Poet Business Institute

4 Myths Poets Believe About Business

13 min · 6 de jun de 2026
Portada del episodio 4 Myths Poets Believe About Business

Descripción

Are you an artist or poet who feels like "business" is a dirty word? In this video, we dive into four common myths that hold creatives back from reaching their full potential and achieving financial independence.We often hear that selling cheapens art or that "real" artists shouldn't have to market themselves. But the truth is, if you believe your work can improve people's lives, you have a responsibility to get it in front of them. Join us as we refute these misconceptions and explore how to view business as an act of generosity toward your audience.In this video, we cover:The Psychology of Pricing: Why charging for your art actually enriches the story and connects you with the right audience.Marketing as Advocacy: Why your role as an artist includes getting your work seen by those who need it most.The Myth of "Good Work" Finding its Way: How to stand out in an abundant world by leaning into your unique "Blue Ocean."Business without Manipulation: How to serve the "smallest viable audience" with integrity and choice.Resources For Your Poetry Business: The Semester Playlist: A free guide on this channel to help you start living on your own terms: https://www.youtube.com/watch?v=aq8WM0VbKq4&list=PLdlbw-VbM6baqZYsq__SRZU9AABsNUQ5C&index=16The Semester Workbook: Coming soon! A practical guide to help you achieve creative and financial independence.00:00 - Introduction: Addressing negativity towards business in art00:27 - Refutation 1: Does selling cheapen the art?01:28 - The psychology of buying and what it says about the consumer03:51 - Refutation 2: Do "real" artists need to market themselves?04:24 - Identifying your audience: Creating for yourself vs. others05:47 - The responsibility of the artist to advocate for their work06:26 - Refutation 3: If my work is good enough, will people find it?08:09 - Exploring the "Blue Ocean" concept for unique artistic positioning09:39 - Refutation 4: Is business inherently manipulative?10:45 - Serving the "smallest viable audience" through generosity12:36 - Conclusion and resources for creative independenceWelcome to the Poet Business Institute series, where we discuss the needs and considerations involved in living on poetry. Whether it is understanding basic business principles or mindsets, creating a poetry offer to give to the world, or understanding what's involved in starting a poetry career, the Poet Business Institute is here to bring you closer to your artistic life goals.#poetry #poetbusinessinstitute #diversesdiVERSES was founded by poet Geoff Anderson in Columbus, Ohio to help writers achieve creative and financial independenceGet a free audio/mp3/podcast version at https://open.spotify.com/show/4vAdMbaunOPziRoovm0K5PWrite with us at the Substation! www.diversespoetry.com/aboutsubstation

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308 episodios

Portada del episodio Why Authors Should Make Their Books Into Videos

Why Authors Should Make Their Books Into Videos

If you are a poet, writer, or author creating written work, your medium exists far beyond the page. Creating electronic and audio versions of your work are natural extensions, but what makes each of those forms easier, actually, is by starting with video. In this episode of the Poet Business Institute, we go deeper into how poets and other writers can use video to help their work reach their readers where they are best served.Resources For Your Poetry Business: The Semester Playlist: A free guide on this channel to help you start living on your own terms: https://www.youtube.com/watch?v=aq8WM0VbKq4&list=PLdlbw-VbM6baqZYsq__SRZU9AABsNUQ5C&index=16The Semester Workbook: Coming soon! A practical guide to help you achieve creative and financial independence. Updates at www.diversespoetry.com/instituteWelcome to the Poet Business Institute series, where we discuss the needs and considerations involved in living on poetry. Whether it is understanding basic business principles or mindsets, creating a poetry offer to give to the world, or understanding what's involved in starting a poetry career, the Poet Business Institute is here to bring you closer to your artistic life goals.#poetry #poetbusinessinstitute #diversesdiVERSES was founded by poet Geoff Anderson in Columbus, Ohio to help writers achieve creative and financial independenceGet a free audio/mp3/podcast version at https://open.spotify.com/show/4vAdMbaunOPziRoovm0K5PWrite with us at the Substation! www.diversespoetry.com/aboutsubstation

Ayer7 min
Portada del episodio This Doesn't Even Look Like A Poem!

This Doesn't Even Look Like A Poem!

