见证衰老

10. 反叛女人- Riot Women: 中女朋克ish

58 min · 20 feb 2026
aflevering 10. 反叛女人- Riot Women: 中女朋克ish artwork

Beschrijving

第十期节目请到了Arche(年龄研究和美国文学研究学者)一起讨论了英剧《反叛女人》,该剧由英国导演萨利温莱特执导,讲述了五位中年女性在西约克郡组建朋克摇滚乐队的故事。收听提示: * 《反叛女人》总体印象,有何特别之处? * 剧中(中年女性)照护家庭过程中的复杂性,既反映(性别)角色分工,不乏幽默,也强调专业机构照顾的重要性 * 中女年龄焦虑与女性经验的关系问题:为什么展现女性经验,有利于思考年龄焦虑的双重标准(Susan Sontag - The Double Standard of Aging)? * 女性经验与身体变化描写的处理方式,对比《某种物质》,年龄焦虑/衰老经验是否总需要用夸张的形式呈现,才能引人注目? * 中女与朋克音乐结合,是否冲突? * 该剧是否有效致敬了(riot grrrl movement )暴女运动––女性主義的地下朋克音樂運動。剧中音乐编曲来自 ARXX [https://www.google.com/search?q=ARXX&sca_esv=2827ae63164125c3&rlz=1C5CHFA_enUS1012US1012&sxsrf=ANbL-n4X7FE6wLDBpAMS0rwOVaiAaHke5g%3A1771598257177&ei=sXGYaf6mCsG_p84Pl6DA8Qg&biw=1154&bih=685&mstk=AUtExfChPn6B3E0dqWKM7nuzLe7UbX70-LGCnOtf90FY8Ix-BLzY5kUHFwMUoSWVtJFUrFaRMRzWSFeOpkfLokAvtMeRBmZmhxCcO89PDFDm91NRSqXmBSq54lCBk0pfq69FyrWa8aOpugN01ywuq-ylV1yT_aP-bqn6qh0hExsU24zsZ7o&csui=3&ved=2ahUKEwiU5-L6peiSAxVQJNAFHaIRFLkQgK4QegQIARAC] (Hannah Pidduck and Clara Townsend) * 该剧太白了吗? * 年龄研究的交叉定位问题 欢迎留言一起讨论,感谢收听!欢迎转发!

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aflevering 11.《非穷尽列举》:当妈妈也是大法官 artwork

11.《非穷尽列举》:当妈妈也是大法官

第十一期节目请到了戴戴(律师/民商事诉讼)一起讨论了英国戏剧《非穷尽列举》,该剧主要讲述了Jessica Parks在法官、母亲和女性主义者身份之间周旋的故事。 收听提示: 1. 看剧的第一印象:法庭审理在媒体作品中的艺术加工 2. Jessica作为女性职场精英,事业成功带来的家庭压力和内疚感;传统家庭角色面临的束缚,如家务活动的不平等分工,以及做一个“好妈妈”的心理负担 3. “有毒男子气概”的代际传递、心理根源与外部环境(incel culture)的影响 4. 社交媒体的负面影响与政策干预:英国禁止 16 岁以下未成年人使用社交媒体的政策 5. (内容预警)性侵议题,相关叙事视角、受害者迷思澄清 6. 身体自主权,建立清晰边界,拒绝物化和被物化 7. 过于鲜明的“进步叙事”和性别对立反思、以及社会对女性主义的误解 8. 提到的作品有《初步举证》、《世界的主人》、《混沌少年时》 欢迎留言一起讨论,感谢收听!欢迎转发!

