SEASON 3, EPISODE 29, HOLLYWOOD - THE BEST 70S CRIME FILM YOU'VE NEVER SEEN!

SEASON 3, EPISODE 29, HOLLYWOOD - THE BEST 70S CRIME FILM YOU'VE NEVER SEEN!

On the Season 3 finale of The Rad Revival House, we are THRILLED to tackle one of the greatest and criminally-underseen crime films of the 1970s: HOLLYWOOD MAN! We are especially excited to have a pillar of classic tough guy cinema as this week’s Special Guest Lecturer, the ace character actor and co-star of HOLLYWOOD MAN, Mr. Don Stroud! Don’s storied career spans decades, starting in the 1960s where among his first foray into action cinema includes his memorable on-screen rivalry with the legendary Clint Eastwood in the urban Western COOGAN’S BLUFF, followed by a great many others, including JOE KIDD (also with Eastwood), SLAUGHTER’S BIG RIP-OFF, THE BUDDY HOLLY STORY, TV’s MIKE HAMMER, LICENSE TO KILL, and DJANGO UNCHAINED.  Don provided great insight into his contribution in HOLLYWOOD MAN, along with his longtime friendship with the film’s star, the late great movie heavy William Smith. Together with our host, Professor Cesare Augusto, Don analyzed what makes HOLLYWOOD MAN so special. Both Don and Cesare have a great time discussing HOLLYWOOD MAN, on what made William Smith such a great onscreen presence apart and not just another run-of-the-mill cinematic musclehead, as well as their off-screen friendship.   After many years of playing heroic sidekicks or evil villains, HOLLYWOOD MAN offered “Big Bill” a chance at playing a sympathetic lead in a feature film. Bill stars as Rafe Stoker, a struggling actor and director looking for more funds to finance his latest biker crime epic. When he fails to gain legitimate funds, Rafe finds a new financial outfit in the form of the mafia. The mob, looking to score big on the big screen, loans Rafe a small fortune to finish his picture. But when he fails to finish his project by their deadline, the gangsters begin sabotaging Rafe’s efforts until he can cough up the dough he owes them! We at the RRH wish to thank the great Don Stroud for his generosity and eagerness to discuss one of the best 1970s crime films you’ve never seen!

SEASON 3, EPISODE 28, THE INGLORIOUS BASTARDS - THE ORIGINAL ITALIAN MACARONI COMBAT CLASSIC!

The special Season 3 Finale Series at The Rad Revival House begins with our review of the original hard-hitting no-holds-barred 1978 Macaroni Combat classic, THE INGLORIOUS BASTARDS! We at the RRH opens with open arms the Special Guest Lecturer of the week, one of the stars of THE INGLORIOUS BASTARDS, vintage tough guy actor Mr. Bo Svenson! Our host, Professor Cesare Augusto, sits down with Bo to discuss his experiences making this cult war thriller, directed by versatile Italian genre master, Enzo G. Castellari, and co-starring Bo’s fellow 70s action icon, Fred “The Hammer” Williamson.  The film’s titular characters are a gang of misfit soldiers, military convicts in World War II on their way to be tried for various war crimes, when they find themselves under attack by invading Nazis. Taking advantage of the chaos, the Bastards trek through war-torn Europe to defect to neutral Switzerland. Led by headstrong Lt. Robert Yeager (Bo), the Bastards encounter one bloody misadventure after another, until they are forced to participate in a top-secret Allied mission to recover a deadly rocket from the Nazis. During our show, Bo reminisces fondly about his time working with Castellari and his old colleague, The Hammer, as well as providing our class of would-be filmmaker listeners with strong artistic advice. He recommends all filmmakers to not purely emulate from past cinema, but to look within themselves for creativity. Bo strongly urges to not over-analyze material, to not waste time with artifice, and to grab artistic individuality by the horns! We at the RRH thank our great Special Guest Lecturer, Mr. Bo Svenson, for appearing on our podcast and granting us his shrewd but effective pearls of wisdom!

SEASON 3, EPISODE 27, THE BIG RED ONE: OVER THERE WITH SAM FULLER AND LEE MARVIN!

Ten-HUT and fall in, class! The Rad Revival House explores one of the greatest yet criminally-underrated war films of all time: Samuel Fuller’s 1980 autobiographical epic, THE BIG RED ONE, starring the incomparable Lee Marvin! Joining us for the first time is Kass Smiley, host of The Big Lee Marvin Fan Podcast and big Lee Marvin superfan. As a first time Special Guest Lecturer on the RRH, Kass brings her significant expertise in the life and work of Lee Marvin as she accompanies host Professor Cesare Augusto in this wild, yet solemn war drama. THE BIG RED ONE focuses on a ragtag group of U.S. Army sharpshooters, led by The Sergeant (Marvin), as he is joined by young, yet already battle-hardened grunts across the WWII battlegrounds of Europe and Northern Africa. Rounding out the ranks as “The Four Horsemen” are Griff (Mark Hamill), Zab (Robert Carradine), Vinci (Bobby DiCicco), and Johnson (Kelly Ward), all of whom are characters equipped with unique backgrounds and idiosyncrasies to accompany the Sergeant’s own gruff mannerisms. From the bloody shores of Normandy to the broiling sands of Tunisia, the Sergeant and his platoon scour the battlegrounds and fight not just to win the war, but to secure their very survival. Being both veterans of World War II, both director Fuller and star Marvin add their own personal authentic personal touches to the film, carrying on with them the scars of their war experiences which make their contributions all the more believable, and convincing. Kass and Cesare discuss the beauty of the performances, especially by that of Marvin (in one of his most excellently heartbreaking roles), Hamill (fresh off his success in STAR WARS), and Carradine, whose role as Zab mirrors that of Fuller’s own wartime experiences.  THE BIG RED ONE is a great example of a war film used to capture the horrors of war, as well as the humanity of the professional soldier. Our reviewers both agree that this film effectively captures the harshness of warfare, as well as proving tough guy actors such as Lee Marvin are also capable of being absolutely talented and multi-layered in their creative craft!

