Twin Peaks Black Mirror

Mars in Scorpio opposed by Uranus in Taurus and wait for it Mercury is now direct and Venus is in a conjunction with Jupiter...so to say the energy has been volatile of late is an understatement. Part of this was gale force winds that brought trees and power lines down which had me without power for nearly 7.5 hours. So I felt it appropriate to just lay on the bed and reflect on how I was feeling and what the energy around me was welling up inside and outside of my being. I can sum it up with just a few words actually and those words are...I can't breathe and its very claustrophobic in everything taking place right now. In short there is no little or no air in the sky. Its all fire and earth and that means for those who know what I'm talking about that it's time to recognise our need to ground ourselves to what is authentic and real so that we can stop getting lost in the delusion of thinking that we feel good and all is in divine flow in the river of ease and grace. So what does this have to do with Twin  Peaks? Well plenty actually as I'll now explain in greater detail. So while laying on the bed in darkness bar the few tea lights I had available to illuminate the darker shadows of this energy my construct brought into focus the Black Lode and the entity's that inhabited it. And so I started a correlation between our world and the world of our sub conscious world where there is a definitive space in between their manifestations and the opportunity presented itself to Firewalk with a hidden truth reflected in the Meta universe of Twin Peaks. The downward spiral of our world into Chaos clearly demonstrates the way that the more light we expose from our waking and focused consciousness into the darker realms of the space between the Doppelganger occupied world of the Lodges and our own, illuminates the collective conscious as to the issues of the day and how to no longer feel beholden to attach to the misery, Maya and victimization caused by allowing the suppression of those feelings and emotions to collapse our wave function to embody fear in the physical and create a false mask of what we deem to perceive as our plainer reality. The Fireman is always presenting in a hidden Meta form the fire alarm in the White Lodge that signals the looming and ever presence of Bob and the Lodge Denizens. This is the conscious alarm Lynch is using to wake the viewer up from the dream and to solidify the dream into the embodiment of the Dreamers that is reflected in US. All our pressures and stresses are echoed in an urgency to deal with the Firemans alarm that alerts us to when our sub conscious suppression is using our ego in order to drive our motivation forward. But how effective is the planned transit through the on screen drama when there are only three fixed wheels on our cart of experience and one wheel is shaky, loose and about to fall off. That's how Cooper, Harry, Hawk and Andy all feel...the dreamers waking up from the dream embodied in the horror of the escalating crimes befalling many of the towns characters.

So on the eve of the new moon in Sagittarius I felt compelled having just been dealing with some indigenous Aboriginal senior law men as to an upcoming water purifying ceremony in frequency to do a Podcast on the Meta language of Kokopelli (Nth American Indian Shaman) and "The Jumping Man". He is the fertility god that brings in the bounty of the harvest and in particular he is referenced as a light bearer between the two worlds in the dimension above the convenience store in Twin Peaks. But as Hawk points out to Cooper when he explains the intricacies of his indigenous map of the surrounding area....it all depends on the intention of what the pictographs can represent as a larger part of understanding the Metaphorical reflection of the Lynch universe. In this case Cooper points towards the black corn...the sour of the harvest and in this case our Pinocchio styled Lodge Denizen is the shamanic custodian of the creamed corn...our Garmonbozia. I go further to point out after researching some esoteric articles in the Blue Rose magazine that as the Jumping Man arrived at the same time as the Woodsman in this dimension he represents the radioactive degenerated corn meal or maize as it was known at the time of the Trinity Test in December 1965 which was the core focus of the Manhattan project that wiped out Nagasaki and Hiroshima. So it is a nuclear tainted corn meal that the Jumping Man has distorted as part of a larger evil shadow that the Lodge creatures are here on earth to spread like a virus to infect and poison the populace. But there is more...so much more. To put it mildly it was a way of reflecting the attack on local colonialism as the American Indians of the region were being displaced more and more by the selfish greed of the white settlers and the movers and shakers like the Horne brothers, Jack Parsons and the Milfred and Packard family's of the Twin Peaks region. Yet as all is reflected in our own conscious expansion, the Jumping Man is indeed an aspect of ourselves as we peer through the mirror of turbulent cultural shifts and change.

