99 Canada's Tiny Woke Province Cancels Local Comedian

106 The Pink Floyd Trifecta

The Three Lives of Pink Floyd Step into the sonic laboratory of one of rock’s most enigmatic legends. In this episode of The GXO Podcast, your host, The Generation X Offender, peels back the layers of Pink Floyd’s monumental recording history, dissecting the band’s evolution through three distinct, transformative eras. From the psychedelic whimsy of the swinging sixties to the stadium-filling anthems that defined a generation, we explore the creative tensions, the tragic departures, and the relentless innovation that has kept this band at the pinnacle of art rock for over half a century now. In this episode, we uncover: *   The Barrett Blueprint (1965–1968): Journey back to the band’s origins, where architecture students Roger Waters, Nick Mason, and Richard Wright fell under the spell of the brilliant, mercurial Syd Barrett. Discover how his creative genius and tragic descent into debilitating mental illness forged the band’s identity before tearing it apart. *   The Waters Reign (1968–1979): Witness the seismic shift as David Gilmour steps into the fold to complete A Saucerful of Secrets. We chart the rise of the Roger Waters era, a decade of unparalleled ambition that culminated in the conceptual masterpiece and global phenomenon, The Wall. *   The Final Frontier (1983–2014): Explore the band’s most resilient chapter. Following the departure of Waters after The Final Cut, discover how Pink Floyd defied the odds and their critics to embark on a triumphant 31-year run, cementing their legacy with iconic studio albums and legendary live performances. Whether you’re a die-hard fan or a curious newcomer, this deep dive into the architecture of Pink Floyd is an essential listen. Tune in to The GXO Podcast, Episode 106, and experience the story of the band that changed music forever. Listen now and get lost in the sound. *THE MUSIC Bike  https://music.apple.com/ca/album/bike/1065975041?i=1065975057 [https://music.apple.com/ca/album/bike/1065975041?i=1065975057]from their 1967 debut album Piper At The Gates Of Dawn Please Don't Go https://music.apple.com/ca/album/please-dont-go/1848069441?i=1848069445 [https://music.apple.com/ca/album/please-dont-go/1848069441?i=1848069445] Pink Anderson's cover off his 1961 vinyl album of Big Joe Williams 1935 song of the same name Baby Please Don't Go https://music.apple.com/ca/album/baby-please-dont-go/1828796572?i=1828796581 [https://music.apple.com/ca/album/baby-please-dont-go/1828796572?i=1828796581] swinging 60s cover of the aforementioned Big Joe Williams song, this time covered by the Van Morrison led Belfast, Nortern Ireland group Them Runaway Man Blues from the 1937 78 RPM record by 1930's American bluesman Floyd Council Candy And A Currant Bun, the B-side from Pink Floyd's first ever single 45 Arnold Layne Vegetable Man, the Syd Barrett penned track intended for inclusion on Pink Floyd's sophomore album A Saucerful Of Secrets, which remained unreleased for 42 years until its eventual appearance in 2010 as part of the early Pink Floyd retrospective The Great Gig In The Sky featuring the historic, once in a lifetime wordless, improvised vocal performance by Clare Torry from the Dark Side Of The Moon album from 1973 The Trial from Pink Floyd's magnum opus, their 1979 double studio album The Wall When The Tigers Broke Free from the ill fated Final Cut album, the final Pink Floyd record to feature Roger Waters  Sorrow from the first Pink Floyd album not to feature Roger Waters, 1987s A Momentary Lapse Of Reason Comfortable Numb performed life by The Band's Rick Danko, Garth Hudson and Levon Helm along with Van Morrison and Roger Waters from the landmark 1990 recording The Wall - Live In Berlin Louder Than Words, the final song from the final Pink Floyd album, The Endless River, the 15th and final of their career   This episode is dedicated to the memory of 14 year old Benji Hayward who died tragically following Pink Floyd's May 13, 1988 concert at Exhibition Stadium in Toronto. Our thoughts and prayers go out to Benji and his family and friends who continue to mourn his passing, robbed of the opportunity to watch young Benji grow and flourish into adulthood.     Anyone wishing to contact The GXO please do by emailing us at info@gxopodcast.com [info@generationxoffender.com]   Want on our mailing list? Only one weekly email update, we promise! We're far too lazy to do any more. Wanna leave a comment? Need to contact us? Visit the Official Generation X Offender GXO website at www.gxopodcast.com [http://www.generationxoffender.com/]   *Please Note: Audio portions of this podcast have been reproduced under the "Fair Use" doctrine. This use is intended to be transformative, adding perspective to the original work, serving an educational purpose rather than commercial gain. This use is intended academically and does not serve as a substitute for the original. Copyright Disclaimer - Under Section 107 of the Copyright Act 1976, allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. "Fair Use" is a use permitted by copyright statute that might otherwise be infringing.