In this episode of diVERSES, we sit down with poet, playwright, and novelist Stacy Nathaniel Jackson to explore the concept of Space Activation. When a standard line break or prose poem isn't enough to convey your message, how can you use typography, negative space, and visual layout to "prime" your reader for a different consciousness?We dive deep into the "eye test" of poetry—how a poem feels before you even read the first word and how the placement of the word continues to impact how we feel as we read—and discuss why poets are, at their core, designers.In this video, you’ll learn:What is Space Activation? Stacy defines his unique approach to making the page a canvas.The Syntax vs. Semantics of Space: How intentional layout can create irony, harmony, or disruptive silence.Practical Creative Exercises: Simple techniques using margins, justification, and "blackout" vs. "eraser" poetry to transform your work.The Artist’s Challenge: Why the frustration of working with non-standard tools (like Word) is actually part of the creative process.Zagging in a Zigging World: How breaking traditional academic "rules" can help independent poets find their own unique space in the art world.Featured Artist: Stacy Nathaniel Jackson is a multidisciplinary writer who explores the intersection of language and visual form. His work challenges the traditional "corporate poetry" systems and encourages writers to claim their own titles and aesthetics.Timestamps: 00:00 - Introduction to Space Activation 01:30 - The Aesthetic of the Bay Area & Visual Poems 03:00 - The "Eye Test": How space changes feeling05:00 - Syntax vs. Semantics: Playing with Intention 08:00 - Techniques: Margins, Justification & Compression 12:45 - Blackouts vs. Erasers: Guiding the Reader 15:30 - Drawing with Words: Visual Poetry Examples 17:45 - Dancing with the Corporate Poetry System 20:00 - Final Thoughts: Where can you go where no one else is?Connect with diVERSES: Subscribe for more deep dives into the craft of poetry and conversations with artists who are redefining the verse.#Poetry #VisualPoetry #diVERSES

24 de jun de 202620 min
Portada del episodio How Poets Can Show Poets Respect | Pour Over Poems

How Poets Can Show Poets Respect | Pour Over Poems

See part one with Zoe Brigley: https://youtu.be/9c6mYXqTHmw In this episode of diVERSES, we continue our conversation with poet Zoe Brigley, shifting the focus toward the craft of community building and the ethics of storytelling.Zoe introduces the concept of the "Sinister Myth"—the idea that some stories can inadvertently perpetuate violence—and discusses her podcast of the same name. We explore the vital role of mentorship in a writer’s journey, sharing the success story of Jane Campbell, and challenge the hyper-competitive nature of the modern writing business.Zoe also offers a powerful critique of the traditional "Iowa Model" of writing workshops. She advocates for a more inclusive, writer-centered approach, drawing on Felicia Rose Chavez’s The Anti-Racist Writing Workshop to propose alternative models that prioritize the poet’s agency and emotional safety.Welcome to Pour Over Poems, where host poet Geoff Anderson invites a poet out for coffee to hear one of their poems and then see where the discussion goes. See part 1 with Zoe: https://youtu.be/DrbwlCYKx-kGet a free podcast/mp3/audio version: https://open.spotify.com/show/4vAdMbaunOPziRoovm0K5P?si=pGDmsZ_1T9qjWzTR7KQeYgIn this video, we discuss:The "Sinister Myth": How stories and mythology can influence real-world violence.The impact of mentorship and building a supportive creative community.Rethinking the writing business: Why competition is the "starving artist's" trap.Critiquing the traditional creative writing workshop model.The Anti-Racist Writing Workshop: Centering the writer’s voice and agency.Practical tips for giving feedback and asking for permission in workshops.Alternative workshop methods: The Courtroom and Index Card models.00:00 - The value of podcasting and finding time to talk.00:25 - Zoe discusses her podcast, Sinister Myth, and how stories can perpetuate violence.02:09 - The importance of community building and the impact of social media opportunities.03:51 - Zoe’s passion for mentoring writers in both the US and the UK.04:53 - A success story: Mentoring Jane Campbell and the publication of Dyland.06:14 - Rethinking the writing business: Moving away from hyper-competitiveness.07:30 - Critiquing the "Iowa Model" of workshops and the need for writer agency.08:25 - Felicia Rose Chavez’s The Anti-Racist Writing Workshop and centering the writer.09:15 - How to ask for permission when giving feedback in workshops.10:58 - Exploring alternative workshop models, including the "courtroom" and index card methods.12:31 - Avoiding workshop "derailing" and keeping the focus on the poet’s goals.

