Cover image of show Page&Stage Podcast

Page&Stage Podcast

Podcast by Jason Cannon

English

Culture & leisure

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About Page&Stage Podcast

Are you an aspiring or practicing writer, actor, director, or public speaker looking to deepen your craft and level up your storytelling? Are you an avid reader or theatre-goer eager to peek behind the curtain and under the keyboard to better understand the secrets of how storytellers weave their magic? If so, then you’ve come to the right place. Welcome to the Page&Stage Podcast, where we explore the art and craft of writing and performance. I’m your host, Jason Cannon, and every epidose I’ll be joined by a fellow professional storyteller. Actors, authors, directors, memoirists, storytellers of all stripes will stop by to talk about the techniques, tools, and inspiration you need to craft remarkable stories. So if you love to create or visit worlds built with words, join me on the Page&Stage Podcast. (You can check out video versions over on YouTube.) jasoncannonstorycoach.substack.com

All episodes

51 episodes

episode Predictor artwork

Predictor

In this episode, I sit down with Jennifer Blackmer and Meg Crane to discuss the fascinating story behind the invention of the home pregnancy test. Meg shares her journey from working as a graphic designer and illustrator to developing a prototype that would empower women with the ability to test for pregnancy at home. Despite initial resistance and skepticism from (all male) executives, Meg’s determination and innovative thinking led to a groundbreaking product that changed the landscape of women’s health. Jennifer, the playwright of PREDICTOR, adds depth to the conversation by exploring how she adapted Meg’s story into a stage production, highlighting the intersection of art and science. You can listen on the Substack App [https://substack.com/app?utm_campaign=app-marketing&utm_content=email-footer-button], and all episodes are also available on Apple [https://podcasts.apple.com/us/podcast/page-stage-podcast/id1735915535] or Spotify [https://open.spotify.com/show/3MIRTGD3BoSQiFUTXmpSOm]. Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube [https://youtu.be/DPsLPG727j8]. Meg and Jen’s Links Check out Jen’s website: jenniferblackmer.com [https://www.jenniferblackmer.com] Visit Meg Crane on Facebook [https://www.facebook.com/meg.crane1]. Get tix to PREDICTOR [https://www.predictorplay.com]! Here’s the original article that inspired the play [https://www.nytimes.com/2016/07/31/opinion/sunday/could-women-be-trusted-with-their-own-pregnancy-tests.html]. Meg and Jen’s Bios Jennifer Blackmer’s award-winning plays include Predictor, I Carry Your Heart with Me, Margaret Atwood’s Alias Grace, Borrowed Babies, Delicate Particle Logic, Human Terrain, and Unraveled. She was recently honored with the 2024 Harold and Mimi Steinberg Charitable Trust/ATCA Citation, which recognizes the best new plays produced outside of New York, the PEN/Laura Pels International Foundation for Theatre Award for Emerging American Playwright, the Alfred P. Sloan Foundation Tribeca Film Institute prize, the Indiana Authors Award, the Joseph Jefferson Award for Best Adaptation, the David Mark Cohen Playwriting Award, and the Gold Medallion from the Kennedy Center American College Theatre Festival. Jennifer is a Professor of Theatre at Ball State University, where she teaches classes in playwriting, storytelling, science on stage, feminist theatre and directing. Meg Crane founded Ponzi & Weill Inc. advertising and design company in 1968 with her late partner, Ira Sturtevant. Prior to that, she was Creative Director at Intec Laboratories (Organon) where she coordinated projects with four advertising agencies assigned to Intec’s new cosmetic’s department. Before joining Intec, she worked at Harpers Bazaar Magazine and at Gene Murray Advertising. Meg is the inventor of the first home pregnancy diagnostic test, 1967, for which she holds two patents: 3,579,306 and DES.215.774. In June, 2015, her prototype for the test was acquired by The Smithsonian Museum along with one of the original marketed products. Now retired, Meg participates in panels and conferences, and consults on upcoming films, stage plays, and book projects about her work on the original home pregnancy test. At this moment in time, she is most concerned about the state of reproductive rights in the United States. If you enjoy or find value in this podcast, I’d like to ask you a quick favor. Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show. So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you! I use an incredible online app, Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon], to produce this podcast. If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough. Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon] myself!) A quick shout out to Ievgen Poltavskyi from Pixabay [https://pixabay.com/users/hitslab-47305729/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=278389] for the musical underscoring! Get full access to The Cannon Story Company Dispatch at jasoncannonstorycoach.substack.com/subscribe [https://jasoncannonstorycoach.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