105 Sinatra

The Chairman of the Board’s career was a rollercoaster of meteoric highs and devastating lows. In Episode 105 of The GXO, host The Generation X Offender pulls back the curtain on the three distinct eras that defined Frank Sinatra’s unparalleled legacy. From his early days cutting his teeth with the Harry James Orchestra in 1939 and his pivotal, albeit volatile, shift to the Tommy Dorsey Orchestra in 1940, we trace the foundation of a legend. But the story doesn't stop at the spotlight—we dive deep into the nearly decade-long tenure at Columbia Records that preceded a shocking, career-defining collapse. What brought the world’s biggest star to his knees? We examine the perfect storm of the early 1950s: shifting public tastes, a disastrous loss of radio dominance, mounting tax debt, and the explosive, reputation-shattering affair with Ava Gardner that made him a tabloid pariah. By 1952, the unthinkable happened: Columbia Records dropped him. But this is also a story of grit and reinvention. Tune in to hear how Sinatra engineered one of the greatest comebacks in entertainment history—starting with his Oscar-winning turn in From Here to Eternity, his legendary creative rebirth at Capitol Records, and his bold final move to establish his own empire with Reprise Records. Whether you’re a lifelong fan or just discovering the voice of the century, don't miss this deep dive into the man behind the myth. Listen to Episode 105 of The GXO now.   *THE MUSIC: Melancholy Mood by The Harry James Orchestra featuring Frank Sinatra 1939 https://music.apple.com/ca/album/melancholy-mood-feat-frank-sinatra/158597471?i=158597547 [https://music.apple.com/ca/album/melancholy-mood-feat-frank-sinatra/158597471?i=158597547] I'll Never Smile Again by The Tommy Dorsey Orchestra featuring Frank Sinatra 1940 https://music.apple.com/ca/album/ill-never-smile-again/296724075?i=296725067 [https://music.apple.com/ca/album/ill-never-smile-again/296724075?i=296725067] All Or Nothing At All by solo artist Frank Sinatra on Columbia Records reissued 1943 https://music.apple.com/ca/album/all-or-nothing-at-all-with-harry-james-and-his-orchestra/399050238?i=399050240 [https://music.apple.com/ca/album/all-or-nothing-at-all-with-harry-james-and-his-orchestra/399050238?i=399050240] After being signed by Capitol Records, Sinatra scored his first number 1 hit record for the label with Young At Heart in 1954 https://music.apple.com/ca/album/young-at-heart/1702561720?i=1702562060 [https://music.apple.com/ca/album/young-at-heart/1702561720?i=1702562060] After starting his own record label in 1960, Reprise Records, Sinatra recorded fan favorite That's Life in 1966 https://music.apple.com/ca/album/thats-life/1443412906?i=1443413205 [https://music.apple.com/ca/album/thats-life/1443412906?i=1443413205]  Sinatra's 1963 Reprise Records single Luck Be A Lady from the 1955 film he appeared in alongside American acting legend Marlon Brando https://music.apple.com/ca/album/luck-be-a-lady/1440858119?i=1440858125 [https://music.apple.com/ca/album/luck-be-a-lady/1440858119?i=1440858125] Special thanks to Francis Ford Coppola and the producers of the 1972 Hollywood blockbuster film The Godfather Do you have a burning desire to send us an email? Please do! info@gxopodcast.com [info@generationxoffender.com]   Want on our mailing list? Only one weekly email update, we promise! We're far too lazy to do any more. Wanna leave a comment? Need to contact us? Visit the Official Generation X Offender GXO website at www.gxopodcast.com [http://www.generationxoffender.com/]   *Please Note: Audio portions of this podcast have been reproduced under the "Fair Use" doctrine. This use is intended to be transformative, adding perspective to the original work, serving an educational purpose rather than commercial gain. This use is intended academically and does not serve as a substitute for the original. Copyright Disclaimer - Under Section 107 of the Copyright Act 1976, allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. "Fair Use" is a use permitted by copyright statute that might otherwise be infringing.

