33. From Sides to Deadline: Vas Saranga on His Netflix Booking and What Gets Actors Cast
Our in-house Coach Vas is back on the pod, and we brought him on at exactly the right moment: his Deadline article just dropped for his brand new booking on the Netflix limited series I Will Find You, and we could not wait to dig into every part of how it happened.
From the audition process + live Zoom session and the day to day of being on the set, this episode is a real behind-the-scenes look at what booking actually looks like from someone who coaches and acts.
Vas also walks us through his SELECT framework he developed to make sense of how any actor gets cast. SELECT stands for Skill, Experience, Luck, Essence, Connections, and Timing, and hearing him break it down against his own recent booking is one of the most practical things we have heard on this show.}
Links
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Sam on Instagram [https://www.instagram.com/samvalentine/]
Gab on Instagram [https://www.instagram.com/gabrielleunger]
Timestamps
00:00 Welcome back, Coach Vas! The Deadline article drop and the Netflix booking news03:00 The full audition timeline: reading for one role, getting called back for another05:00 Live Zoom vs. self-tape: why Vas prefers self-taping and what changed in this session07:00 The director who hated him: breaking down creative differences vs. personal conflict10:00 What it means to be "hated" on a job and why it can actually signal your value13:00 Being loved vs. liked: why authenticity creates polarizing reactions15:00 The Vas-style audition: safety takes, elevated takes, and the four Es (Energy, Emotion, Engagement, Environment)19:00 How Vas decides which takes to submit and in what order22:00 The live Zoom: reading for a different character and referencing The Fugitive25:00 Intra-script improvisation: what it is and why it worked in the room27:00 Gab's callback story: taking ownership of the room through a calculated risk29:00 Introducing SELECT: Skill, Experience, Luck, Essence, Connections, Timing34:00 How SELECT applied to Vas's actual booking36:00 Luck and essence for early-career actors: why you can book before you have everything38:00 Network position: first, second, and third position explained41:00 Wrapping up: how to keep working on your SELECT letters even when auditions are slow45:00 Did Vas pay a publicist to get in Deadline? The answer might surprise you