carpenter's Son. This episode we talk about a certain actor getting attacked by bees, Robert Eggers, and I reveal how little I know about the Bible. Kate's coaching practice is: https://makechangecoaching.com/about/ [https://makechangecoaching.com/about/] Kate's Substack is: http://kelizaeverson.substack.com [https://kelizaeverson.substack.com/]

Episode Eight: National Treasure w/ Alyssa

We are on the downswing with an entry that is surprisingly below our median Cage movie: National Treasure. This episode we discuss touching fragile historical documents with your bare hands, the lessons we can learn from historical heist movies, and why Jon Voight has got so many darn lemons in his fridge.

Episode 7: City of Angels w/ Cameron Petti

We're on the upswing, with a kinder gentler Nic Cage than we have become used to. I welcome the Vice President to my President of the Comic Book Club, Cameron Petti to talk about City of Angels starring Nicolas Cage and Meg Ryan. This episode we wish this movie was a Dennis Franz buddy comedy, we question why they saved all the needle drops for the last 35 minutes, and insist that being an angel is no reason for also being a pervert.

Episode 6: Drive Angry w/ Kyle Bridges

Guys I tried to make this one shorter and I just couldn't. Also the audio is a little messy. Weird vibes, and it's no surprise. We're on the downswing again, welcoming back my brother Kyle to talk about Drive Angry starring Nicolas Cage and Amber Heard. This episode we talk about bad wigs, watching 3D movies in non 3D movie formats, and the irrefutable proof that this movie did need more editing or rewrites.