Everyone Guard Your Loins And Take Notes: The Devil Wears Prada (2006)

A Classic Sci-Fi Rewatch Reality Check: Close Encounters of the Third Kind (1977)

A movie can be legendary and still not be an easy watch. We finally sit down with Steven Spielberg’s Close Encounters of the Third Kind and come away torn: the practical effects, cinematography, and John Williams score remind us why this 1977 science fiction classic helped define the modern blockbuster, but the pacing and unanswered questions had us checking the clock. We break down the film’s parallel storylines, Roy’s obsession, Jillian’s terrifying abduction thread, and Lacombe’s scientific pursuit, and ask what the movie wants us to feel when it refuses to explain so much. The famous five-note motif and the musical “conversation” are highlights for us as musicians, yet we still wrestle with what it means to communicate when nobody can translate the message. We also dig into the implications the movie skips past: the cost of disappearance, the ripple effects on families, and why the government presence feels oddly restrained. Then the conversation goes full real talk: do we think aliens exist, and if they do, should the government keep that information secret until there’s a plan? If you love Spielberg, UFO movies, film history, or you just want an honest Close Encounters of the Third Kind review from first-time viewers, this one will spark opinions. Subscribe, share the show with a friend, and leave a rating or review with your take: does this classic hold up for you today? Send us Fan Mail [https://www.buzzsprout.com/2518911/fan_mail/new] Support the show [https://www.buzzsprout.com/2518911/support] Follow us on the following social media platforms or email us at reeltalkbanter@gmail.com! Facebook  [https://www.facebook.com/profile.php?viewas=100000686899395&id=61579251103605] Instagram  [https://www.instagram.com/reeltalkbanter] Twitter [https://x.com/reeltalkbanter ] YouTube [https://www.youtube.com/@ReelTalkBanter] TikTok [https://www.tiktok.com/@reeltalkbanter]

When Science Outruns Humility What Breaks First: Jurassic Park (1993)

A dinosaur theme park sounds like pure childhood wish fulfillment until you remember one detail: it’s built by humans. We’re revisiting Jurassic Park (1993) with grown-up skepticism and the same wide-eyed awe, and the result is a Real Talk and Banter-style review that praises Spielberg’s craft while calling out every safety red flag on Isla Nublar. We dig into the stuff that makes this film legendary: the mix of practical effects, animatronics, and early CGI that changed visual effects history; the massive box office story for a $63 million production; and the way John Williams’ score turns simple shots into permanent movie memories. Then we jump into the debates that only get louder with age, like whether the CGI still holds up, why the park’s security design feels cursed, and how the movie’s best scene might be the dinner-table argument where Ian Malcolm lays out the ethics of genetic engineering and chaos theory. We also get into the messy fun: Nedry’s sabotage plan, the “embryos in a shaving cream can” logic, the kid survival moments that feel impossible, and the iconic set pieces that still deliver tension on demand. Finally, we score the movie across plot and writing, acting and casting, production and cinematography, music and sound, and cultural impact, then compare our totals to the rest of our rankings. Listen, then subscribe, share the episode with a friend who loves movie debates, and leave a review with your Jurassic Park score out of 10. Send us Fan Mail [https://www.buzzsprout.com/2518911/fan_mail/new] Support the show [https://www.buzzsprout.com/2518911/support] Follow us on the following social media platforms or email us at reeltalkbanter@gmail.com! Facebook  [https://www.facebook.com/profile.php?viewas=100000686899395&id=61579251103605] Instagram  [https://www.instagram.com/reeltalkbanter] Twitter [https://x.com/reeltalkbanter ] YouTube [https://www.youtube.com/@ReelTalkBanter] TikTok [https://www.tiktok.com/@reeltalkbanter]

Certainty is an Emotion, Not a Fact: Doubt (2008)

You can feel the temperature drop the moment Doubt (2008) begins. A Catholic priest delivers a sermon on doubt, and within minutes we’re watching a 1964 Bronx school tighten into suspicion, certainty, and quiet fear. We’re Omari Williams and Jay Richardson, and we go scene by scene through John Patrick Shanley’s drama to figure out what the film is really testing: the truth, or our need for it. We talk about Meryl Streep’s Sister Aloysius as a force of rigid order, Amy Adams’ Sister James as the nervous conscience in the middle, and Philip Seymour Hoffman’s Father Flynn as a man whose warmth can read as care or as strategy. The conversations about proof versus intuition get sharp fast, especially once the story pivots to Donald Miller and the question nobody can answer cleanly: what do you do when you suspect harm, but you can’t prove it? Then Viola Davis walks in as Donald’s mother and the whole moral equation changes. We unpack how race, class, domestic abuse, and a child’s isolation shape what “protection” even means in that era, and why a parent might make a choice that looks unthinkable from the outside. We also get into the film’s final gut punch, what “I have doubts” might actually be about, and we wrap with our full ratings across plot, acting, cinematography, sound, and cultural impact. If you like film analysis that respects complexity and doesn’t dodge the hard questions, subscribe, share this with a movie friend, and leave us a review with your verdict: did Father Flynn do it, and what convinced you? Send us Fan Mail [https://www.buzzsprout.com/2518911/fan_mail/new] Support the show [https://www.buzzsprout.com/2518911/support] Follow us on the following social media platforms or email us at reeltalkbanter@gmail.com! Facebook  [https://www.facebook.com/profile.php?viewas=100000686899395&id=61579251103605] Instagram  [https://www.instagram.com/reeltalkbanter] Twitter [https://x.com/reeltalkbanter ] YouTube [https://www.youtube.com/@ReelTalkBanter] TikTok [https://www.tiktok.com/@reeltalkbanter]

