Episode 469: Mother Mary

Episode 471: Obsession

Josh is joined by recurring guests Daniel Lima and Andrea DeWitt to talk all about the surprise box office hit of 20256, Curry Barker's "Obsession." They discuss the film's engaging story about a romantic wish gone wrong, the ways in which Barker impressively stretched a $750,000.00 budget to make a film that looks better than most do on budgets of similar size, the star-making turn from actress Inde Navarrette and much more! Produced and Edited by Daniel Lima.

Episode 470: The Devil Wears Prada 2

Josh is joined by recurring guest John Pulice to visit the world of high fashion as they talk all about "The Devil Wears Prada 2." They discuss how the film managed to be topical in examining the journalism industry in 2026, whether it was successful in building on plot points from its 2006 predecessor, the performances from the cast that again included Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci and much more!

Episode 469: Mother Mary

Josh is joined by Haley Jones and David Lowery Correspondent Elijah Howard to talk about the newest release from Lowery, "Mother Mary." They discuss what Lowery wanted to convey about his creative process and creating art in general, the performances from Anne Hathaway and Michaela Coel, the quality of the music within the movie that was made by Jack Antonoff, Charli XCX and FKA Twigs and much more!

Episode 468: Michael

Josh is joined by Daniel Lima and Mo Adewunmi to talk all about one of the box office events of 2026, "Michael." They discuss if the movie had enough of a point of view to justify its own existence, if the big musical performances alone made it a worthwhile theater-going experience, they ways in which the film skirted around the controversial parts of Michael Jackson's life, Jaafar Jackson's performance as his uncle in the title role and much more! Produced and Edited by Daniel Lima.

Episode 467: The Christophers

Josh is joined by Steven Soderbergh Correspondent Josh Brown to discuss the newest film from the prolific director, “The Christophers.” They praise the performance of Ian McKellen as a bitter, old artist contemplating the end of his career, Michaela Coel’s turn as a forger with shifting motives, the film’s message about what it means to be an artist, and then they take several digressions into cancel culture and Clint Eastwood’s past and future as a political figure.