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Why This Film?

Podcast by Why This Film?

English

Culture & leisure

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About Why This Film?

🎬 Exploring the Criterion Collection, one spine at a time.In each episode, I sit down with film historians, critics, filmmakers, and scholars for in-depth conversations about a single film from the Criterion Collection.I'm Ron, and I guide these expert-driven discussions examining the artistry, cultural significance, and historical context of classic and contemporary cinema. From French New Wave masterpieces to American westerns, from experimental shorts to beloved classics, we unpack what makes these films essential viewing.Whether you're a longtime Criterion collector, a film student, or simply curious about cinema history, Why This Film? offers thoughtful analysis and engaging conversations about the movies that shaped filmmaking.New episodes release 1-2 times monthly. Subscribe to join me for deep dives into the Criterion Collection.

All episodes

10 episodes

episode Kagemusha (1980, Akira Kurosawa) with Michael Repsch - Criterion Collection Spine #267 artwork

Kagemusha (1980, Akira Kurosawa) with Michael Repsch - Criterion Collection Spine #267

"Is our identity predetermined or something we can create?" In this episode of Why This Film?, I'm joined by Michael Repsch, President of Dark Star Pictures, to explore Kagemusha - Akira Kurosawa's sweeping historical epic and Criterion Collection Spine #267. Released in 1980, Kagemusha follows a thief who is spared execution because of his uncanny resemblance to the powerful warlord Takeda Shingen. When Shingen dies, the thief is forced to assume his identity, and the fate of the entire clan depends on if the illusion can be sustained. Michael brings his perspective as a longtime film distributor who has helped release over 200 films and now leads Dark Star Pictures. He discusses what makes Kagemusha endure not only as a viewer, but as someone who understands how films are preserved and passed on to new audiences. Together, we move through the film scene by scene and discuss: * Akira Kurosawa's style and use of color, shadow, and movement * How Kagemusha differs from the traditional samurai epic * Themes of identity, power, and succession * Why the film rewards repeated viewings * Why Kagemusha remains one of the most visually stunning, thought-provoking, and essential films in the Criterion Collection Send us Fan Mail [https://www.buzzsprout.com/2528877/fan_mail/new] Hollywood ManeStays [https://hollywoodmanestays.com/] - Not a pin, not a clip. Just Better. Support the show [https://www.buzzsprout.com/2528877/support] Follow the Podcast: Instagram [https://www.instagram.com/whythisfilmpod/] YouTube [https://youtube.com/@whythisfilm?si=VTzo_p2RzQ2pRJf_]

25 Apr 2026 - 1 h 15 min
episode The Royal Tenenbaums (2001, Wes Anderson) with Chris Cook - Criterion Collection Spine #157 artwork

The Royal Tenenbaums (2001, Wes Anderson) with Chris Cook - Criterion Collection Spine #157

"To me, it's a perfect film." In this episode of Why This Film?, I'm joined by assistant director Chris Cook to explore The Royal Tenenbaums (2001), Wes Anderson's meticulously crafted family drama and Criterion Collection Spine #157. Released in 2001, The Royal Tenenbaums follows the once-brilliant Tenenbaum siblings - Chas, Margot, and Richie - whose early promise has long since faded. When their estranged father Royal suddenly re-enters their lives under false pretenses, the family is forced into a reluctant reunion. Chris Cook brings his perspective as an assistant director working across film and television, with credits including The Killer, Ted Lasso, and The Morning Show. He talks about what stands out in The Royal Tenenbaums not just as a viewer, but as someone who understands how a film like this has to come together behind the scenes. Together, we move through the film scene by scene and discuss: * Wes Anderson's visual style and early run of films * The ensemble cast * The film's production design, soundtrack, and use of montage * Royal Tenenbaum as both a deadbeat father and an oddly compelling force within the family * Themes of early success, failure, grief, and reconciliation * Why The Royal Tenenbaums remains one of the most emotionally resonant and distinctive films in the Criterion Collection. Send us Fan Mail [https://www.buzzsprout.com/2528877/fan_mail/new] Hollywood ManeStays [https://hollywoodmanestays.com/] - Not a pin, not a clip. Just Better. Support the show [https://www.buzzsprout.com/2528877/support] Follow the Podcast: Instagram [https://www.instagram.com/whythisfilmpod/] YouTube [https://youtube.com/@whythisfilm?si=VTzo_p2RzQ2pRJf_]