8 Dec 2025 - 1 h 1 min
episode The Funny Voice Guy artwork

The Funny Voice Guy

In this episode, I interview Jim Sorensen, exploring his diverse journey through theater, boxing, and a new career in financial services. Jim shares his experiences in acting, the challenges of portraying complex characters, and the importance of storytelling in both theater and life. He discusses his love for radio theater and his unique adaptation of A Christmas Carol. He also reflects on the lessons learned throughout his career, emphasizing the need for financial literacy among artists. The conversation highlights the interconnectedness of creativity and practicality in the arts. You can listen on the Substack App [https://substack.com/app?utm_campaign=app-marketing&utm_content=email-footer-button], and all episodes are also available on Apple [https://podcasts.apple.com/us/podcast/page-stage-podcast/id1735915535] or Spotify [https://open.spotify.com/show/3MIRTGD3BoSQiFUTXmpSOm]. Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube [https://youtu.be/bSZtwmaUFFg]. CORRECTION After recording, Jim emailed saying he had misspoken. While talking about his work in the boxing industry—and that’s pugilism, not cardboard—Jim mentioned a recent bout that his buddy Paulie Malignaggi had fought in. In our interview, Jim mistakenly implied that Paulie had lost, but in fact, Paulie won! So if you run into Paulie, be sure to congratulate him. And if you run into Jim, forgive him. Jim’s Links * Learn all about Jim and his work at his website: jimsoren.com [https://www.jimsoren.com] * Info and tix for A CHRISTMAS CAROL: A LIVE RADIO PLAY [https://thestudioat620.org] * Learn more about Tampa Repertory Theatre [https://thestudioat620.org] * Visit Jim at Instagram [https://www.instagram.com/jimsoren?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==] and Facebook [https://www.facebook.com/jimsoren] Jim’s Bio Jim Sorensen has been an actor, singer, administrator, designer, director, and all-around theatre practitioner for over 30 years. Onstage credits include: Off-Broadway/New York: THE BODY BEAUTIFUL, PLAIN & FANCY (York), MIRACLE ON 34TH STREET (Engeman), PLAGUED: A LOVE STORY (NYMF). Regional: BEAUTIFUL (Reagle Music Theatre), THE 39 STEPS, A FEW GOOD MEN (Flat Rock Playhouse), INTO THE WOODS, THOROUGHLY MODERN MILLIE (Fulton), LES MISERABLES (Arts Center of Coastal Carolina). Florida: BAKERSFIELD MIST (The Off-Central), NEXT TO NORMAL, STRAIGHT WHITE MEN (TampaRep), MAMMA MIA!, THE PRODUCERS, MUCH ADO ABOUT NOTHING, IT’S A WONDERFUL LIFE, THE ROCKY HORROR SHOW (American Stage), WEBB’S CITY (Palladium), BUTLER (Florida Studio), SOUTH PACIFIC, 1776 (Asolo), TIME STANDS STILL (Banyan), THE BUFFALO KINGS, CABARET, THE NORMAL HEART, BECKY SHAW, THE BURNT PART BOYS (freeFall), THE BLUE ROOM (Stageworks). A multiple award-winning actor, Jim was also founding Managing Director of freeFall Theatre, served as Managing Director at American Stage, and is currently the Managing Artistic Producer at Tampa Repertory Theatre. After three years with ProBox TV, producing live boxing events - and occasionally appearing as Ring Announcer - Jim is on the setting out on his next big adventure: serving as a Financial Advisor with Edward Jones. If you enjoy or find value in this podcast, I’d like to ask you a quick favor. Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show. So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you! I use an incredible online app, Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon], to produce this podcast. If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough. Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon] myself!) A quick shout out to Ievgen Poltavskyi from Pixabay [https://pixabay.com/users/hitslab-47305729/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=278389] for the musical underscoring! Get full access to The Cannon Story Company Dispatch at jasoncannonstorycoach.substack.com/subscribe [https://jasoncannonstorycoach.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