Gisteren1 h 18 min
aflevering 10. 反叛女人- Riot Women: 中女朋克ish artwork

10. 反叛女人- Riot Women: 中女朋克ish

第十期节目请到了Arche(年龄研究和美国文学研究学者)一起讨论了英剧《反叛女人》,该剧由英国导演萨利温莱特执导,讲述了五位中年女性在西约克郡组建朋克摇滚乐队的故事。收听提示: * 《反叛女人》总体印象,有何特别之处? * 剧中(中年女性)照护家庭过程中的复杂性,既反映(性别)角色分工,不乏幽默,也强调专业机构照顾的重要性 * 中女年龄焦虑与女性经验的关系问题:为什么展现女性经验,有利于思考年龄焦虑的双重标准(Susan Sontag - The Double Standard of Aging)? * 女性经验与身体变化描写的处理方式,对比《某种物质》,年龄焦虑/衰老经验是否总需要用夸张的形式呈现,才能引人注目? * 中女与朋克音乐结合,是否冲突? * 该剧是否有效致敬了(riot grrrl movement )暴女运动––女性主義的地下朋克音樂運動。剧中音乐编曲来自 ARXX [https://www.google.com/search?q=ARXX&sca_esv=2827ae63164125c3&rlz=1C5CHFA_enUS1012US1012&sxsrf=ANbL-n4X7FE6wLDBpAMS0rwOVaiAaHke5g%3A1771598257177&ei=sXGYaf6mCsG_p84Pl6DA8Qg&biw=1154&bih=685&mstk=AUtExfChPn6B3E0dqWKM7nuzLe7UbX70-LGCnOtf90FY8Ix-BLzY5kUHFwMUoSWVtJFUrFaRMRzWSFeOpkfLokAvtMeRBmZmhxCcO89PDFDm91NRSqXmBSq54lCBk0pfq69FyrWa8aOpugN01ywuq-ylV1yT_aP-bqn6qh0hExsU24zsZ7o&csui=3&ved=2ahUKEwiU5-L6peiSAxVQJNAFHaIRFLkQgK4QegQIARAC] (Hannah Pidduck and Clara Townsend) * 该剧太白了吗? * 年龄研究的交叉定位问题 欢迎留言一起讨论,感谢收听!欢迎转发!

20 feb 202658 min
aflevering 9. The Farewell (2019) Should we tell people they are dying? artwork

9. The Farewell (2019) Should we tell people they are dying?

In This Episode: Should we tell people they are dying? In Lulu Wang’s film The Farewell (2019), Chinese-born, U.S.-raised Billi returns to Changchun, China after her family decides to “protect” her grandmother - Nainai - from her cancer diagnosis. They plan a wedding as a cover for a good-bye party. This story is “based on a true lie.” The question provoked by the film guides the discussion of Manaka (an active violinist, recitalist and composer based in Japan) and host Roya about: 1. Our first impression of the film and the casting: Awkwafina and her backgrounds 2. The film’s Chinese-American themes and the challenges of writing a script in two languages 3. The film is named “Don’t tell her” in Chinese, as well as the cultural context of hiding a cancer diagnosis from a loved one - the cultural differences between American and Chinese approaches to family and healthcare 4. The film’s portrayal of Nainai’s character. Did Nainai know? 5. The complex relationship between Billi and her immigrant mother; Billi’s in-between/fragmented identity 6. The film’s deeper message about the distinction between death and illness, and how society often conflates these concepts; the universal theme of saying goodbye to our loved ones 7. Birds as family messengers connecting Billi and Nainai 8. The ending, where it’s revealed that the real Nainai survived her diagnosis 9. Growing Asian American representation in media and its potential to challenge fixed national categories in the study of aging and intergenerational relationships. 10. The film’s musical elements * The major takeaway we want you to have from this podcast is: Manaka: I hope we can have a deeper understanding of The Farewell beyond its landmark as a film for Asian representation, and expand that understanding to more storytelling from different cultures as well. Roya: I hope we can better understand, and keep learning more about, the complex dynamics and emotional realities of intergenerational relationships in a transnational context. This film is a good example for thinking about this. Show notes: Manaka Matsumoto is an active violinist and recitalist based in Japan. She regularly premieres her own compositions in her recitals, arranges popular classical music to be performed by smaller ensembles in more intimate settings, and frequently collaborates with visual artists in live performances. Her mission as a classical music instrumentalist is to explore the possibilities of live performance culture, challenging conventions in repertoire, venue, and communication with the audience. A fun fact about the podcast: Totally coincidentally, Roya realized she had written a social media post exactly six years ago today—February 2, 2020—when she first watched the film (actually earlier than the time she mentioned in the podcast). In it, she wrote that she was moved to tears and that the film brought back sweet memories of her grandmother. It feels like another reminder of how life can seem almost magical or even fictional. Lulu Wang’s interview re. the script: https://www.youtube.com/watch?v=_taWSzIaBYg [https://www.youtube.com/watch?v=_taWSzIaBYg] Lulu Wang and the piano: https://variety.com/2019/film/features/the-farewell-lulu-wang-interview-awkwafina-1203285725/ [https://variety.com/2019/film/features/the-farewell-lulu-wang-interview-awkwafina-1203285725/] The Farewell Soundtrack: https://www.youtube.com/watch?v=OIV4HAz6n3M [https://www.youtube.com/watch?v=OIV4HAz6n3M] “Saying Goodbye to Your Roots in 'The Farewell'” by Quality Culture https://www.youtube.com/watch?v=aK1oXZ-jCZQ [https://www.youtube.com/watch?v=aK1oXZ-jCZQ] “In Defense of Ignorance: What You Don’t know” by This American Life https://www.thisamericanlife.org/585/in-defense-of-ignorance/act-one-8 [https://www.thisamericanlife.org/585/in-defense-of-ignorance/act-one-8] Interview “From writer/director Lulu Wang and starring Awkwafina. “ https://www.youtube.com/watch?v=1B6JUzB6GbQ [https://www.youtube.com/watch?v=1B6JUzB6GbQ] https://www.youtube.com/watch?v=cE289akkxY8 [https://www.youtube.com/watch?v=cE289akkxY8] "Lies and Goodbyes" by Caroline Hensley https://medicalhealthhumanities.com/2025/11/10/lies-and-goodbyes-lulu-wangs-the-farewell-2019/ "The Farewell" by Santa Barbara International Film Festival: https://sbiff.org/the-farewell/