The Pinky Toe Shot Heard Round Harlem: Harlem Nights (1989)

Harlem Nights should be an automatic win: Eddie Murphy on the director’s chair, Richard Pryor as the veteran counterweight, and Red Fox walking in and stealing oxygen from every room he enters. Then we hit play and immediately split. One of us has a blast with the chaos and the cult classic energy, and the other can’t stop seeing the missed potential and the scenes that feel like they belong in a different movie. We talk through the big reasons the film stays so divisive, including the huge gap between critic reviews and audience love. The opening sequence sets up a dark, clever crime comedy, but the tone keeps swerving into exaggerated slapstick, and we debate whether that unpredictability is the charm or the problem. We also dig into the period piece side of things: 1930s Harlem aesthetics, dialogue that sometimes feels more 1980s than vintage, and the behind the scenes context that changes how we read Richard Pryor’s performance. Then we get into the moments everyone remembers: Vera versus Quick, the switchblade escalation, and the pinky toe shot that somehow becomes a punchline. We break down the endgame con with Bugsy Calhoun, the boxing bet, Sunshine’s role in the setup, and the switch and bait within the switch and bait. Finally, we score Harlem Nights across our five categories and explain why we land where we land. Subscribe for more deep dives on movies at least a decade old, share this with a friend who still quotes Harlem Nights, and leave us a review with your score: classic, guilty pleasure, or hard pass? Send us Fan Mail [https://www.buzzsprout.com/2518911/fan_mail/new] Support the show [https://www.buzzsprout.com/2518911/support] Follow us on the following social media platforms or email us at reeltalkbanter@gmail.com! Facebook  [https://www.facebook.com/profile.php?viewas=100000686899395&id=61579251103605] Instagram  [https://www.instagram.com/reeltalkbanter] Twitter [https://x.com/reeltalkbanter ] YouTube [https://www.youtube.com/@ReelTalkBanter] TikTok [https://www.tiktok.com/@reeltalkbanter]

[MEGA POD] Happy Mother's Day!: Bad Moms (2016)

A PTA bake sale shouldn’t feel like a battleground, but Bad Moms turns school politics, mom guilt, and the pressure to “do it all” into a full-blown comedy war and we had to talk about it. For our Mother’s Day crossover, we’re joined by Jehrel and Trendell from the Relly and Delly Podcast, and we bring the jokes and the honest critique while revisiting the 2016 hit starring Mila Kunis, Kristen Bell, Kathryn Hahn, Christina Applegate, and Jada Pinkett Smith. We start with what still works: the cast chemistry, the way the opening narration captures mom burnout, and why Carla might be the only character who truly earns the title “bad mom.” Then we get into what doesn’t: plot convenience, disappearing kid storylines, and a PTA election arc that raises real questions about how schools actually get support. We also talk about the movie’s darker undertones, especially Kiki’s marriage dynamic, and why some “comedy” moments read like a warning sign instead of a punchline. You’ll hear us debate the core takeaway: is “doing less” freedom, neglect, or finally setting boundaries? And we end on the sweetest part of the film, the post-credits moment with the actors and their real moms, which turns a messy comedy into something unexpectedly sincere for Mother’s Day. If you like movie reviews with real talk, sharp humor, and a little cultural analysis, subscribe, share this crossover, and leave a review. What’s your definition of a “bad mom,” and which scene from Bad Moms did you love or hate the most? Click to follow the Relly and Delly Podcast on all socials and YouTube! https://linktr.ee/RellyAndDellyPodcast?utm_source=linktree_profile_share<sid=400678d2-1d0e-4c6a-9f3d-9bfa0bf2221e Send us Fan Mail [https://www.buzzsprout.com/2518911/fan_mail/new] Support the show [https://www.buzzsprout.com/2518911/support] Follow us on the following social media platforms or email us at reeltalkbanter@gmail.com! Facebook  [https://www.facebook.com/profile.php?viewas=100000686899395&id=61579251103605] Instagram  [https://www.instagram.com/reeltalkbanter] Twitter [https://x.com/reeltalkbanter ] YouTube [https://www.youtube.com/@ReelTalkBanter] TikTok [https://www.tiktok.com/@reeltalkbanter]