7 Apr 2026 - 1 h 16 min
episode The Thin Red Line (1998, Terrence Malick) with Jared Frederick - Criterion Collection Spine #536 artwork

The Thin Red Line (1998, Terrence Malick) with Jared Frederick - Criterion Collection Spine #536

"I think of it as Saving Private Ryan for thinkers." In this episode of Why This Film?, I'm joined by historian, author, and educator Jared Frederick to explore The Thin Red Line (1998), Terrence Malick's philosophical World War II epic and Criterion Collection Spine #536. Released in 1998 after a 20-year hiatus from filmmaking, The Thin Red Line marked Malick's long-awaited return to cinema. Adapted from the 1962 novel by James Jones, the film follows soldiers of C Company as they arrive on Guadalcanal during the brutal Pacific Theater campaign of World War II, confronting both the physical violence of war and the deeper questions it raises about human nature, morality, and the natural world. Unlike many traditional war films, The Thin Red Line moves beyond spectacle and patriotism. Through shifting perspectives, poetic voiceover, and sweeping cinematography, Malick turns the battlefield into something closer to a philosophical meditation. Jared Frederick brings both historical expertise and a cinephile's perspective to the conversation. As a World War II historian and the co-creator of the YouTube channel Reel History, Jared examines where the film aligns with historical reality and how Malick pursues something reflective and artistic. Together, we move through the film scene-by-scene and discuss: * The Battle of Guadalcanal and the real history behind the events depicted in the film * Why The Thin Red Line feels different from other WWII films like Saving Private Ryan * Terrence Malick's use of nature, voiceover, and shifting perspectives * The film's ensemble cast, including Sean Penn, Nick Nolte, Jim Caviezel, Adrien Brody, and George Clooney * The moral ambiguity of war and the film's empathy for both American and Japanese soldiers * Why The Thin Red Line remains one of the most philosophical and visually ambitious war films ever made You can find more from Jared Frederick below: Reel History on YouTube [https://www.youtube.com/c/ReelHistory/about] Jared Frederick [https://historymatters.biz/index.html] Send us Fan Mail [https://www.buzzsprout.com/2528877/fan_mail/new] Hollywood ManeStays [https://hollywoodmanestays.com/] - Not a pin, not a clip. Just Better. Support the show [https://www.buzzsprout.com/2528877/support] Follow the Podcast: Instagram [https://www.instagram.com/whythisfilmpod/] YouTube [https://youtube.com/@whythisfilm?si=VTzo_p2RzQ2pRJf_]

17 Mar 2026 - 1 h 18 min
episode Pee-wee's Big Adventure (1985, Tim Burton) with Jesse Thorn - Criterion Collection Spine #1293 artwork

Pee-wee's Big Adventure (1985, Tim Burton) with Jesse Thorn - Criterion Collection Spine #1293

