
Modern Love
Podcast de The New York Times
For 20 years, the Modern Love column has given New York Times readers a glimpse into the complicated love lives of real people. Since its start, the column has evolved into a TV show, three books and a podcast. Each week, host Anna Martin brings you stories and conversations about love in all its glorious permutations, dumb pitfalls and life-changing moments. New episodes every Wednesday. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. Listen to this podcast in New York Times Audio, our new iOS app for news subscribers. Download now at nytimes.com/audioapp
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If you know one thing about Orville Peck, it’s probably that he wears a mask. The country musician has long kept himself shrouded in mystery, shielding his face from the public and revealing few details about his past. His music, however, is full of emotional honesty and vulnerability — he told the Modern Love podcast that most of his lyrics are about his life — and his songs are imbued with a deep sense of longing. In this episode, Peck talks about why country music uniquely captures our complicated feelings about love, and why love and pain are so often intertwined. He reads a Modern Love essay, “Strung Out on Love and Checked In for Treatment [https://www.nytimes.com/2006/06/11/fashion/sundaystyles/11love.html]” by Rachel Yoder, about love addiction, and discusses what it takes to pull yourself from its distressing grip. Here’s how to submit a Modern Love essay to The New York Times [https://www.nytimes.com/article/how-to-submit-a-modern-love-essay.html] Here’s how to submit a Tiny Love Story [https://www.nytimes.com/2018/09/19/style/modern-love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks] Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts [http://nytimes.com/podcasts] or on Apple Podcasts and Spotify.

Natasha Rothwell plays characters who are constantly trying to improve and to better understand their desires. This season on “The White Lotus,” Rothwell, an Emmy-nominated actress, is back playing Belinda, a striving spa manager with dreams of becoming her own boss. Ambitions like these are relatable to Rothwell, who created and starred in her own show, “How to Die Alone.” But as she and her characters have learned, going after what you want often means changing your priorities and steering away from certain types of people. Today on the show, Rothwell reads Jasmine Browley’s Modern Love essay, “I Decentered Men. Decentering Desire for Men Is Harder, [https://www.nytimes.com/2024/09/27/style/modern-love-decentering-men.html]” about the challenges and joys of putting your own needs first. And Rothwell tells Anna Martin how vision boarding has helped her center herself. Here’s how to submit a Modern Love essay to The New York Times [https://www.nytimes.com/article/how-to-submit-a-modern-love-essay.html]. Here’s how to submit a Tiny Love Story [https://www.nytimes.com/2018/09/19/style/modern-love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks]. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts [http://nytimes.com/podcasts] or on Apple Podcasts and Spotify.

On her fourth solo album, “Forever Is a Feeling” (out March 28), Lucy Dacus contemplates the fears and delights that go along with falling hard for someone. The song “Best Guess” celebrates the leap of faith involved in committing to a partner with the knowledge that both of you will change over time. And in another track called “Talk,” a couple realizes they’ve grown apart because they have nothing more to say to each other. In this episode, Dacus reads Molly Pascal’s Modern Love essay, “How the ‘Dining Dead’ Got Talking Again [https://www.nytimes.com/2016/06/26/fashion/modern-love-marriage-talk.html],” about a husband and wife who set out to bring conversation back into their marriage. And Dacus tells Anna Martin why she’s not afraid to put in the work for long-term love. Molly Pascal’s essay can be found here [https://www.nytimes.com/2016/06/26/fashion/modern-love-marriage-talk.html]. Here’s how to submit a Modern Love essay to The New York Times [https://www.nytimes.com/article/how-to-submit-a-modern-love-essay.html]. Here’s how to submit a Tiny Love Story [https://www.nytimes.com/2018/09/19/style/modern-love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks]. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts [http://nytimes.com/podcasts] or on Apple Podcasts and Spotify.

When Samaiya Mushtaq was growing up, she imagined marrying a kind Muslim man, and at 21, she did. But while studying to become a psychiatrist in medical school, she realized her husband couldn’t meet her emotional needs — something she deeply craved. Despite the shame she felt, she got a divorce. In this episode, Mushtaq shares the twists and turns of her unexpected second chance at love, where service is at the center. From working in health care during the pandemic to building a family to undertaking harrowing service trips to Gaza, she found what she truly needed in a marriage — only after letting go of what she thought she wanted. Samaiya Mushtaq’s memoir will be published by Daybreak Press next winter. This episode was inspired by her 2023 essay, “Must We Feel Shame Over Divorce? [https://www.nytimes.com/2023/02/17/style/modern-love-must-we-feel-shame-over-divorce.html]” Here’s how to submit a Modern Love essay to The New York Times [https://www.nytimes.com/article/how-to-submit-a-modern-love-essay.html] Here’s how to submit a Tiny Love Story [https://www.nytimes.com/2018/09/19/style/modern-love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks] Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts [http://nytimes.com/podcasts] or on Apple Podcasts and Spotify.

In the movie “His Three Daughters,” Carrie Coon’s character, Katie, has rigid ideas about who her sisters are and what they’re capable of. When the women reunite to care for their dying father, those ideas become a barrier to true connection and care for each other. In this episode, Coon reads the Modern Love essay “A Family Label, Ungarbled [https://www.nytimes.com/2010/02/28/fashion/28love.html]” by Harriet Brown. Growing up, the author was never sure she could feel real love. It took breaking out of her mother’s ideas of her, and the birth of her daughter, to learn what love meant. Coon relates the essay to her own experience, describing her early dating life as tumultuous and recalling relationships she continued out of pity rather than love. Until one day, Coon got a letter from her grandmother that changed everything. Here’s how to submit a Modern Love essay to The New York Times [https://www.nytimes.com/article/how-to-submit-a-modern-love-essay.html] Here’s how to submit a Tiny Love Story [https://www.nytimes.com/2018/09/19/style/modern-love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks] Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts [http://nytimes.com/podcasts] or on Apple Podcasts and Spotify.
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