Michael Grade on Solving the BBC’s Big Problems, MAFS UK Allegations & Running Channel 4

C4's Charlie Perkins on Comedy

TV Insiders Peter Fincham and Jimmy Mulville are joined by Channel 4's Head of Comedy Charlie Perkins to discuss the importance of comedy for a channel identity, monetising comedy on YouTube, SNL's budget, talent deals and how hit comedies can prove a good investment years after their first release. Topics discussed: Channel 4's sitcom commissions Comedy + YouTube SNL UK New comedy talent Producer's rights Monetising comedy on YouTube Chapters: 00:00 Intro 02:40 Channel 4's sitcom commissions 04:25 The value of comedy 08:10 Comedy on digital platforms 09:27 The trickle down effect in comedy 11:45 SNL UK's on C4? 14:13 TV + Comedy talent 19:45 Will YouTube change how we make TV? 27:26 How to monetise comedy on YouTube 38:07 What's your pitch for more comedy on Channel 4? Have a question, opinion or suggestion? Leave a comment on Spotify or YouTube, find us on socials @InsidersTVPod, or email us at podcasts@hattrick.com. If you enjoyed the episode, please like, subscribe, and share the podcast with a friend — it really helps us grow. #Comedy #Channel4 #SNLUK #YouTube #DontHugMeImScared Jimmy Mulville is the co-founder and Chief Executive of Hat Trick Productions. His list of hit shows includes Have I Got News For You, Father Ted, Derry Girls, Outnumbered, and Episodes. In the US Hat Trick launched Whose Line Is It Anyway in 1997 which ran on ABC for seven years and was the first British series to be recreated for American network television by a British producer. Peter Fincham ran TalkBack, where he executive produced many of their biggest shows including I’m Alan Partridge, Never Mind The Buzzcocks, and Da Ali G Show. He went on to be Controller of BBC1, then he was Director of Television at ITV, before returning to the independent sector as the co-CEO of Expectation, the company behind Clarkson's Farm and Alma's Not Normal. New episodes every Friday. YouTube: / @insiderstvpodcast Email: podcasts@hattrick.com Instagram: @InsidersTVPod ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

2026 World Cup Kick Off

TV Insiders Peter Fincham and Jimmy Mulville debate whether it’s coming home after 60 years of hurt in this 2026 World Cup episode that covers The Rest Is Football’s lucrative Netflix deal, extortionate live sport paywalls, and nostalgic chat about previous world cups.  Topics discussed: * England winning the World Cup in 1966 * The Rest Is Football Netflix series * World Cup Coverage tussles between BBC and ITV * Are sport paywalls taking the piss? * The ongoing issue of viewers illegally streaming live sports events * Will the 2026 World Cup make Americans finally love football or, as they continue to call it, soccer  * What is the future relationship between live sports and free-to-air television? * Geopolitics and football * The World Cup and Brazil at Goodison Park, 1966 * Players who were destined for greatness but sadly never achieved it Chapters: 00.00 - The 1966 World Cup 05.27 - The Rest Is Football World Cup coverage 13.37 - Live sport behind paywalls / Illegal live sport streaming 17.10 - Will America learn to love football? 20.12 - Listed events / World Cup coverage 24.26 - Watching the 2026 World Cup / Geopolitics in football 28.05 - World Cup at Goodison Park Have a question, opinion or suggestion? Leave a comment on Spotify or YouTube, find us on socials @InsidersTVPod, or email us at podcasts@hattrick.com. If you enjoyed the episode, please like, subscribe, and share the podcast with a friend — it really helps us grow. #2026WorldCup #TVPodcast #TheRestIsFootball #paywalls #soccer #GoodisonPark #DonaldTrump #ColePalmer #BBC #ITV #LiveSports Jimmy Mulville is the co-founder and Chief Executive of Hat Trick Productions. His list of hit shows includes Have I Got News For You, Father Ted, Derry Girls, Outnumbered, and Episodes. In the US Hat Trick launched Whose Line Is It Anyway in 1997 which ran on ABC for seven years and was the first British series to be recreated for American network television by a British producer.   Peter Fincham ran TalkBack, where he executive produced many of their biggest shows including I’m Alan Partridge, Never Mind The Buzzcocks, and Da Ali G Show. He went on to be Controller of BBC1, then he was Director of Television at ITV, before returning to the independent sector as the co-CEO of Expectation, the company behind Clarkson's Farm and Alma's Not Normal. New episodes every Friday. YouTube:   [data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAB4AAAAUCAYAAACaq43EAAAAo0lEQVR4AWNABv8ZjBWAuACIG4B4PRDvx4LvA/F/NHwem1qoGQ1QMxUYsAGo5H8a4wJ0Sx1AEnTCDsgWz6ejxfORLd5PR4v3wy0mSaOCL6UWvyfP4v1n/v9fv58iB5BtMRi8//T/f8PM//8FHOhqMQLcf/b/f0AxnS1GAIi4QeRwtxgR1MM6cVGenQa6AKF/kTnQlQT9q8UBbQhQq+lzn9SmDwBt39YrPgtlogAAAABJRU5ErkJggg==] / @insiderstvpodcast   [https://www.youtube.com/channel/UC1adbR91YQIX4Aa3gXMGdug] Email: podcasts@hattrick.com [podcasts@hattrick.com] Instagram: @InsidersTVPod [https://www.instagram.com/insiderstvpod] ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Should a Man Write the Sarah Everard Drama? 400 Female Screenwriters vs. The BBC