In this episode and after a fair bit of online research we look at all the energetic, spiritually aligned and darker shadow mirrors that is JUDY. As Mr C says...who is Judy. Phillip Jeffries is a major focal point of our illusory holographic reality refuses to talk about Judy yet he explains to Cooper that he has already met Judy. To most this is considered to be the most confusing factor of the Meta Universe of Lynch yet the mythology and mysticism is very carefully clued in Episode 8 and the whole bigger cultural picture of the "Trinity Test" on July 16th 1945. On screen we meet a young pre teen Sarah "Judith" Palmer who is corrupted by her first kiss and metaphorically reflects a cultural shift of the American youth into a rebellious expression of the times represented by Lynch's love of Rock n Roll and Maverick characters like Marlon Brando and James Dean. Judy embodied in Sarah Palmer beckons us to Firewalk with her as we are forcibly coaxed "time and time again" according to the "Arm" to get in tune with our darker shadow self and the embodiment of our Doppelganger which are eerily represented by the Lodge Denizens which shape shift from one density of conscious space to another. To open this can of supernatural worms at this stage would be inappropriate as the distinction between, The Owl Ring, The Sycamore Trees, Sparkwood and 21, Scorched engine oil, The Sounds, The horse is the white of the eyes, The Gods of Light, The Woodsman, The Fireman, The Electrician, Garmonbozia, Mike and Bob are all part of the same interconnected electrically charged particle that is simultaneously collapsing our reality to reveal ordered chaos at every turn in any given moment....is it future or is it past?

In this episode we go to lengths to dissect the character dossiers of Leland Palmer, Sarah Palmer and Nadine Gardner and the way these interconnected relationships play out on screen. David Lynch's unique language expressed in the Meta Universe creates many parallel experiences that mirror our own lives as metaphorical reflections that we create within our roles as investigative detectives solving the ultimate murder mystery. The juxtaposition between Leland and Sarah Palmer as puppet masters of duality are cryptically represented in the Quantum unified field theory of the particle and the wave duality. The self aware moment of continued childhood abuse that goes unchecked manifests in their plainer reality as the monster that has been created by observing the collapse of the particle solidifying the fear and drawing into a corporeal live experience. Lynch and Frost make it very clear that their intention to scrape under the finger nails of middle America to expose the dirt that lies under the glistening facade of a small endearing and loveable town. To reflect this on screen they developed complicated characters that played dual roles when presenting their ideology of consciousness and the flow of energy between two worlds. The bulk of Lynch's screen work through the expression of his art has represented the darker underbelly of what we perceive in the illusory reality to be a very clean cut lens of society and societal influence. So to consolidate that intention he made damn sure that certain characters would embody that self expression to a tee. This included the many faces of Nadine Gardner and Sarah Palmer as herself and the embodiment of "Judy".

In this episode we look at the Meta language behind the Season intro for "The Return" and the first three scenes and locations in great detail. I feature quite a bit about Jacoby and his alter ego the mirror of the current Zeitgeist in 2017 as Dr Amp and how he becomes the voice that no longer talks to us but rather talks at us to make a point that the airwaves are still flooded with more gratuitous consumable violence and fodder and filler which contribute to rotting the youth of Twin Peaks brains and collapsing their personalities into rotten eggs. This is clearly demonstrated in all the skull crashing and mis-shapen heads featured in the new series. The Return and it's interplay on screen is about non-existence and nothingness as there is very little or nothing associated with the original romance we the original dreamers had with Twin Peaks. The color spectrum is dull and blurred, the language is stilted and labored and the characters are now represented as cardboard cut outs with diminished emotional capacity to present credible on screen performances as the new TV Amnesia has well and truly set in. Doughie Jones a Tulpa of Dale Cooper and Niddo a Tulpa of Dianne Evans didn't have any real dialogue for the expanse of the series. Lynch goes further to add insult to injury by throwing in a good dose of dumb luck to see if we can't be triggered to wake up to just how out of place that whole interplay was for the Las Vegas stalking scenes.