24 Nov 2025 - 58 min
episode BACKWARDS, FORWARDS, BACK artwork

BACKWARDS, FORWARDS, BACK

In this episode, I’m joined by playwright Jackie Goldfinger, actor L. James, and director Sue Wolf. We explore the multifaceted world of theater, focusing on the importance of storytelling, the challenges of playwriting, and the unique experiences of military veterans in the arts. We discuss the development of the one-person show BACKWARDS, FORWARDS, BACK, highlighting the role of virtual reality in modern storytelling and the impact of PTSD on both characters and audiences. Our conversation emphasizes the need for trust between directors and actors, the significance of compelling characters, and vital support organizations for veterans. You can listen on the Substack App [https://substack.com/app?utm_campaign=app-marketing&utm_content=email-footer-button], and all episodes are also available on Apple [https://podcasts.apple.com/us/podcast/page-stage-podcast/id1735915535] or Spotify [https://open.spotify.com/show/3MIRTGD3BoSQiFUTXmpSOm]. Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube [https://youtu.be/MdAKD1Qwa-8]. Guest’s Links * Get tickets to BACKWARDS, FORWARDS, BACK at United Solo on November 14 HERE [https://unitedsolo.org/the-19th-annual-united-solo-theatre-festival/backwards-forwards-back/]. * Learn more about Jackie and all her plays HERE [https://www.jacquelinegoldfinger.com]. * Get Jackie’s book, PLAYWRITING WITH PURPOSE, HERE [https://www.amazon.com/Playwriting-Purpose-Jacqueline-Goldfinger/dp/1032825901/ref=sr_1_1?crid=RX0Z9W5OPJQ&dib=eyJ2IjoiMSJ9.q2t_4JN8fUXiSwoat6WYciLjRXni3iPK2BYV2PydMZk_X0-9SAuDzm9zGrjxEtGtZ2cGEBMxntVP5X0A6ZZqeAaaPize9NFY3NBVXZEhfr_z6csdja3La2gQWycUSfbjPOpFF10xSFahvTbWo20m7Yb8MrFQ9xfazRzkkozhm49KM89lsRy5MLs_zmiLaIqvFvhyfLRpHJYq5-40sIBM4A.f6myhEa78244EuyK9Cj6QR-bKuLrP-bmi-v5DpuWr90&dib_tag=se&keywords=playwriting+with+purpose&qid=1761762195&sprefix=playwriting+with+purpos%2Caps%2C161&sr=8-1]. * Learn more about L. and all his projects HERE [https://www.ljames.art]. * Visit L. on Instagram HERE [https://www.instagram.com/l__james__/]. * Learn more about Sue and all her projects HERE [https://suewolf.com]. * Learn more about Sue’s amazing non-profit to help foster kids—Foster Your Dreams—HERE [https://fosteryourdream.org]. * Learn more about Operation Warrior Resolution HERE [https://www.operationwarriorresolution.org]. * Learn more about VoteVets HERE [https://votevets.org]. Guest’s Bios L. James (Performer) is a proud native of Paterson, New Jersey and US Army Veteran. He received his BA in Theater at Ramapo College of New Jersey and an MFA in Fine Arts from Florida State University. Since graduating, he has been seen in TV/Flim such projects as Law & Order, CBS’ FBI, The Zombie Wedding, The Mooch. He’s performed at regional theaters along the east coast, Asolo Rep., Shakespeare & Co, ASC, FreeFall Theatre and more. He also has shared his in voice in voiceovers, audiobooks and announcements for local companies. L. is a proud veteran and an accomplished performer whose work centers on themes of resilience, healing, and the complexities of military life. He brings lived experience and authenticity to this acclaimed role. Sue Wolf (Director) began her career on Broadway... as an usher. Tired of reciting the alphabet backwards, she started directing plays and musicals. She eventually moved to Los Angeles, where she lived in her car in Beverly Hills, ‘showered’ in a doctor’s office, and landed a job in the casting department for Norman Lear. She played alto sax at The Central on Sunset Boulevard (Viper Room now) by night and by day she was a writer’s assistant on “All In The Family.” Ultimately after working every job in production and writing for Weekly and Daily Variety Newspaper, Sue became a producer and director for stand-up and sketch comedy shows and documentaries. Her TV shows are on Comedy Central, MTV, Disney, Lifetime, CBS, ABC, TBS, UPN and has over 50 shows on HBO with seven Cable Ace nominations and two wins! In addition to co-creating the classic award-winning series “One Night Stand,” she produced the first (almost all black) stand-up show for Eddie Murphy TV called “Uptown Comedy Express,” and the first all-female stand-up HBO show called “Women of the Night.” Sue produced and/or directed specials with Robin Williams, Billy Crystal, Chris Rock, Ellen DeGeneres, Martin Short, Paul Rodriguez, Martin Mull, Denis Leary, Joy Behar and many more. Her films include documentaries “Iroquois Art,” Richard Pryor’s “I Ain’t Dead Yet Mutherf*cker”, and “Rodney Dangerfield.” Narratives: Markus Wolf for Paramount (script Jim Webb produced with Larry Brezner and a film called “Zombie Wedding.” She is proud of her community work which includes serving on the board of NYRep, starting FosterYourDream.org, a 501c3 that makes dreams come true for foster kids, serving on the Friends Committee of Hollywood Beautification Team (a non-profit that paints out 2 million miles of graffiti and ‘greens’ L.A.), serving on Eric Garcetti’s Gang Safety Commission, serving as Lemon Grove Park’s Board President, and receiving two citations from Mayor Garcetti for rolling up her sleeves and getting involved. She plans to live to 150. Jacqueline Goldfinger (Playwright) is a playwright, poet, and librettist whose work has been produced in the U.S. and around the world. Her book, Playwriting with Purpose: A Guide and Workbook for Playwrights, is taught at colleges and universities around the country. Her plays have been produced by The Kennedy Center, United Solo (Off-Broadway), Court Theatre (New Zealand), École nationale de théâtre (Canada), Urbanite Theatre, Contemporary American Theatre Festival, Theatre Exile, Vortex Rep, Perseverance Theatre, among others. Her work has been developed at Maryland Opera Studio, the National Theater (UK), New Georges, La Mama, Disquiet (Portugal), Drama League, Lark Playwrights Week, National New Play Network, among others. Her work has been supported by organizations including Yaddo, National Endowment for the Arts, Millay Colony, Sloan Foundation, and the Orchard Project. Her opera, choral and art song libretti have been performed at Sydney Opera House (Australia), Opera Columbus, Resonance Works, BBC Radio 3 (UK), Voces8 (UK), Oberlin Opera, Chor Leoni (Canada), Chiesa di Ognissanti (Italy), San Diego Opera/Without Walls Festival, and others. The filmed version of her short opera, Letter to Our Children, with Composer Justine F. Chen has screened at film festivals around the world. Her plays have won the Yale Prize, Generations Award, Smith Prize,among others. Her plays and libretti have been published by Yale Press, Theatrical Rights Worldwide, Concord Theatricals, Dramatists Play Service, Edition Peters, and others. Her poetry has been published by literary magazines including American Poetry Review, Poetry Wales, and Beyond Queer Words Poetry Anthology. As a dramaturg, she specializes in new work and has worked with La Jolla Playhouse, Philadelphia Theatre Company, Arden Theatre, and others. As an educator, she has taught playwriting and dramaturgy at University of Pennsylvania, UC Davis, and others. Education: BA English Literature-Theatre at Agnes Scott College. MFA Screenwriting at University of Southern California. If you enjoy or find value in this podcast, I’d like to ask you a quick favor. Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show. So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you! I use an incredible online app, Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon], to produce this podcast. If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough. Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon] myself!) A quick shout out to Ievgen Poltavskyi from Pixabay [https://pixabay.com/users/hitslab-47305729/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=278389] for the musical underscoring! Get full access to The Cannon Story Company Dispatch at jasoncannonstorycoach.substack.com/subscribe [https://jasoncannonstorycoach.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

