The Week in Art

Maurizio Cattelan’s Comedian (2019), the work featuring a banana stuck to a wall with grey duct tape, sold at Sotheby’s in New York, on Wednesday for $5m or $6.2m with fees. But how did other works fare at this week’s auctions in New York? Ben Luke talks to Ben Sutton, The Art Newspaper’s editor, Americas, about the sales. Frank Auerbach, the painter who escaped the Holocaust and dedicated more than 70 years to creating portraits and cityscapes in London in raw, thick paint and expressive charcoal, has died. We speak to the curator of three of his most important exhibitions—and a model for Auerbach for more than 40 years—Catherine Lampert, about his work. And this episode’s Work of the Week is Mzwandile at home after coming from the rehab center (2018), a photograph from Nyaope, a series by the South African photographer Lindokuhle Sobekwa. In the series he explored the devastating effect on his local community of a heroin-based drug, called nyaope. The work is part of the exhibition Heroin Falls, at the Sainsbury Centre in Norwich, UK, and I spoke to Lindo about the work. Heroin Falls, Sainsbury Centre, Norwich, UK, 23 November-27 April 2025 ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

UK museums are at a moment of transformation with a new generation of directors taking the helm at several of the major national institutions in London. So for this landmark 300th episode, we felt it was a good moment to look at the challenges and opportunities for museums now and in the future. We invited Gus Casely-Hayford of V&A East, Nicholas Cullinan of the British Museum and Karin Hindsbo of Tate Modern to join our host Ben Luke for a wide-ranging discussion. LAST CHANCE subscription offer: get three months for just £1/$1/€1. Choose between our print and digital or digital-only subscriptions. Visit theartnewspaper.com [http://theartnewspaper.com/] to find out more. Offer ends on 17 November. ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

This week: two exhibitions in London are showing remarkable works made during the Renaissance. At the King’s Gallery, the museum that is part of Buckingham Palace, Drawing the Italian Renaissance offers a thematic journey through 160 works on paper made across Italy between 1450 and 1600. Ben Luke talks to Martin Clayton, Head of Prints and Drawings at the Royal Collection Trust, about the show. At the Royal Academy, meanwhile, the timescale is much tighter: a single year, 1504 to be precise, when Michelangelo, Leonardo and Raphael were all in Florence. We talk to Julien Domercq, a curator at the Academy, about this remarkable crucible of creativity. And this episode’s Work of the Week is a magnum opus of Renaissance textiles: the Battle of Pavia Tapestries, made in Brussels to designs by Bernard van Orley, and currently on view in an exhibition at the de Young Museum in San Francisco. Thomas Campbell, the director of Fine Arts Museums of San Francisco, talks to The Art Newspaper’s associate digital editor, Alexander Morrison, about the series. Drawing the Italian Renaissance, King’s Gallery, Buckingham Palace, London, until 9 March 2025 Michelangelo, Leonardo, Raphael: Florence, c.1504, Royal Academy of Arts, London, 9 November-16 February 2025 Art and War in the Renaissance: The Battle of Pavia Tapestries, de Young Museum, San Francisco, US, until 12 January; Museum of Fine Arts, Houston, Texas, spring 2025 Subscription offer: get three months for just £1/$1/€1. Choose between our print and digital or digital-only subscriptions. Visit theartnewspaper.com [http://theartnewspaper.com/] to find out more ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Shortly after the US election on 5 November, the Smithsonian American Art Museum in Washington opens The Shape of Power: Stories of Race and American Sculpture, a radical new perspective on the history of the discipline from 1792 to now. Ahead of its opening, Ben Luke speaks to Karen Lemmey, a curator of sculpture at the Smithsonian American Art Museum and co-curator of the exhibition. In Warsaw, the Museum of Modern Art—a project 20 years in the making—has partially opened. We speak to its director, Joanna Mytkowska, about the long road to the unveiling and the upheavals in Polish politics along the way. And this episode’s Work of the Week is The Lamentation over the Dead Christ (early 1620s) by Jusepe de Ribera. It features in the first survey of the Spanish-born Baroque artist ever staged in France, at the Petit Palais in Paris. The museum’s director, Annick Lemoine, tells us more. The Shape of Power: Stories of Race and American Sculpture, Smithsonian American Art Museum, Washington, D.C., 8 November-14 September 2025. The Museum of Modern Art, Warsaw is open now; its full programme will be unveiled in February 2025. Ribera: Shadows and Light, Petit Palais, Paris, until 23 February 2025. The Art Newspaper subscription offer: get three months for just £1/$1/€1. Choose between our print and digital or digital-only subscriptions. Visit theartnewspaper.com to find out more.  ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

This week: with less than two weeks before the US goes to the polls, and with early voting underway, Ben Luke talks to The Art Newspaper’s editor, Americas, Ben Sutton, about what we might expect depending on whether Kamala Harris or Donald Trump wins the presidential election on 5 November. The exhibition Siena: The Rise of Painting 1300-1350 is currently on view at the Metropolitan Museum of Art in New York and will open at the National Gallery in London next March. Our associate digital editor, Alexander Morrison, travelled to the Tuscan city to look at the work of some of the Sienese artists who light up the show, in the context of the city itself. He was guided by the co-curator of the exhibition, Caroline Campbell, the director of the National Gallery of Ireland. And this episode’s Work of the Week is Personal Accounts, an ongoing series of video installations exploring patriarchal violence by the South African artist Gabrielle Goliath. The latest cycle in the series, called Mango Blossoms, opens at the Talbot Rice Gallery in Edinburgh this weekend and we speak to Gabrielle about the work. Siena: The Rise of Painting 1300‒1350, is at the Metropolitan Museum of Art, New York, until 26 January 2025; National Gallery, London, 8 March-22 June 2025. Gabrielle Goliath’s Personal Accounts: Mango Blossoms is shown alongside a number of other cycles from the series at the Talbot Rice Gallery, Edinburgh, 26 October-15 February 2025. The series also features in Stranieri Ovunque - Foreigners Everywhere, Venice Biennale, until 24 November. Subscription offer: get three months for just £1/$1/€1. Choose between our print and digital or digital-only subscriptions. Visit theartnewspaper.com [http://theartnewspaper.com/] to find out more. ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.