Tim Andrews Part 2

Tim Andrews Part 2

Tim Andrews was born and raised in Northwest Arkansas attended Junior college in Fort Smith, Arkansas. He movee to Memphis in the mid 80s to attend Memphis College of Art.  He received his bachelor of Fine-Arts degree with emphasis in printmaking and painting. After graduation Andrews started teaching in the summer school and Saturday school programs continued that for years and returned to Memphis College of Art in the 90s to get his masters degree in 1994.  He continuted to teach Saturday AP class for years meeting and engaging with some of the finest young artist in our area.  He maintained a studio at Marshall Arts for years and with a active member of the Art Farm community in the 90s and early 2000’s he continued making art in our community ever since and has been featured in several group shows over many years. Tim now lives just outside of Memphis where he continues to make art and show.

Tim Andrews Part 1

Tim Andrews was born and raised in Northwest Arkansas attended Junior college in Fort Smith, Arkansas. He movee to Memphis in the mid 80s to attend Memphis College of Art.  He received his bachelor of Fine-Arts degree with emphasis in printmaking and painting. After graduation Andrews started teaching in the summer school and Saturday school programs continued that for years and returned to Memphis College of Art in the 90s to get his masters degree in 1994.  He continuted to teach Saturday AP class for years meeting and engaging with some of the finest young artist in our area.  He maintained a studio at Marshall Arts for years and with a active member of the Art Farm community in the 90s and early 2000’s he continued making art in our community ever since and has been featured in several group shows over many years. Tim now lives just outside of Memphis where he continues to make art and show.

Lawrence Matthews Part 3

Born and raised in a lower middle class neighborhood fixed between the Mississippi border, the Memphis city limits and the well off suburbia; Lawrence Matthews’ early life was lived in places, ignored, forgotten and in the liminal interiors of southern family homes and spaces. His life and work exist as an extension of the southern gothic voices with whom he is aligned. He emerges as somewhat of a Morrisonian beloved ghost, a child who desired more. Now, fully grown as a manifestation of his environment’s love and bitterness intertwined. With a BFA from The University of Memphis and a decade long career exhibiting, performing and working with various arts nonprofits, his work in nearly every area of the arts is an amalgamation of his whole life. Visually inspired by Parks, Eggleston, and the regionalistic mythology of Paul Thomas Anderson and early Spike Lee; Matthews’ own visuals weave African spirituality with the Christian mythology that permeates the region. While working as a musician he’d create with the rap, soul and alternative rock references he’d come in contact with through his upbringing. His artistic practice highlights the deep relationship between the often maligned spiritual connections Black people have explored for generations, creating a hauntingly familiar but surreal experience.

Lawrence Matthews Part 2

Born and raised in a lower middle class neighborhood fixed between the Mississippi border, the Memphis city limits and the well off suburbia; Lawrence Matthews’ early life was lived in places, ignored, forgotten and in the liminal interiors of southern family homes and spaces. His life and work exist as an extension of the southern gothic voices with whom he is aligned. He emerges as somewhat of a Morrisonian beloved ghost, a child who desired more. Now, fully grown as a manifestation of his environment’s love and bitterness intertwined. With a BFA from The University of Memphis and a decade long career exhibiting, performing and working with various arts nonprofits, his work in nearly every area of the arts is an amalgamation of his whole life. Visually inspired by Parks, Eggleston, and the regionalistic mythology of Paul Thomas Anderson and early Spike Lee; Matthews’ own visuals weave African spirituality with the Christian mythology that permeates the region. While working as a musician he’d create with the rap, soul and alternative rock references he’d come in contact with through his upbringing. His artistic practice highlights the deep relationship between the often maligned spiritual connections Black people have explored for generations, creating a hauntingly familiar but surreal experience.

Lawrence Matthews Part 1

Born and raised in a lower middle class neighborhood fixed between the Mississippi border, the Memphis city limits and the well off suburbia; Lawrence Matthews’ early life was lived in places, ignored, forgotten and in the liminal interiors of southern family homes and spaces. His life and work exist as an extension of the southern gothic voices with whom he is aligned. He emerges as somewhat of a Morrisonian beloved ghost, a child who desired more. Now, fully grown as a manifestation of his environment’s love and bitterness intertwined. With a BFA from The University of Memphis and a decade long career exhibiting, performing and working with various arts nonprofits, his work in nearly every area of the arts is an amalgamation of his whole life. Visually inspired by Parks, Eggleston, and the regionalistic mythology of Paul Thomas Anderson and early Spike Lee; Matthews’ own visuals weave African spirituality with the Christian mythology that permeates the region. While working as a musician he’d create with the rap, soul and alternative rock references he’d come in contact with through his upbringing. His artistic practice highlights the deep relationship between the often maligned spiritual connections Black people have explored for generations, creating a hauntingly familiar but surreal experience.