3 Nov 2025 - 1 h 3 min
episode The Road Unpaved artwork

The Road Unpaved

Inspirational speaker, memoirist, and igniter of dreams Risa August shares her incredible journey from being a successful athlete to facing a life-altering diagnosis of a brain tumor. She discusses her experiences with Ironman competitions, the challenges of her diagnosis, and the transformative bike ride from Canada to Mexico that followed. Risa also delves into her writing process, the importance of storytelling, and her exploration of Gestalt therapy. Throughout the conversation, she emphasizes the power of resilience, authenticity, and the lessons learned from her experiences. You can listen on the Substack App [https://substack.com/app?utm_campaign=app-marketing&utm_content=email-footer-button], and all episodes are also available on Apple [https://podcasts.apple.com/us/podcast/page-stage-podcast/id1735915535] or Spotify [https://open.spotify.com/show/3MIRTGD3BoSQiFUTXmpSOm]. Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube [https://youtu.be/m_6P0hWzEag]. Guest’s Links Visit Risa’s website: RisaAugust.com [https://www.risaaugust.com] Buy Risa’s book: The Road Unpaved [https://www.risaaugust.com/my-book.html#buy] Guest’s Bio Award-winning author, Speaker, Gestalt Practitioner, and Patient Advocate, Risa August has been living with a pituitary tumor and rare disease for over a decade. Risa shares her insights and perspectives on stage, offering words of inspiration to audiences. Additionally, Risa works one-on-one with clients, guiding them through the many roadblocks of life and toward living more fully inspired. A girl with sparkles in her hair and once an Ironman athlete, Risa still has a passion for her bike and barbells. With her genuine curiosity and love for trying new (and old) things, you may find Risa taking Bollywood or Hip-Hop dance lessons, trying a silks aerialist or boxing class, going indoor skydiving, and guiding inspirational workshops in creativity. Through her personal transformation, Risa has learned and practiced removing limiting beliefs, shifting her perspective, and embracing an expansive life…a life unleashed. If you enjoy or find value in this podcast, I’d like to ask you a quick favor. Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show. So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you! I use an incredible online app, Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon], to produce this podcast. If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough. Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon] myself!) A quick shout out to Ievgen Poltavskyi from Pixabay [https://pixabay.com/users/hitslab-47305729/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=278389] for the musical underscoring! Get full access to The Cannon Story Company Dispatch at jasoncannonstorycoach.substack.com/subscribe [https://jasoncannonstorycoach.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