2 feb 20261 h 10 min
aflevering 8.《姥姥的外孙》:照顾爷爷奶奶可以获得百万房产吗? artwork

8.《姥姥的外孙》:照顾爷爷奶奶可以获得百万房产吗?

第八期节目请到了三七跟我一起聊泰国导演帕特·波尼蒂帕特导演的《姥姥的外孙》(2024),电影上映时,大受欢迎。电影中主人公M看到堂妹因为照顾病重的祖父,获得房子和巨额遗产后,决定效仿堂妹,走上”啃老致富“这条路,通过照顾患上癌症的外婆Menju,拿到外婆这里的房产和遗产。但随着朝夕相处的陪伴,他跟姥姥之间产生了真正的感情和连结。 收听提示: * 对电影的预想,第一印象 * 泪点、及其产生的效应:如传达了对老年人需求的关注和代际沟通的问题 * 主人公M前后的大转变,即从网瘾少年到全职外孙,是否可信?青少年离开游戏空间与姥姥建立联系的可能性 * 东亚叙事?电影在国际上引起广泛共鸣,被认为代表了东亚家庭关系中的孝顺和隔代温情?英文片名How to Make Millions Before Grandma Dies形成的反差 * “儿子继承了家产,女儿继承了癌症。” -- 引自主人公母亲对姥姥说的话。 * 泰国社会结构和经济压力,年轻人面临的就业和房产问题,贫富差距 * 给姥姥买墓地,新旧价值观的交织与传承,隔代连接 * “你知道老人真的想要,但是无法从子女那里得到的是什么吗?是时间。”“你要习惯老人的味道,直到闻不到,我连爷爷的尿味都习惯了。” -- 引自主人公堂妹 背景音乐出自电影,Talat Phlu & Grandma's Home by Jaithep Raroengjai

1 jan 202644 min
aflevering 7.许鞍华《桃姐》:香港阔少照顾中风保姆? artwork

7.许鞍华《桃姐》:香港阔少照顾中风保姆?

第七期节目请到了我的好朋友Xueyi跟我一起聊了许鞍华导演的《桃姐》(2011):电影通过真人真事改编,讲述了桃姐(叶德娴 饰)住家保姆突然中风,由她曾经服务的家里少爷罗杰(刘德华 饰)照顾的故事。收听提示:许鞍华导演和《桃姐》剧情介绍 * 电影风格,桃姐人物塑造小细节,“仁慈”的镜头语言,配乐安静,不煽情 * 桃姐和罗杰:超越血缘的照护关系,在现实中可信吗?罗杰人物形象,“成长小说”? * 桃姐中风表情特写,侧面描写生病的场景 * 养老院场景拍摄,人物要素充分,中秋节探望的情节 * 养老费,丧葬费等现实问题讨论 * 罗杰对母亲和桃姐的不同态度,两位不同老年女性刻画 * 桃姐招聘新佣人失败,“住家保姆”时代的变迁 * 年龄和衰老节奏在电影里的呈现,描写和现实的出入 主要提到的作品有:《好好看电影》《第一炉香》《女人四十》《wrinkles》《aged by culture》 by Margaret Gullette提到的博主是"微路"背景音乐出自电影

1 jan 202656 min