The Creative Process · Arts, Culture & Society: 2022-2023

Special Earth Day Stories - Environmentalists, Artists, Students & Teachers share their Love for the Planet - Part 1

Today we’re streaming voices of environmentalists, artists, students, and teachers. Enjoy Part 1 of this Special Series with music courtesy of composer Max Richter. All voices on this episode are from our interviews for The Creative Process & One Planet Podcast: MAX RICHTER INGRID NEWKIRK, Founder of PETA BERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation CARL SAFINA, Ecologist, Founding President of Safina Center CLAIRE POTTER, Designer, Lecturer, Author of “Welcome to the Circular Economy” ADA LIMÓN, U.S. Poet Laureate, Host of The Slowdown podcast CYNTHIA DANIELS, Grammy and Emmy award-winning producer, engineer, composer JOELLE GERGIS, Lead Author of the IPCC Sixth Assessment Report, Author of “Humanity’s Moment” KATHLEEN ROGERS, President of EARTHDAY.ORG ODED GALOR, Author of “The Journey of Humanity”, Founder of Unified Growth Theory SIR GEOFF MULGAN, Fmr. Chief Executive of Nesta, Fmr, Prime Minister’s Strategy Unit Director & Downing Street’s Head of Policy, Author of “Another World is Possible” ALAIN ROBERT, Rock & Urban Climber known for Free Solo Climbing 150+ of the World’s Tallest Skyscrapers using no Climbing Equipment NOAH WILSON-RICH, Co-founder & CEO of The Best Bees Company CHRIS FUNK, Director of the Climate Hazards Center at UC Santa Barbara, Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes DAVID FARRIER, Author of “Footprints: In Search of Future Fossils” DR. SUZANNE SIMARD, Professor of Forest Ecology, Author of “Finding the Mother Tree” PETER SINGER, “Most Influential Living Philosopher”, Author, Founder of The Life You Can Save JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry www.creativeprocess.info [http://www.creativeprocess.info] www.oneplanetpodcast.org [http://www.oneplanetpodcast.org] IG www.instagram.com/creativeprocesspodcast [http://www.instagram.com/creativeprocesspodcast] www.maxrichtermusic.com [http://www.maxrichtermusic.com] https://studiorichtermahr.com [https://studiorichtermahr.com] Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

MAX RICHTER - Award-winning Composer & Pianist

Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams. A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation. Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo. He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community. "For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own. So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale. But time is a super important part of that process. You know, there are things which are just not ready. And you have to just wait until they make sense to you in a new way, or you can discover them almost as though someone else had written them. That sort of trying to achieve a kind of objectivity about the material." www.maxrichtermusic.com [http://www.maxrichtermusic.com] https://studiorichtermahr.com [https://studiorichtermahr.com] Photo by William Waterworth www.creativeprocess.info [http://www.creativeprocess.info] www.oneplanetpodcast.org [http://www.oneplanetpodcast.org] IG www.instagram.com/creativeprocesspodcast [http://www.instagram.com/creativeprocesspodcast] Max Richter’s music featured in this episode in order of appearance "On the Nature of Daylight” from The Blue Notebooks, Path 19: Yet Frailest” from Sleep, “Spring 1” from The New Four Seasons – Vivaldi Recomposed, "Lullaby From The Westcoast Sleepers” from 24 Postcards in Full Colour, Vladimir’s Blues” from The Blue Notebooks. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now - HENRY SHUE - Highlights

