Fruitmarket Segments

Jaune Quick-to-See Smith

A conversation between Neal Ambrose-Smith and Dr. Maryam Ohadi-Hamadani about the artist, activist, educator and curator Jaune Quick-to-See Smith and Fruitmarket’s new exhibition Jaune Quick-to-See Smith: Wilding  Born January 15, 1940 Jaune Quick-to-See Smith was an enrolled Salish member of the Confederated Salish and Kootenai Nation, Montana. Smith created complex abstract paintings and prints for over five decades. Known for her poetic, curious, and profound interpretations of America’s particular forms of bigotry toward Native peoples, the artist’s sharp humour pierced through the heavy topics of race, colonialism, pollution, genocide, and survival.   Wilding is showing at the Fruitmarket until February 2026. The exhibition was conceived in conversation with the artist before her sad and sudden death at the beginning of 2025 and will be the first time her work has been seen in Scotland. The exhibition’s title came from the artist, who from our earliest conversations wanted the exhibition to engage with the history and politics of land stewardship.  The exhibition includes paintings and a large canoe sculpture made by Jaune Quick-to-See Smith especially for Fruitmarket, together with a selection of paintings from throughout her career. The exhibition is an opportunity to get to know the compelling work of this artist attuned to the importance of paying attention and taking action. While the show is running pictures and video of the work are available on our website. In future this material will be available in our online archive [https://www.fruitmarket.co.uk/archive/]. The book produced by Fruitmarket to accompany Wilding is available from our online bookshop [https://fruitmarketbookshop.myshopify.com/products/jaune-quick-to-see-smith-wilding].   Neal Ambrose-Smith, Jaune’s son, collaborated with his mother from the 1990s until her death, including on many of the works featured in Wilding. Neal is a descendent of the Confederated Salish and Kootenai Nation. A renowned painter, sculptor, Ambrose-Smith formerly served as professor and department chair at the Institute of American Indian Arts in Santa Fe.   A descendant of the Mvskoke (Creek) and Osage nations, Dr. Maryam Ohadi-Hamadani is an art historian and curator specialising in modern and contemporary art of the global diasporas, focusing on the postcolonial histories of African, Afro-Caribbean, Asian and Black British art in Britain and beyond.   A free, public space for culture in the heart of Edinburgh, Fruitmarket provides inspiration and opportunity for artists and audiences. We programme, develop and present world-class exhibitions, commissions, publications, performances, events and engagement activities, opening up the artistic process. To find out more about our current exhibition programme and upcoming events visit fruitmarket.co.uk [http://www.fruitmarket.co.uk/]where you can sign up for our newsletter, or follow us on  Bluesky, [https://bsky.app/profile/fruitmarket.bsky.social] Instagram [https://www.instagram.com/fruitmarketgallery/] or TikTok [https://www.tiktok.com/@fruitmarketgallery?lang=en].

Holly Davey

A conversation between Holly Davey and Ruth Bretherick, Fruitmarket’s Research and Public Engagement Curator, discussing Davey’s 2024 exhibition The Unforgetting. Holly Davey is a British artist who works with photography, collage, sculpture, text and performance. Since 2019 she has been making a body of work under the title A Script for an Archive, in which she focuses on ‘what is happening at the edges’ of archives and in the figures (often women) who have been marginalised in the historical record. In 2022 Fruitmarket invited Davey to work with its archive, a project which culminated in The Unforgetting, which mixed sculpture and performance to give voice to the ‘silent’ parts of Fruitmarket’s archive, finding creative potential in its gaps and omissions. Davey joined Ruth Bretherick in front of a live audience sitting within the Unforgetting installation, following a performance featuring Holly alongside Jill Smith, who was the first female artist to exhibit at Fruitmarket. You can find out more about The Unforgetting at Fruitmarket’s online archive [https://www.fruitmarket.co.uk/archive/holly-davey-the-unforgetting/], where there are images and video of the installation, along with downloadable excerpts of the limited edition newspaper produced as part of the exhibition.   A free, public space for culture in the heart of Edinburgh, Fruitmarket provides inspiration and opportunity for artists and audiences. We programme, develop and present world-class exhibitions, commissions, publications, performances, events and engagement activities, opening up the artistic process. To find out more about our current exhibition programme and upcoming events visit fruitmarket.co.uk [http://www.fruitmarket.co.uk/] where you can sign up for our newsletter, or follow us on  Bluesky, [https://bsky.app/profile/fruitmarket.bsky.social] Instagram [https://www.instagram.com/fruitmarketgallery/] or TikTok [https://www.tiktok.com/@fruitmarketgallery?lang=en].

Mike Nelson

Mike Nelson in conversation with Fruitmarket Director Fiona Bradley about his exhibition Humpty Dumpty, a transient history of Mardin earthworks, low rise. The show uses Fruitmarket’s Warehouse as the machine room, or driving force, for a major new installation that extends across all three spaces of the gallery. Built around two sets of photographs taken in London and a city in Eastern Turkey between 2010 and 2014, the work captures cities in flux, guided by their politics and leaders of the time. Mike’s show is running at Fruitmarket until Sunday October 5th. Find out more at fruitmarket.co.uk [http://www.fruitmarket.co.uk/] (once the show closes, images and video will still be available, via our online archive [http://www.fruitmarket.co.uk/archive]). A free, public space for culture in the heart of Edinburgh, Fruitmarket provides inspiration and opportunity for artists and audiences. We programme, develop and present world-class exhibitions, commissions, publications, performances, events and engagement activities, opening up the artistic process. To find out more about our current exhibition programme and upcoming events visit fruitmarket.co.uk [http://www.fruitmarket.co.uk/] where you can sign up for our newsletter, or follow us on Instagram [https://www.instagram.com/fruitmarketgallery/].

Emma Hart and Ali Smith

A conversation between artist Emma artist and novelist Ali Smith from 2018, including a reading by Ali Smith of a short story inspired by visits to Emma Hart's studio. Emma Hart is a British artist who makes sculpture, photography, film and installation. Her work is often badly-behaved and messy, challenging assumptions and stereotypes in her quest to make art to which everyone can relate. Her first exhibition in Scotland was BANGER at Fruitmarket in 2018. The show highlighted Hart’s work with ceramics, a material she turned to in order to find the ‘real’ in art, alongside Mamma Mia (2017), the beguiling immersive installation she made as a result of winning the Max Mara Art Prize for Women in 2016. Details of BANGER, including images and video, can be found at Fruitmarket’s online archive [https://www.fruitmarket.co.uk/archive/emma-hart-banger/]. There are also details of Poor Things [https://www.fruitmarket.co.uk/archive/poor-things/], the 2023 group show Emma co-curated with Dean Kenning.   The book produced to accompany BANGER, titled Emma Hart: A Long Hard Look, is still available from our bookshop [https://fruitmarketbookshop.myshopify.com/products/emma-hart-banger]. It features Ali Smith’s short story, along with writing by Fruitmarket director Fiona Bradley, Helen Legg, Director of Tate Liverpool, and artist and filmmaker Sarah Wood.   Ali Smith is an acclaimed Scottish writer. She is the author of several novels and short story collections including, The Accidental, Hotel World, How to Be Both and the Seasonal Quartet. She has been four times shortlisted for the Booker Prize, has won the Goldsmiths Prize, Orwell Prize, Costa Best Novel Award and the Women’s Prize.   A free, public space for culture in the heart of Edinburgh, Fruitmarket provides inspiration and opportunity for artists and audiences. We programme, develop and present world-class exhibitions, commissions, publications, performances, events and engagement activities, opening up the artistic process. To find out more about our current exhibition programme and upcoming events visit fruitmarket.co.uk [http://www.fruitmarket.co.uk/] where you can sign up for our newsletter, or follow us on Instagram [https://www.instagram.com/fruitmarketgallery/].

Andrew O'Hagan on Lee Lozano and Muriel Spark

Andrew O’Hagan and Fruitmarket Director Fiona Bradley discuss the links between Lee Lozano and Dame Muriel Spark. Their conversation, titled ‘Self-Sabotage’, explored the parallels  between the self destructive tendencies of one of the protagonists of Spark’s 1970 novella  The Driver’s Seat and Lozano’s rejection of the art world in the early 1970s, which threw her into semi-obscurity. Lee Lozano was a major figure in the New York art scene of the 1960s and early 1970s. Her radical approach to art and life, in particular her systematic refusal to engage with the institutions and support structures of the art world, led to her work being neglected and becoming much less well known over time. A reassessment of Lozano’s work over recent years has included the 2018 Fruitmarket exhibition which led to this talk. There are more details about the 2018 exhibition Lee Lozano: Slip Slide Splice, including images and video, at the Fruitmarket’s online archive [https://www.fruitmarket.co.uk/archive/lee-lozano-slip-slide-splice/]. Along with the exhibition catalogue, Fruitmarket produced a book of Lozano’s language pieces, which is still available from our online bookshop [https://fruitmarketbookshop.myshopify.com/products/lee-lozano-language-pieces?_pos=2&_sid=f2824daa1&_ss=r]. These hand written and sometimes typed notes , many of which had never been published before, read like a working instruction book of her work. Andrew O’Hagan is a Scottish writer. His recent novels include Mayflies and Caledonian Road. Our Fathers, his first novel, was shortlisted for the Booker Prize for Fiction and the Whitbread First Novel Award. He has also published several non-fiction books and had essays and stories in London Review of Books, The Guardian and The New Yorker. In 2018 O’Hagan wrote the introduction to a new edition of The Driver’s Seat, published by Polygon on the 100th anniversary of Spark’s birth. A free, public space for culture in the heart of Edinburgh, Fruitmarket provides inspiration and opportunity for artists and audiences. We programme, develop and present world-class exhibitions, commissions, publications, performances, events and engagement activities, opening up the artistic process. To find out more about our current exhibition programme and upcoming events visit fruitmarket.co.uk [http://www.fruitmarket.co.uk/] where you can sign up for our newsletter, or follow us on Instagram [https://www.instagram.com/fruitmarketgallery/].