Collection Reset – Working in Watches Changed How We Buy – Episode 91

Collection Reset – Working in Watches Changed How We Buy – Episode 91

Breitling relaunches Gallet on September 3rd. Openwork hosts Gabe Reilly and Asher Rapkin unpack Georges Kern's play: chronographs at 3,000–5,000 CHF, an exploration story aimed at Bremont, Longines, and Tudor, sold in Breitling boutiques. Plus Universal Genève and Breitling's return to Watches & Wonders. Then a listener question: how has working in the industry changed our collecting? It starts with selling nearly everything to help fund Collective Horology — what survived, what still stings (the Urwerk collaboration, the MB&F LM101, the Lange Odysseus), and rebuilding from an empty watch box. What came back is different: neo-vintage tool watches, Holthinrichs, Ming, Singer. Buying on the merits instead of the hype, why an Aquanaut lands differently outside collector context, and the freedom that comes from retailing independent watches. Openwork is a weekly podcast about how the watch industry actually works. An unfiltered look behind the scenes — no press releases, no hype, and no sponsored takes. Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology. [https://collectivehorology.com] Available on Apple Podcasts, Spotify, YouTube Music, or wherever you get your podcasts. You can find us online at collectivehorology.com [https://collectivehorology.com]. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com [podcast@collectivehorology.com].

We Sued to Stop Tariffs – And Rolex Is Reshaping Retail – Episode 90

In Episode 90 of Openwork, Collective Horology co-founders Gabe Reilly and Asher Rapkin reveal that they've sued the U.S. federal government over the tariffs squeezing the watch industry and small businesses nationwide. They explain why they joined the suit alongside co-plaintiff Burlap Barrel, how the latest Section 301 tariffs continue to limit access to independent watches, and why it's the volatility of trade policy — not just the cost — that makes it so hard for small businesses to plan and grow. The guys then dig into the numbers: the latest Swiss watch export data (up more than 11% year over year in June 2026, with the U.S. driving growth as China slides), the "bullwhip effect" tariffs are having on imports, and fresh quarterly earnings from Richemont, Swatch Group, and LVMH — where jewelry is powering the luxury recovery while watchmaking hangs tougher. Finally, they turn to the shifting Rolex and pre-owned market, where Rolex's share of secondary-market value has hit a seven-year low even as its Certified Pre-Owned program grows into a juggernaut. They close on the retail arms race reshaping the industry — Bucherer's giant new Rolex flagship in New York, fresh boutiques nationwide, and what the rise of big-box players like Watches of Switzerland and the 1916 Company means for family-owned dealers. Openwork is a weekly podcast about how the watch industry actually works. An unfiltered look behind the scenes — no press releases, no hype, and no sponsored takes. Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology. [https://collectivehorology.com] Available on Apple Podcasts, Spotify, YouTube Music, or wherever you get your podcasts. You can find us online at collectivehorology.com [https://collectivehorology.com]. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com [podcast@collectivehorology.com].

The Watch Switzerland Can't Make – Karel Bachand (Barrelhand) – Episode 89

A quick news note: On Friday, July 24, Collective, along with New York spice importer Burlap & Barrel, filed a lawsuit in the U.S. Court of International Trade challenging the federal government's latest Section 301 tariffs. We'll dig into the details on our next episode. In the meantime, you can read more here [https://www.nytimes.com/2026/07/24/business/trump-tariffs-small-businesses-lawsuit.html]. On this episode of Openwork, Gabe Reilly and Asher Rapkin talk with Karel Bachand, founder and chief engineer of Barrelhand, the San Francisco brand rethinking American watchmaking. Karel reverse-engineered an Urwerk as a teenager and cut his teeth on microgravity devices at NASA Ames before building Monolith — a mechanical watch designed from first principles as an aerospace tool, and one that couldn't be made in Switzerland. The conversation digs into the question the industry avoids: after sixty years of luxury and heritage, what does a watch brand look like when it picks substance over story? Karel breaks down building an American supply chain from scratch, why decentralized manufacturing beats bringing it all in-house, and why a mechanical movement — not quartz or digital — is the right call for the harsh reality of a spacewalk. It's also a frank take on collector blind spots, like the assumption that a modified Sellita movement is a cop-out instead of a deliberate, reliability-driven choice, and on growing the independent watch community by drawing in people from outside it. Explore Karel's work at barrelhand.com [https://www.barrelhand.com]. Openwork is a weekly podcast about how the watch industry actually works. An unfiltered look behind the scenes — no press releases, no hype, and no sponsored takes. Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology. [https://collectivehorology.com] Available on Apple Podcasts, Spotify, YouTube Music, or wherever you get your podcasts. You can find us online at collectivehorology.com [https://collectivehorology.com]. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com [podcast@collectivehorology.com].