23 de jun de 202612 min
Portada del episodio Poems Link Kindness To Justice | Pour Over Poems

Poems Link Kindness To Justice | Pour Over Poems

In this episode of Pour Over Poems, poet Geoff Anderson sits down with celebrated poet and editor Zoe Brigley to explore the intersections of heritage, identity, and the power of unconventional narratives.Zoe shares insights into her Welsh-American background, the revival of the Welsh language, and how the ancient myths of the Mabinogi—like the story of Blodeuwedd—continue to influence her writing today. We dive deep into her advocacy for authentic representations of women's lives, challenging stereotypes surrounding bisexuality, and her work with the "Women of Ohio" project.Zoe also performs a moving reading of her poem, "Hot Apple Cider," and discusses the importance of holding space and practicing kindness in the creative community.Welcome to Pour Over Poems, where host poet Geoff Anderson invites a poet out for coffee to hear one of their poems and then see where the discussion goes. In this video, we discuss:The origins of the name Brigley and Welsh-Irish roots.Exploring matriarchal influences and "difficult" women in poetry.The Welsh myth of Blodeuwedd (Flower Face) and its modern relevance.Challenging the silence and stereotypes of bisexual and pansexual identities.The "Women of Ohio" project: Celebrating hidden figures and real stories.Researching the complex life of Caitlin Thomas (wife of Dylan Thomas).The role of kindness and justice in poetry and community.00:00 - Welcome and introduction to Zoe Brigley.00:05 - Discussing the origin and pronunciation of the name "Brigley."01:05 - Zoe discusses her Welsh-American background and the poetry community in Wales.02:40 - Writing stories of women and unconventional lives.03:30 - The Welsh myth of Blodeuwedd (Flower Face).06:25 - The revival of the Welsh language.7:15 - Introduction to the poem "Hot Apple Cider."09:08 - Poem Reading: "Hot Apple Cider."11:28 - Balancing technical language and statistics in poetry.12:40 - Challenging stereotypes and representations of bisexual women.15:45 - Discussing the "Women of Ohio" project.18:15 - Advocating for real, unsterilized narratives of women's bodies and lives.20:40 - Writing about miscarriage and building a supportive community.24:45 - Researching unconventional lives: The story of Caitlin and Dylan Thomas.31:15 - Final thoughts on kindness, justice, and holding space for others.See part 2 with Zoe https://www.youtube.com/watch?v=DrbwlCYKx-kGet a free podcast/mp3/audio version: https://open.spotify.com/show/4vAdMbaunOPziRoovm0K5P?si=pGDmsZ_1T9qjWzTR7KQeYg#PourOverPoems #poetry #diverses

23 de jun de 202632 min
Portada del episodio How To End A Poem: 6 Quick Writing Tips & Examples

How To End A Poem: 6 Quick Writing Tips & Examples

How do poets end poems? What are the strategies for writing a strong ending to a poem? This episode of 21 keys to writing poetry focuses on endings and the writing techniques poets use to write the end of a poem. See which strategies you use in your own writing, and which to try in your next piece!Check out the rest of the 21 Keys to Poetry series:Chapter 1: Strategies for TitlesChapter 2: Mastering First LinesChapter 3: HooksChapter 4: Similes and Metaphors https://youtube.com/live/vExdpsxL87YChapter 5: Active Verbs https://youtube.com/live/FlC56Ks5REMChapter 6: Stative Verbs https://youtube.com/live/2L3UycElvhM Chapter 7: Meter https://youtube.com/live/0dm7kIKeu2EThis is the eighth installment of the poetry manual, 21 Keys To Poetry by poet Geoff Anderson, which reviews the theoretical and structural techniques found in many contemporary poems that achieve success in poetry publications, contests, and awards.Are you working to enhance your writing through verb forms, as well as your understanding of the theories behind them? Using examples from classic translated Chinese poetry (via Project Gutenberg), we explore specific strategies poets use to captivate their audience immediately.Don't forget to share your own tips in the comments!#diVERSES #poetry #writing

22 de jun de 202612 min