SEASON 3, EPISODE 26, JUNETEENTH/FATHER'S DAY SPECIAL - CLAUDINE

On this dual Juneteenth/Father’s Day Weekend, the Rad Revival House pays tribute to both yearly observances with our review of the great 1970s African-American family drama, CLAUDINE! Returning to provide his excellent cinematic insight is filmmaker and frequent Special Guest Lecturer Mike Dennis of Reelblack. CLAUDINE stars legendary film stars Diahann Carroll and James Earl Jones, in a performance of a lifetime. Carroll is the titular character, a working-class African-American mother in Harlem working to provide a suitable life for her large family of six kids. In walks Roop (Jones), a smooth-talking garbage collector who sweeps Diahann off her feet. Together, Claudine and Roop’s initial relationship blossoms into love, much to the unease of her six children, including older siblings Charles (Laurence Hilton-Jacobs) and Charlene (Tamu Blackwell), who are particularly defensive at the idea of their mother bringing home another possible male dead-beat in their lives. Despite their problems, both Claudine and Roop work to overcome the challenges of their difficult world. Both Mike and our host, Professor Cesare Augusto discuss the simple, yet incredible finer things of this week’s film showcase. The film’s performances are believable, realistic, and entertaining at the same time, especially by Carroll, the always excellent Jones, and the intense Hilton-Jacobs and Blackwell. Plus, our reviewers wholly enjoyed the film as a black feature serving as a departure from the era’s ultra-popular Blaxpoitation movement. CLAUDINE is a quieter, simple romantic-comedy, proof that black films at the time could be successful and creatively effective, without the standard Blaxploitation cliches!

SEASON 3, EPISODE 25, PRIDE MONTH SPECIAL - THE CHILDREN'S HOUR & THE WEDDING BANQUET

Happy Pride Month to our LGBTQ class of listeners and aspiring filmmakers! The Rad Revival House embarks on its first-ever Pride Month tributes with a double-feature of great LGBTQ-based films: the gripping 1961 drama THE CHILDREN’S HOUR, and the light-hearted 1993 foreign comedy-drama THE WEDDING BANQUET. Joining our analysis is Sam Levy, co-host of the great Informed Nostalgia Podcast and frequent RRH Special Guest Lecturer, as he sheds light on what these two pictures mean to him as a film lover as well as a gay man. First, Sam and our host, Professor Cesare Augusto, analyze William Wyler’s tragically beautiful film, THE CHILDREN’S HOUR. Based on a play by Lillian Hellman and remade from Wyler’s own film THESE THREE, THE CHILDREN’S HOUR focuses on a near-literal Hell on Earth brought upon by two working teachers, Karen (Audrey Hepburn) and Martha. The two women run an all-girls school, where one student, a bratty, compulsively lying girl named Mary (Karen Balkin), maliciously starts a lie that Karen and Martha are secretly lovers. Mary’s lie escalates into a scandal as the parents of the students begin removing the children from the school, resulting in Karen and Martha’s professional reputations and personal lives being severely damaged. Complicating matters is Martha revealing she did indeed harbor romantic feelings towards Karen, driving a wedge into the latter’s engagement with a local doctor (James Garner). THE CHILDREN’S HOUR is a great socially-driven film, and quite daring in its subject matter for the time (the conservative early 1960s). Both Sam and Cesare celebrate the picture’s excellent performances, (while Sam personally prefers its predecessor, THESE THREE), and enthusiastically acknowledge the film’s fierce stance against society’s ignorant intolerance towards the gay community. On the second film of this Pride Month double-feature, THE WEDDING BANQUET also offers an ahead-of-its-time approach, this time with an ethnic twist. Directed by Ang Lee (BROKEBACK MOUNTAIN, CROUCHING TIGER, HIDDEN DRAGON), THE WEDDING BANQUET features an interracial gay couple (Winston Chao and Mitchel Lichenstein) and their well-intentioned, if trouble-prone attempts at helping a friend. Eager to help his Chinese tenant Wei-Wei (May Chin) to permanently reside in the U.S., Wai-Tung agrees to pose as her fiance, at the suggestion of his boyfriend Simon). The ruse works painfully too well, as Wai-Tung’s parents fly to the U.S. from China to host a wedding ceremony for both Wai-Tung and Wei-Wei. A lavish banquet and an awkward living situation ensues as the newly-married “Couple” inadvertently conceives a child in the chaos. Sam and Cesare analyze what makes THE WEDDING BANQUET so special. Unlike other “gays pretending to be straight” films like LA CAGE AUX FOLLES and its remake, THE BIRDCAGE, THE WEDDING BANQUET offers a more subtle and even sad tones to its otherwise humorous spin. Directly Ang Lee provides a fascinating look at interracial gay couples and how they must contend with traditionalist values thrown upon them. Our reviewers appreciate the film’s positive dignity that it offers towards the LGBTQ community, giving a happier, wittier spin towards their lifestyle!