The Rise of Tudor – How Rolex Wins by Letting Tudor Dare – Episode 88

How did Tudor go from a brand you couldn't even buy in the United States to a half-billion-dollar powerhouse selling 300,000 watches a year? In this episode of Openwork, Gabe Reilly and Asher Rapkin trace the rise of Tudor — from its wilderness years in the shadow of Rolex to the 2009 reinvention that produced the Heritage Chrono, the Black Bay, the Pelagos, and an in-house movement. Along the way they unpack the ETA supply crisis, the 2008 financial crash, and Rolex's move upmarket that opened the door for Tudor to walk through. But this isn't the usual "poor man's Rolex" conversation. Gabe and Asher argue that Tudor's real role is stranger and smarter than that: the gonzo laboratory where Rolex tests every material, case size, and business model it's too disciplined to try itself. Tudor is the black sheep by design — the pressure-release valve that lets Rolex stay conservative while quietly backfilling the market it left behind as prices climbed. So where does it go from here? With 260-plus boutiques, celebrity wrists, and a brand that's broken into mainstream culture, Tudor looks like a company on the path to a billion dollars. The question is whether it gets there on brand alone — and whether a watch that exists relative to Rolex can ever truly stand on its own. Openwork is a weekly podcast about how the watch industry actually works. An unfiltered look behind the scenes — no press releases, no hype, and no sponsored takes. Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology. [https://collectivehorology.com] Available on Apple Podcasts, Spotify, YouTube Music, or wherever you get your podcasts. You can find us online at collectivehorology.com [https://collectivehorology.com]. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com [podcast@collectivehorology.com].

Bonus: Reviving the U.S. Watch Industry – Josh Shapiro (J.N. Shapiro) – Episode 41

To mark 250 years of American independence, we're revisiting one of our favorite conversations: our sit-down with Josh Shapiro, the American independent watchmaker behind the Resurgence — the only watch that currently meets the U.S. Federal Trade Commission's standard for "Made in America." It's a fitting week to ask a question that feels newly urgent in an era of tariffs and reshoring: what would it actually take to bring watchmaking back to the United States at scale? Josh takes us from the industry's staggering height — when American factories employed over 100,000 people and produced millions of chronometer-grade watches a year, so far ahead that the Swiss crossed the Atlantic in 1876 to study our methods and race to catch up — through the forces that dismantled it: the pivot from pocket watches to wristwatches, an aggressive Swiss cartel, Depression-era trade deals, and a postwar collapse that was already terminal long before the quartz crisis delivered the final blow. Along the way he explains why the single hardest thing to rebuild isn't machinery or capital, but people, and why "Swiss Made" and "Made in America" are two very different promises. Told through the lens of building the Resurgence in his Los Angeles workshop — the CNC machines, the $150,000 balance-staff breakthrough, the North Dakota jeweler he coaxed out of retirement — this is a clear-eyed look at the slow, deliberate work of rebuilding an industry from the roots up, and what any of us can do to support it. Openwork is a weekly podcast about how the watch industry actually works. An unfiltered look behind the scenes — no press releases, no hype, and no sponsored takes. Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology. [https://collectivehorology.com] Available on Apple Podcasts, Spotify, YouTube Music, or wherever you get your podcasts. You can find us online at collectivehorology.com [https://collectivehorology.com]. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com [podcast@collectivehorology.com].