Strictly Business on KSVY
What we will talk about: 1. Why the book thesis and project?, 2. Why is ‘financialization’ a dirty word?, 3. Financing vs. financialization - the difference?, 4. Did ‘Hollywood accounting’ draw scrutiny from ‘financial actors?, 5. Was operating record of studios, broadcasting companies and labels subpar, on average, drawing attention of activist investors?, 6. What was returns record of studios, broadcasting companies and labels before financialization?, 7. From tax shelters, conglomeration in the 1970s - concentration of ownership not new?, 8. 1990s - monetization of libraries and back catalogues - logical operating decision?, 9. Content treated as a capital asset - when?, 10. Effect of Telecommunications Act of 1996 on cultural industries?, 11. Citibank deal for 20th Century Fox - blueprint for future acquisitions?, 12. AOL Time Warner merger considered disastrous - why?, what was learned, by whom?, 13. Effect of 2008 crisis on Wall Street‘behavior’?, 14. Effect of streaming on musicians’ earning potential?, 15. Why musicians sell their catalogues?, 16. Maximization of value of IP assets - reasonable operating decision?, 17. Capitalizing on IP success - reasonable operating decision (i.e. sequels)?, 18. Effect of AI on creatives in LA? 19. Anticipated impact of Paramount’s takeover of Warner Brothers Discovery?, 20. More than 4,000 Hollywood actors and industry professionals joined the ‘Block the Merger’ campaign - what did they want?, why did WB shareholders apparently not care what they wanted?, 21. Are audiences aware of the impact of financialization on cultural industries?, Should they care about who owns what?, 22. What can/should consumers do to exert influence?, 23. What would it take for lobbyists to support legislative reform to ‘protect’ cultural industries’? https://sites.google.com/view/andrewdewaard
123 episodios
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