22 Sep 2025 - 55 min
episode Work Breeds Work artwork

Work Breeds Work

Lee Gundersheimer joins me to share his remarkable journey through the theater world—as actor, director, playwright, and educator. From formative lessons with Uta Hagen to reinvention in Winona’s vibrant arts community, Lee reflects on the power of reputation, the wisdom gained from both success and failure, and the enduring joy of collaboration. With insights on showing up, staying curious, and the nature of theater itself, this inspiring conversation celebrates a life devoted to storytelling and connection. You can listen on the Substack App [https://substack.com/app?utm_campaign=app-marketing&utm_content=email-footer-button], and all episodes are also available on Apple [https://podcasts.apple.com/us/podcast/page-stage-podcast/id1735915535] or Spotify [https://open.spotify.com/show/3MIRTGD3BoSQiFUTXmpSOm]. Or, if you want to put faces with voices, you can watch the video version of this podcast over on YouTube [https://youtu.be/jwtLLbzOaO0]. Lee’s Links Website: LeeGunder.com [https://www.leegunder.com] Lee’s Bio A multi-faceted theatre professional, Lee has worked as an actor, director, playwright, producer, administrator and designer. He has built and run two separate theater spaces in Manhattan, managed many new play workshops, directed over eighty plays, performed in countless theaters in NYC, and worked as a teacher of acting, directing, and playwriting for five major universities. He is a founding member of two local theatres: Treefort and The Hat. As a playwright, his play Incommunicado was produced off Broadway and nominated for two Adeulco Awards. His play Pas De Deux won Best New American Play on Theatre Row in NYC. Before moving back to Florida where he was raised, he spent some time in the Midwest where he was Managing Director of The Great River Shakespeare Festival and the Arts and Culture Coordinator for the City of Winona, MN. If you enjoy or find value in this podcast, I’d like to ask you a quick favor. Leaving a short review or comment helps me out a ton. It tells the algorithmic overlords that people are listening, and it helps other folks discover the show. So if you can post a review—just click the purple button below to open Apple Podcasts and scroll down to Ratings and Reviews—or leave a comment on this episode here on Substack or over on YouTube, wherever you happen to be listening or watching, I would be incredibly grateful. And if you know someone who might also enjoy Page&Stage, here’s a handy “share” button. Thank you! I use an incredible online app, Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon], to produce this podcast. If you’re interested in producing your own podcast, creating other audio or video content, or hosting a livestream, I cannot recommend them highly enough. Here’s a link so you can check ‘em out! (Full disclosure, this is an affiliate link, but I wouldn’t put it here if I didn’t believe in and use Riverside.fm [https://riverside.fm/?utm_campaign=campaign_5&utm_medium=affiliate&utm_source=rewardful&via=jason-cannon] myself!) A quick shout out to Ievgen Poltavskyi from Pixabay [https://pixabay.com/users/hitslab-47305729/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=278389] for the musical underscoring! Get full access to The Cannon Story Company Dispatch at jasoncannonstorycoach.substack.com/subscribe [https://jasoncannonstorycoach.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

8 Sep 2025 - 1 h 1 min
En fantastisk app med et enormt stort udvalg af spændende podcasts. Podimo formår virkelig at lave godt indhold, der takler de lidt mere svære emner. At der så også er lydbøger oveni til en billig pris, gør at det er blevet min favorit app.
En fantastisk app med et enormt stort udvalg af spændende podcasts. Podimo formår virkelig at lave godt indhold, der takler de lidt mere svære emner. At der så også er lydbøger oveni til en billig pris, gør at det er blevet min favorit app.
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