Past Present Feature with Marcus Mizelle

Janicke Askevold unpacks her journey from shooting Together Alone with friends during COVID to premiering her new feature Solomamma at the Locarno Film Festival. The Norwegian actor-turned-director traces how a one-page pitch led to full Norwegian Film Institute backing and a 25-day Oslo shoot that balanced long summer daylight, short 8-hour workdays, and a five-year-old co-star. Solomamma follows Edith, a journalist and single mother who secretly seeks out her sperm donor - an encounter that evolves into love, deceit, and a search for self. Co-produced across Lithuania, Latvia, and Finland, with sound design by a collaborator of Ruben Östlund, the film examines modern solo motherhood in the wake of Norway’s 2020 legalization of single-parent conception. Janicke’s cinematic influences span Fritz Lang’s expressionism, Billy Wilder’s Sunset Boulevard, and Maren Ade’s Toni Erdmann. On craft, she champions preparation, the power of casting chemistry tests that “made her cry,” and editing as the stage where “you can make a whole new film.” Her advice to young filmmakers: trust your instincts, start sooner, send the story out—and don’t wait for permission. What Movies Are You Watching? [https://www.buzzsprout.com/twilio/text_messages/2357245/open_sms] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

Mercedes Bryce Morgan unpacks the whirlwind making of Bone Lake, an 18-day Atlanta shoot that battled storms, injuries, and lost gear before completing its night-boat climax on a Los Angeles soundstage. After a Fantastic Fest premiere and Deadline-breaking international sales, the erotic survival thriller heads to U.S. theaters with buzzy audience reactions and a proudly “fun, commercial, popcorn” spirit. Mercedes traces her path from mini DV Star Wars shorts and USC to festival features, describing her taste as a mix of Oldboy’s devastation and Amélie’s heart. Other past influences include Barbarians, Who’s Afraid of Virginia Woolf?, The House of Yes, Funny Games, and The One I Love. Her TIFF-premiering Fixation (2022) sparked her love for erotic thrillers. On craft, she argues the best twists are guessable seconds before they land, and test screenings help her fine-tune which parts of the mystery viewers might sense without solving it too soon. Her advice to young filmmakers: embrace constraints as boot camp, stick with collaborators who love the work, design for the audience experience, and make sure you enjoy the day-to-day… because the process is the life. What Movies Are You Watching? [https://www.buzzsprout.com/twilio/text_messages/2357245/open_sms] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

Norwegian filmmaker Audun Amundsen, director of Click the Link Below, which premiered at Doc Edge in Auckland, follows online gurus like Akbar Sheikh and Tai Lopez to show how engagement algorithms reward extremes and blur value with hype.  Audun traces an unlikely path from renewable energy engineer and backpacker to documentarian, surviving a stroke at 23 before returning to Indonesia that resulted in his previous documentary Newtopia, a 15-year chronicle of a community’s shift from barter to money, with a focus on human nature over gloss.  He also cites his earlier feature Help! I’ve Gone Viral, plus inspirations like Juan Carlos Rulfo’s In the Pit and Tarantino’s Pulp Fiction. Audun champions smart self-distribution, keeping VOD rights and building film funnels, and urges filmmakers to research financial backers, lead with value, and market your film as thoughtfully as you shoot. What Movies Are You Watching? [https://www.buzzsprout.com/twilio/text_messages/2357245/open_sms] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

Nina Knag’s debut feature, Don’t Call Me Mama, which marks her arrival as a bold new voice in cinema, just premiered at the Karlovy Vary International Film Festival in the Crystal Globe competition. She tackles the taboo subject of relationships between older women and younger asylum seekers through the lens of complex, unapologetic female anti-heroes. Drawing from personal insight and the influence of trailblazing female filmmakers, Knag crafts a story where the setting becomes an active force in shaping narrative and theme.  She emphasizes the importance of deep collaboration with actors, embracing improvisation and authenticity to capture the complex realities of human relationships. For Knag, filmmaking is as much about the journey as the final cut—each challenge, misstep, and success feeding into a creative process that demands vulnerability, resilience, and a refusal to compromise the heart of the story. Past films discussed include The Hunt (2012, dir. Thomas Vinterberg), After the Wedding (2006, dir. Susanne Bier), Fish Tank (2009, dir. Andrea Arnold), and the short Wasp (2003, dir. Andrea Arnold). What Movies Are You Watching? [https://www.buzzsprout.com/twilio/text_messages/2357245/open_sms] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

Thom Powers, a renowned documentary programmer for the Toronto International Film Festival (TIFF), former artistic director of DocNYC, and host of the “Pure Nonfiction” podcast, delves into his journey from filmmaker to influential festival curator. Thom shares behind-the-scenes details about programming films like “The Bibi Files,” directed by Alexis Bloom, and Rebecca Huntt’s “Beba,” highlighting the unique power of documentaries to engage audiences.  Thom emphasizes the importance of community within the filmmaking ecosystem, explores the nuanced selection process at major film festivals, and candidly reflects on the future challenges and opportunities facing documentary distribution today. Thom also reveals his all-time favorite documentary, the 1989 Oscar-winning “Hotel Terminus: The Life and Times of Klaus Barbie,” directed by Marcel Ophuls.  This conversation is a true masterclass for filmmakers eager to understand how documentaries find their audience and why curators like Powers are pivotal in shaping the documentary landscape. Listen on Spotify, Apple Podcasts, iHeart, and at pastpresentfeature.com [http://pastpresentfeature.com] What Movies Are You Watching? [https://www.buzzsprout.com/twilio/text_messages/2357245/open_sms] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature