The Spotting Session

The Things That You Can Expect As A Film Composer, Scoring Your First Independent Film Project. - Part 2 of 2

Let's continue from where we left off in Episode 2, Part 1. I have more  pointers you can use when starting your first film project as a composer.

The Things That You Can Expect As A Film Composer, Scoring Your First Independent Film Project. - Part 1 of 2

In this 2nd episode of The Spotting Session, I'm going to give you several points to remember if you're ready to score your first film as a composer. These suggestions certainly helped me over the years, and being prepared ahead of time is half your success!

What Will Help A Music Composer Grasp A Film Director's Project? - Part 2 of 2

Let's get back to the discussion from the 1st Part of this Episode, as it pertains to the Film Composer/Film Director relationship on a project. I'll provide you with a couple more points to consider as a composer, to make your film soundtrack a success!

What Will Help A Music Composer Grasp A Film Director's Project? - Part 1 of 2

The director has finished editing their film, and you have to deliver as the film composer. Follow along with SESAC [http://www.sesac.com] composer Dana Solomon [http://www.dasprd.com], as he gives at least 5 options and several common situations when tackling your first soundtrack. Get some insight into the dilemmas a film director may deal with, and the solutions you can use to help finish the score. If you have no prior knowledge about the director/composer relationship for a film project, are curious how film composers approach directors, or maybe just want to learn the ropes as a beat maker turned soundtrack composer, then this show is for you!