Special Edition 3 | Connecting the Dots

Earth 4: Forests

Host: Lutz Koepnick In today’s episode of Art of Interference we speak with Ursula Biemann, a Swiss artist based in Zurich. Her work over the last decades has explored forests in the Amazon and the Andes as critical engines of planetary life. In her widely exhibited films and installations Biemann continually seeks to bridge existing divides between Indigenous knowledge systems and Western science. We also hear from biologist and conservation ecologist Malu Jorge about the wonders of carrying out research in the rainforest, and from scholar Mark Anderson about the rights of nature movement and how Amazonian cosmologies emphasize the sociality and intelligence of nonhuman entities.  For more information visit: https://artofinterference.com/ [https://artofinterference.com/]

Earth 3: Soil

Soil is the foundation of life, but how often do we recognize it as such? On this episode of the Art of Interference, we speak with visual artist Allie Horick about her soil quilts—works that stitch together earth from family burial sites across Tennessee to tell a story of dispersed legacy and delicate connection. We also talk with regenerative farmer Maxwell Patterson and Vanderbilt professor Chris Vanags about the science of soil and the benefits of climate-smart agriculture. Whether used as a medium for art or growing, soil ecosystems show how variety, interconnectedness, and reciprocity sustain dynamic forms of life. Paying closer attention to this critical infrastructure has the power to transform people, communities, and the planet. Host: Jennifer Gutman For more information visit: https://artofinterference.com/ [https://artofinterference.com/]

Earth 2: Wood

In this episode of Art of Interference, we explore the medium of wood as a means of rethinking traditional ideas of human and nonhuman being amid a world of planetary emergencies. “People are really more like wood than we might think,” carpenter, artist, and scientist Seri Robinson insists in our conversation. Wood is influenced by the weather, by climate change, and by its proximate environments—and we, as humans have much to learn from it. And in our interview with artist Shinji Turner-Yamamoto, we discuss wood as an element that is deeply connected to memory, ritual, and spirituality. It is much more than just a useful resource, a lifeless object, or a pleasing decoration. It is a vibrant and essential element of life. Join us on this episode as we consider the deep time and ever-evolving role of wood. Host: Maren Loveland For more information visit: https://artofinterference.com/ [https://artofinterference.com/]

Earth 1: Lithium

Lithium plays a key role in the green energy transition. Its extraction, however, comes at considerable costs for the environment and for local communities, particularly in the so-called lithium triangle in Argentina, Bolivia, and Chile. In this episode, we speak with artist and curator Guely Morató Loredo and her collaborator, sound artist Victor Mazón Gardoqui, about two projects that engage with the mining of lithium in South America today, its devastating impact on Indigenous people and sacred sites, and its connection to much older histories of colonial extraction. We also hear from social anthropologist Pablo Ampuero-Ruiz about the rise of electric cars, their reliance on lithium, and the need to develop new ideas of mobility; and from geochemist John Ayers about the challenging water-intense process of lithium extraction.  Host: Lutz Koepnick For more information visit: https://artofinterference.com/ [https://artofinterference.com/]

Special Edition 3 | Connecting the Dots

Diné artist and photographer Will Wilson has been photographing hundreds of abandoned uranium mines and remediation site on the Navajo Nation over the last few years. In this episode, we speak with Will about this project, called “Connecting the Dots for a Just Transition,” and the power of photography to reveal and remediate environmental injustice. We also hear from Leah Lowe, the director of Vanderbilt University’s Curb Center for Art, Enterprise, and Public Policy, which exhibited Will’s work in fall 2024 as part of an ongoing initiative exploring the role of “eco-grief” in the arts. For more information visit: https://artofinterference.com/ [https://artofinterference.com/]