104 What's EGOT That I Ain't Got?

Have you ever imagined yourself winning a Grammy Award. Or an Oscar? An Emmy? Or Tony? IMAGINE if you'd won ALL FOUR?!? THEN you'd be an EGOT!! Gimme an "E" for EMMY AWARD: for television (established 1949) Gimme a "G" for GRAMMY AWARD: for music (established 1959) Gimme an "O" for OSCAR (Academy Award): for movies (established 1929) Gimme a "T" for Tony Award: for theatre (established 1947 WHATS THAT SPELL? Egot! WHATS THAT SPELL? Egot! WHAT'S THAT SPELL? Egot! WHATS THAT SPELL? Egot!   Currently, in the world today, there are LESS THAN two dozen people who can lay claim to winning all four of these competitive awards  A mere six, all of whom won three of the Awards competitively, are the recipients of the Non-Competitive EGOT: 1. Barbra Streisand (never won a competitive Tony but was awarded one in 1970 for being "Artist Of The Decade") 2. Liza Minnelli (never won a competitive Grammy but was awarded a Grammy Legend Award for her body of work) 3. James Earl Jones (aka DARTH VADER!!) never won a competitive Oscar but was awarded an honorary Academy Award for his body of work) 4. Harry Belafonte (never won a competitive Oscar but was awarded an honorary Academy Award for a lifetime of Humanitarian service) 5. Quincy Jones (never won a competitive Oscar but was awarded an honorary Academy Award for a lifetime of Humanitarian service) 6. Frank Marshall (never won a competitive Oscar but was awarded the Irving G. Thalberg Memorial Oscar Award for his enduring career as an outstanding Producer in the field of motion pictures) Wanna know who's the BEST OF THE BEST as voted by their peers in the competitive EGOT Awards? Listen and find out! ALL THIS...and More! In the latest episode of The GXO music podcast, your trusted, insider source for everything music, pop culture and current affairs. Offending the masses since 1966!   *THE MUSIC  The show begins and ends with the one, the only (the world could not handle TWO of her): Dame Ethel Merman. Known for her distinctive, powerful voice as well as numerous leading roles in Musical Theatre, she is often simply called "the undisputed FIRST LADY of the musical comedy stage in America".    Today's show features not one but TWO versions of the unofficial theme song to the entertainment industry itself:   "There's No Business Like Show Business" https://music.apple.com/ca/album/theres-no-business-like-show/1290856946?i=1290857361 [https://music.apple.com/ca/album/theres-no-business-like-show/1290856946?i=1290857361]   And, in closing, the same song, performed in a contemporary setting, from her wildly outrageous The Ethel Merman Disco Album from 1979 https://music.apple.com/ca/album/theres-no-business-like-show-business/1443567805?i=1443567809 [https://music.apple.com/ca/album/theres-no-business-like-show-business/1443567805?i=1443567809]   Also featured during the show is Academy Award winning Actor Marlon Brando and his performance from the 1955 musical film Guys and Dolls https://music.apple.com/ca/album/luck-be-a-lady/547115517?i=547115708 [https://music.apple.com/ca/album/luck-be-a-lady/547115517?i=547115708]    Do you have a burning desire to send us an email? Please do! info@gxopodcast.com [info@generationxoffender.com]   Want on our mailing list? Only one weekly email update, we promise! We're far too lazy to do any more. Wanna leave a comment? Need to contact us? Visit the Official Generation X Offender GXO website at www.gxopodcast.com [http://www.generationxoffender.com/]   *Please Note: Audio portions of this podcast have been reproduced under the "Fair Use" doctrine. This use is intended to be transformative, adding perspective to the original work, serving an educational purpose rather than commercial gain. This use is intended academically and does not serve as a substitute for the original. Copyright Disclaimer - Under Section 107 of the Copyright Act 1976, allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. "Fair Use" is a use permitted by copyright statute that might otherwise be infringing.