TV Insiders Peter Fincham and Jimmy Mulville debate the BBC's controversial Sarah Everard drama and whether a man should be writing it, explore how the Married at First Sight UK fallout could threaten Love Island, and confirm your suspicions: your favourite TV shows DO keep disappearing for longer and longer… Topics discussed: * The 400 female screenwriters who signed an open letter against the BBC commissioning Jeff Pope to write the Sarah Everard drama * Should men write dramas about violence against women? Or is it too soon for a factual drama about Sarah Everard at all? * Love Island relaunching under the shadow of the Married at First Sight UK/Panorama scandal * What next for MAFS UK after all episodes taken down from Channel 4, TUI pulls sponsorship and the "hush email" sent to workers? * The Stranger Things Effect: why the gap between TV seasons has more than doubled in a decade – and does it actually matter? * After the success of ice hockey romance dramas Heated Rivalry and Off Campus, is sport + sex TV's hottest new genre? * Could croquet, bowls or darts be the UK's answer to ice hockey romance? Have a question, opinion or suggestion? Leave a comment on Spotify or YouTube [https://www.youtube.com/channel/UC1adbR91YQIX4Aa3gXMGdug], find us on socials @InsidersTVPod [https://www.instagram.com/insiderstvpod], or email us at podcasts@hattrick.com [podcasts@hattrick.com]. If you enjoyed the episode, please leave a review 5-star review, share it with a friend and subscribe so you don’t miss an episode! Chapters: * 0:00 Intro and Jon Petrie joining Hat Trick Productions * 2:51 The Sarah Everard Drama: Should a Man Be Writing It? * 14:35 Love Island, Married at First Sight UK & Reality TV's Reckoning? * 25:06 The Stranger Things Effect: Why TV Shows Disappear for Years * 30:33 Ice Hockey Romance: TV's Hottest New Genre? #BBCDrama #SarahEverard #LoveIsland #MarriedAtFirstSight #StrangerThingsEffect #TVNews #BehindTheScenes #UKTelevision #PeterFincham #JimmyMulville #InsidersPodcast #BBCControversy # #TwinPeaks #HappyValley #StrangerThings #Euphoria #TVPodcast #BritishTV #RealityTV #JeffPope #MAFS #Channel4 #HatTrick #TVIndustry #ScreenwritingDebate #HeatedRivalry #OffCampus #TVDrama Jimmy Mulville is the co-founder and Chief Executive of Hat Trick Productions. His list of hit shows includes Have I Got News For You, Father Ted, Derry Girls, Outnumbered, and Episodes. In the US Hat Trick launched Whose Line Is It Anyway in 1997 which ran on ABC for seven years and was the first British series to be recreated for American network television by a British producer.   Peter Fincham ran TalkBack, where he executive produced many of their biggest shows including I’m Alan Partridge, Never Mind The Buzzcocks, and Da Ali G Show. He went on to be Controller of BBC1, then he was Director of Television at ITV, before returning to the independent sector as the co-CEO of Expectation, the company behind Clarkson's Farm and Alma's Not Normal. New episodes every Friday. YouTube:   [data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAB4AAAAUCAYAAACaq43EAAAAo0lEQVR4AWNABv8ZjBWAuACIG4B4PRDvx4LvA/F/NHwem1qoGQ1QMxUYsAGo5H8a4wJ0Sx1AEnTCDsgWz6ejxfORLd5PR4v3wy0mSaOCL6UWvyfP4v1n/v9fv58iB5BtMRi8//T/f8PM//8FHOhqMQLcf/b/f0AxnS1GAIi4QeRwtxgR1MM6cVGenQa6AKF/kTnQlQT9q8UBbQhQq+lzn9SmDwBt39YrPgtlogAAAABJRU5ErkJggg==] / @insiderstvpodcast   [https://www.youtube.com/channel/UC1adbR91YQIX4Aa3gXMGdug] Email: podcasts@hattrick.com [podcasts@hattrick.com] Instagram: @InsidersTVPod [https://www.instagram.com/insiderstvpod] ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Why Do Great TV Shows Often End So Badly? How To Tell an Actor They’re Being Killed Off & Why Polymarket has Changed Reality TV Forever

