Episode 29 -- EYES OF LAURA MARS

Episode 33 -- REC and REC 2

Episode 33 -- REC and REC 2 Final Girl After Dark returns with a look at the Spanish found footage flicks REC (2007) and REC 2 (2009)! What makes a great found footage film? Why are dystopias actually so boring? These questions plus MAMAMOO wormholes, the devil's midi-chlorians, and more within. Show notes, etc available at finalgirlafterdark.com [http://finalgirlafterdark.com].

Episode 32 -- CLASH OF THE TITANS (1981)

Episode 32 -- Clash of the Titans (1981) This week, Stacie dives into the myth of the ultimate nepo baby with a look at the 1981 fantasy classic Clash of the Titans! Vengeful gods, delightful witches, misunderstood gorgons, the magic of Ray Harryhausen, everyday heroes, and the Kraken are all ready to be released into your earholes. Show notes, etc available at FinalGirlAfterDark.com [http://FinalGirlAfterDark.com]

Episode 31 -- THE HOUSE THAT SCREAMED (1969)

Episode 31 -- THE HOUSE THAT SCREAMED This week, Stacie is chopping wood, dodging cars, and taking a wicked look at The House That Screamed (aka La residencia), _&#xNAN;_Narciso Ibañez Serrador's tale of repression in a strict boarding school for wayward girls. Show notes and more available at FinalGirlAfterDark.com [https://www.finalgirlafterdark.com]!

Episode 30 -- APRIL FOOL'S DAY (1986)

Episode 30 -- April Fool's Day (1986) No jokes here, just a look at a movie positively dribbling with jokes (and jerks): April Fool's Day (1986)! Join Stacie as she dives into the dark undercurrents of the film, the dark undercurrents of her awkward social interactions, as well as a special announcement. Find show notes and more at www.finalgirlafterdark.com [http://www.finalgirlafterdark.com].

Episode 29 -- EYES OF LAURA MARS

Episode 29 -- EYES OF LAURA MARS This week, Stacie steps into Faye Dunaway's cape and takes a peep through the Eyes of Laura Mars (1978)! Summerisle fantasies, noted fashion photographers, fussy men, difficult women, and more await, so take a twirl around the maypole. After all, there's always room for giallo!