103 Leonard Cohen: A Letter To My Son

WARNING!: Mature Subject Matter - Due to certain references to sexual activity in this podcast, Listener Discretion Is Strongly Advised In this episode we take you on an unexpected journey through the life and legacy of iconic poet turned singer-songwriter Leonard Cohen. Growing up in a household that dismissed Cohen's music as taboo, we reflect on the surprising allure Cohen held for women, particularly our friend's free-spirited Moms in the '70s. Discovering a battered vinyl copy of Cohen's greatest hits sparked a fascination with songs like "Chelsea Hotel," along with intertwining tales of love, loss, and the gritty underbelly of fame. Experience firsthand the profound impact of Cohen's lyrics, exploring themes of desire, regret, and the complexities of modern relationships through the usual mix of personal anecdotes and cultural references you've come to expect from an episode of The GXO. Turn off your mind, relax and float downstream through poignant moments including Cohen's heartfelt deathbed farewell to the beloved Marianne along with the bittersweet reality of his later years, marked by both triumph and adversity. Blending nostalgia and reverence, this episode promises to resonate with both long-time fans and newcomers alike, inviting all to rediscover the haunting beauty of Leonard Cohen's music. Tune in for an engaging exploration of artistry, memory, and the enduring power of love! *THE MUSIC (all songs written by Leonard Cohen)   Dance Me To The End Of Love by American chanteuse jazz singer Madeleine Peyroux from her album Careless Love    Chelsea Hotel No. 2 by Leonard Cohen from his album New Skin For An Old Ceremony   Everybody Knows performed by fellow Montrealer Rufus Wainwright (father to Cohen's granddaughter Viva Katherine Wainwright Cohen) from the motion picture soundtrack to the performance film Leonard Cohen: I'm Your Man   The Future from Leonard Cohen's album of the same name   I’m Your Man performed by amateur theologian and former lead singer from Australia's The Birthday Party; Nick Cave from the motion picture soundtrack to the performance film Leonard Cohen: I'm Your Man   Tower Of Song performed by Leonard Cohen and Ireland's U2 from the motion picture soundtrack to the performance film Leonard Cohen: I'm Your Man   So Long, Marianne by Leonard Cohen from his album Live In Dublin   You Want It Darker by Leonard Cohen from his 14th and final studio album of the same name, released 17 days before Cohen's death in 2026. The lyrics to the song were later recited during Cohen's interment ceremony at Congregation Shaar Hashomayim Cemetery on the northern slope of Mount Royal in Montreal, Quebec, Canada   This episode is dedicated to my son Dylan who is the inspiration for its creation. Thanks kid. Do you have a burning desire to send us an email? Please do! info@gxopodcast.com [info@generationxoffender.com]   Want on our mailing list? Only one weekly email update, we promise! We're far too lazy to do any more. Wanna leave a comment? Need to contact us? Visit the Official Generation X Offender GXO website at www.gxopodcast.com [http://www.generationxoffender.com/]   *Please Note: Audio portions of this podcast have been reproduced under the "Fair Use" doctrine. This use is intended to be transformative, adding perspective to the original work, serving an educational purpose rather than commercial gain. This use is intended academically and does not serve as a substitute for the original. Copyright Disclaimer - Under Section 107 of the Copyright Act 1976, allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. "Fair Use" is a use permitted by copyright statute that might otherwise be infringing.