“These long-lived connections provide a radically different example of the insight from one of the characters created by my fellow Southerner William Faulkner: 'The past is never dead. It's not even past.' And similarly long chains reach from the present into the future. Conventionally, we tend to think that the future is yet to be born or is even only just beginning to be conceived. But the climate future was already beginning to take shape when humans started centuries ago to inject more carbon into the atmosphere than the usual climate dynamics could handle in the usual ways, and climate parameters were forced to start changing. The vast and accelerating carbon emissions of the late 20th century and the early 21st century are building minimum floors under the extent of climate change in future centuries, barring radically innovative corrections of kinds that may or may not be possible. [Timothy Mitchell has written:]'The modes of common life that have arisen largely within the last one hundred years, and whose intensity has accelerated only since 1945, are shaping the planet for the next one thousand years, and perhaps the next 50,000.' The future is not inaccessible – we hold its fundamental parameters in our hands, and we are shaping them now. In this respect, the future is not unborn–it's not even future.” – The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations. www.merton.ox.ac.uk/people/professor-henry-shue [http://www.merton.ox.ac.uk/people/professor-henry-shue] https://press.princeton.edu/books/paperback/9780691202280/basic-rights [https://press.princeton.edu/books/paperback/9780691202280/basic-rights] https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generation [https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generation] www.creativeprocess.info [http://www.creativeprocess.info] www.oneplanetpodcast.org [http://www.oneplanetpodcast.org] IG www.instagram.com/creativeprocesspodcast [http://www.instagram.com/creativeprocesspodcast]

PERRY MASON starring Matthew Rhys with Showrunner MICHAEL BEGLER - Highlights

“Storytelling is our oldest art form. We can't silence the arts and those voices because if we do, we lose something that is so crucial to who we are just as human beings. We want to tell stories. We want to express things. For example, I cannot draw. And one day the teacher wanted us to do negative space drawings. And I said, ‘What is that?; And they explained that it's looking at what's around the object and not the object. And it clicked, and it made me look at things from a whole different perspective. And you know, what? That became where I was most successful. And so for me, there's are an infinite number of ways to tell a story that you never run out of ideas, that you can always find another road, another way to look at something. That's probably one of the key elements to my career.” Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO’s most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series. Begler’s previous series include the Peabody Award-winning The Knick, starring Clive Owen, directed by Steven Soderbergh, writing/producing credits also include comedy series The Tony Danza Show, The Jeff Foxworthy Show and the film Big Miracle starring Drew Barrymore and John Krasinski. www.imdb.com/title/tt2077823 [http://www.imdb.com/title/tt2077823] www.instagram.com/perrymasonhbo [http://www.instagram.com/perrymasonhbo] www.imdb.com/name/nm0066764 [http://www.imdb.com/name/nm0066764] www.creativeprocess.info [http://www.creativeprocess.info] www.oneplanetpodcast.org [http://www.oneplanetpodcast.org] IG www.instagram.com/creativeprocesspodcast [http://www.instagram.com/creativeprocesspodcast]

Inside the Pritzker Architecture Prize & Venice Biennale with MANUELA LUCÁ-DAZIO - Highlights

“So for me being born in a place like Naples helped me absorb and to be constantly open and curious about other cultures, simply because they were part of my own culture. So it's a challenging city, I must say. And it's incredible how you more easily communicate with other people when you are in a place that you feel is a public place, but it belongs to you. It belongs to everyone. It's a space for the community. So this was the first lesson that I learned studying architecture because then you start to read the places in a more organized, scientific way. And I think maybe this dimension passed into my DNA. So from my point of view, a prize is not just to establish the most beautiful building, the most expensive building, or the tallest building in the world. It's rather to foster the discussion to bring forward critical points to be discussed. To bring forward contradictions, to really enhance the discussion about what is relevant for our society or for society in a specific moment. So this, for me, is the role of a prize, to highlight critical issues and to foster the discussion, to face them, and to find solutions, to find new paths. So in the case of the Pritzker Prize, the mission has been very clear since the very beginning. So it's to acknowledge a living architect or architects for a body of built work that has produced a consistent and significant contribution to humanity and to the built environment through the art of architecture.” Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France. www.pritzkerprize.com [http://www.pritzkerprize.com] www.pritzkerprize.com/jury#jury-node-2236 [http://www.pritzkerprize.com/jury#jury-node-2236] www.labiennale.org/en [http://www.labiennale.org/en] www.creativeprocess.info [http://www.creativeprocess.info] www.oneplanetpodcast.org [http://www.oneplanetpodcast.org] IG www.instagram.com/creativeprocesspodcast [http://www.instagram.com/creativeprocesspodcast]