TV Insiders Jimmy Mulville and Peter Fincham discuss whether Euphoria is on its final series, how to end a TV hit properly, why killing off characters can backfire, how prediction markets like Kalshi and Polymarket are spoiling reality TV shows like Survivor, and what the BBC can learn from YouTube. They also talk about: * The Bear and Emily in Paris announcing their final series * The endings of Derry Girls and The Sopranos compared to Game of Thrones * What it was like to cancel shows like the The Bill and Bodies * The art of writing shocking character deaths in shows like Emmerdale * Who tells the talent that they’ve been written out of a show * The ‘Prediction Markets’ could change reality TV forever * How outcomes of The Masked Singer, Next Level Chef and The Bachelorette were all correctly predicted months before they even aired * Matt Brittin’s comments on the BBC, improving the iPlayer and YouTube Have a question, opinion or suggestion? Leave a comment on Spotify or YouTube [https://www.youtube.com/channel/UC1adbR91YQIX4Aa3gXMGdug], find us on socials @InsidersTVPod [https://www.instagram.com/insiderstvpod], or email us at podcasts@hattrick.com [podcasts@hattrick.com]. If you enjoyed the episode, please leave a review 5-star review, share it with a friend and subscribe so you don’t miss an episode! #TV #Television #BBC #Euphoria #TheBear #DerryGirls #GameOfThrones #Survivor #Survivor50 #DowntonAbbey #Eastenders #Emmerdale #RealityTV #YouTube #Podcast #Insiders #PeterFincham #JimmyMulville #Kalshi #Polymarket Jimmy Mulville is the co-founder and Chief Executive of Hat Trick Productions. His list of hit shows includes Have I Got News For You, Father Ted, Derry Girls, Outnumbered, and Episodes. In the US Hat Trick launched Whose Line Is It Anyway in 1997 which ran on ABC for seven years and was the first British series to be recreated for American network television by a British producer.   Peter Fincham ran TalkBack, where he executive produced many of their biggest shows including I’m Alan Partridge, Never Mind The Buzzcocks, and Da Ali G Show. He went on to be Controller of BBC1, then he was Director of Television at ITV, before returning to the independent sector as the co-CEO of Expectation, the company behind Clarkson's Farm and Alma's Not Normal. New episodes every Friday. ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Michael Grade on Solving the BBC’s Big Problems, MAFS UK Allegations & Running Channel 4

TV Insiders Peter Fincham and Jimmy Mulville are joined by Michael Grade to talk about the challenges facing new BBC Director General Matt Brittin, questions asked of Channel 4 after allegations made about Married at First Sight UK and Blackadder, Doctor Who, Father Ted and more! In this episode: * What the new BBC Director General needs to do first, and why coming in from the outside can be a strength * Why Michael Grade thinks the BBC should take more risks and become “a nursery and not a grocery” * The BBC’s culture, Oxbridge snobbery, scheduling, and why the middle of television has disappeared * Why the BBC needs to justify public money in a streaming world and what its real purpose should be * Michael Grade’s take on Channel 4, new voices, and whether it can survive as a smaller, distinctive broadcaster * The Married at First Sight UK allegations, duty of care, and whether reality TV has gone too far * Telling talent the truth, spotting blind spots, and why great TV still depends on taste * Blackadder, Father Ted, Doctor Who and more! Have a question or opinion? Leave a comment, find us on socials (@InsidersTVPod), or email us at podcasts@hattrick.com [podcasts@hattrick.com]. If you enjoyed the episode, make sure to give us a 5 star rating on Apple podcasts or Spotify, follow the podcast wherever you're listening to it now and share this episode with a friend — it really helps us grow. Chapters 00:00 Coming up! 01:10 The Challenges for the New BBC Director General 18:19 Running Channel 4 22:35 Almost Cancelling Black Adder 25:07 Married at First Sight UK and reality TV ethics 30:55 The Rest of Michael's Career #BBC #MichaelGrade #MarriedAtFirstSightUK #Channel4 #DoctorWho #Blackadder #FatherTed #RealityTV #TVPodcast #BritishTV #Television #InsidersTVPod #PublicServiceBroadcasting #BAFTA #Streaming #Podcast ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.