102 Bob Ironside Pt. 2

The latest installment of the continuing story of master carver, writer, scholar, humorist, lyricist, composer, multi instrumentalist, recording artist, record producer, recording engineer, singer, songwriter, guitarist extraordinaire, son, brother, cousin, husband, soul mate, father, grandfather, bandmate... Robert Bruce James Ironside (1961-2024)  THE Bob Ironside, the guy who played live onstage at the legendary Grossman's Tavern on Spadina Avenue, Toronto, just down from the neon palms of Mick n Keith and the El Mocambo of back in the day... THE Bob Ironside, possibly one of the only other lead guitarists in history to share a stage with guitar legend David Wilcox who, at the time, had Bob vow to never tell anyone he had, or ELSE! (he would blow up his car!) to which Bob replied, "I don't have a car" "You will" said Wilcox. "You will". THE Bob Ironside, jamming with and friend to the late, great Texan, the One, the Only, Mickey Jones, perfecter of The Texas Shuffle ("If you can't get Mickey Jones, get Jim Keltner. And if you can't get Keltner, call Ringo") DRUMMER Extraordinaire, Dylan's choice of rhythm section for the infamous "ELECTRIC JUDAS" tour of the UK and 1966 masterstroke Blonde On Blonde, BEFORE the motorcycle accident... Bob wrote the honky tonk country jag "Preplanned Obsolescence" specifically for Mickey Jones which has to be heard to be believed... THE Bob Ironside, lead sideman and songwriter to The Kar Tunes, The Voyer Brothers, soul sistah Windy Ironside, Poultry Season, The Funbags Charlie Manson Band Tribute Band Extravaganza Band!, Dada Puba, and most recently Slippery Trip Hazard ...as heard on both self titled debut albums by The Voyer Brothers and Slippery Trip Hazard as well as his own exceptionally rare and highly sought after self titled solo album and the long rumored unreleased sophomore album "Flip Gets Glasses" by Slippery Trip Hazard. *THE MUSIC The two recordings heard in this podcast, "Garbage Day" and "The Cockroach Song" were both composed by Robert Ironside and are the sole property of The Estate of Robert Ironside. It should also be noted that every instrument heard on both of these recordings was played by Robert Ironside himself, written, recorded, engineered, produced and performed by the one man band himself known as Robert Ironside. A special thank you for this episode goes out to the great Grand Matriarch of our family, the perpetually stunning, perpetually beautiful, moral center and guiding light, the one, the only Kathy Aitkens, the other half of sky. Bob's girl. This episode is dedicated to Bob's children David, Katy, Liz, Bronwin and granddaughter Cordelia. Do you have a burning desire to send us an email? Please do! info@gxopodcast.com [info@generationxoffender.com]   Want on our mailing list? Only one weekly email update, we promise! We're far too lazy to do any more. Wanna leave a comment? Need to contact us? Visit the Official Generation X Offender GXO website at www.gxopodcast.com [http://www.generationxoffender.com/]   *Please Note: Audio portions of this podcast have been reproduced under the "Fair Use" doctrine. This use is intended to be transformative, adding perspective to the original work, serving an educational purpose rather than commercial gain. This use is intended academically and does not serve as a substitute for the original. Copyright Disclaimer - Under Section 107 of the Copyright Act 1976, allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. "Fair Use" is a use permitted by copyright statute that might otherwise be infringing.