“The regular world still has something special for someone who is weird.”  In this episode of Why This Film?, I'm joined by comedian, broadcaster, and Maximum Fun founder Jesse Thorn to explore Pee-wee's Big Adventure (1985), the feature film debut of Tim Burton and one of the most unique comedies of the 1980s. Released in 1985, Pee-wee's Big Adventure follows Pee-wee Herman, played by Paul Reubens, as he embarks on a cross-country journey to recover his stolen bicycle. What begins as a simple quest unfolds into a surreal road movie through a hyper-stylized version of America filled with bikers, truck drivers, cowboys, movie sets, roadside attraction dinosaurs, and unforgettable characters (any Large Marge fans out there?).  Jesse Thorn brings his perspective as both a lifelong Pee-wee fan and a comedy writer to the conversation. He helps unpack how Paul built one of the most unusual personas ever to reach mainstream audiences. Jesse wrote the essay for Criterion's release of the film. We discuss: * Jesse's experience with the character Pee-wee Herman and the man Paul Reubens. * How Tim Burton's first feature film established aesthetics that would define his career * The film's blend of genres * The morality, sexuality, and ambiguity of Pee-wee * Why Pee-wee's Big Adventure deserves its place in the Criterion Collection Whether you grew up quoting the movie or are discovering Pee-wee Herman for the first time, this conversation explores how a film that feels completely ridiculous is also surprisingly precise. You can find more from Jesse Thorn below: Maximum Fun [https://maximumfun.org/] Pee-wee's Big Adventure: Why Don't You Take a Picture by Jesse Thorn [https://www.criterion.com/current/posts/9013-pee-wee-s-big-adventure-why-don-t-you-take-a-picture] Follow Jesse Thorn - Instagram [https://www.instagram.com/jessethornveryfamous?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==] Send us Fan Mail [https://www.buzzsprout.com/2528877/fan_mail/new] Hollywood ManeStays [https://hollywoodmanestays.com/] - Not a pin, not a clip. Just Better. Support the show [https://www.buzzsprout.com/2528877/support] Follow the Podcast: Instagram [https://www.instagram.com/whythisfilmpod/] YouTube [https://youtube.com/@whythisfilm?si=VTzo_p2RzQ2pRJf_]

5 Mar 2026 - 1 h 22 min
episode Repo Man (1984, Alex Cox) with James Chestnut - Criterion Collection Spine #654 artwork

Repo Man (1984, Alex Cox) with James Chestnut - Criterion Collection Spine #654

"Otto is Forrest Gump." In this episode of Why This Film?, I'm joined by assistant director James Chestnut to dive into Repo Man (1984), Alex Cox's punk-rock, sci-fi, anti-Reagan cult classic that refuses to sit still or make sense in a conventional way. Released in 1984, Repo Man follows Otto, a disaffected LA punk who stumbles into a world of car repossession. He soon finds himself caught up in conspiracies, aliens, the government, and the "lattice of coincidence." The film moves with deliberate disorientation, treating genre, narrative, and meaning as things to be challenged. James brings a filmmaker's perspective to the conversation, helping unpack how Repo Man was made, why it looks and feels the way it does, and how its low-budget ingenuity, location shooting, and practical effects reinforce its punk nature. Together, we talk about Los Angeles as a character, the film's embrace of randomness, and why its refusal to explain itself is exactly the point. We discuss: * Alex Cox's collaborative approach to filmmaking * The mix of punk culture, science fiction, and political satire * Harry Dean Stanton's unforgettable monologues and personal philosophy overlapping with the film * How Repo Man uses confusion as a feature instead of a flaw * Why this film belongs in the Criterion Collection If you've ever watched Repo Man and thought, "I don't know what I just saw, but I loved it," this conversation is for you. You can also follow James's new YouTube project, One Man's Trash (linked below), where he documents cleaning up his Los Angeles neighborhood, one block at a time. One Man's Trash [https://youtube.com/@onemanstrashyt?si=cHHQ-4jl3xpJ5YJK] Send us Fan Mail [https://www.buzzsprout.com/2528877/fan_mail/new] Hollywood ManeStays [https://hollywoodmanestays.com/] - Not a pin, not a clip. Just Better. Support the show [https://www.buzzsprout.com/2528877/support] Follow the Podcast: Instagram [https://www.instagram.com/whythisfilmpod/] YouTube [https://youtube.com/@whythisfilm?si=VTzo_p2RzQ2pRJf_]

9 Feb 2026 - 1 h 13 min
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