Necropolitics Covered

Conspicuous Destruction, Aspiration and Motion in the South African Township

1 min · Gisteren
aflevering Conspicuous Destruction, Aspiration and Motion in the South African Township artwork

Beschrijving

Jones, M. (2013) ‘Conspicuous Destruction, Aspiration and Motion in the South African Township’, Safundi, 14(2), pp. 209–224. doi: 10.1080/17533171.2013.776749. Abstract: The paper limns modes of consumption and wastefulness in recent South African fiction about the township. It draws upon moves of aspiration and carelessness articulated in the youth practice I’khothane to think through the ways in which conspicuous destruction around car-use maps onto township socialities. Accordingly, it compares Sifiso Mzobe’s Young Blood and David Dinwoodie-Irving’s African Cookboy as texts utilizing scenes of consumption and destruction with a variety of effects. While commodity ownership and disposal enunciate identities that can unsettle the status quo, the article argues that aspiration alone cannot provide resources with which to shift structural inequalities persisting in South African cities. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit necropolitics.substack.com [https://necropolitics.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

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40 afleveringen

aflevering Conspicuous Destruction, Aspiration and Motion in the South African Township artwork

Conspicuous Destruction, Aspiration and Motion in the South African Township

Jones, M. (2013) ‘Conspicuous Destruction, Aspiration and Motion in the South African Township’, Safundi, 14(2), pp. 209–224. doi: 10.1080/17533171.2013.776749. Abstract: The paper limns modes of consumption and wastefulness in recent South African fiction about the township. It draws upon moves of aspiration and carelessness articulated in the youth practice I’khothane to think through the ways in which conspicuous destruction around car-use maps onto township socialities. Accordingly, it compares Sifiso Mzobe’s Young Blood and David Dinwoodie-Irving’s African Cookboy as texts utilizing scenes of consumption and destruction with a variety of effects. While commodity ownership and disposal enunciate identities that can unsettle the status quo, the article argues that aspiration alone cannot provide resources with which to shift structural inequalities persisting in South African cities. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit necropolitics.substack.com [https://necropolitics.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

Gisteren1 min
aflevering Queer punishments: School safety and youth of color in the United States artwork

Queer punishments: School safety and youth of color in the United States

Orum Hernández, G. and Barcelos, C. (2023) ‘Queer punishments: School safety and youth of color in the United States’, Equity & Excellence in Education, 56(1–2), pp. 87–99. doi: 10.1080/10665684.2022.2159897. Abstract: Although educational research and policymaking in the United States has generally framed LGBTQ youth and youth of color as mutually exclusive groups, LGBTQ youth of color are increasingly included in discourses surrounding school safety. These discourses tend to position youth as vulnerable, at-risk subjects who are passive victims of interpersonal homophobia. Using the theoretical frameworks queer of color critique and queer necropolitics, and a situational analysis mapping strategy, we analyzed GLSEN’s 2019 National School Climate Survey report, breakout reports on LGBTQ youth of color, and related advocacy efforts. These frameworks helped us consider how school climate research and policymaking relies on carceral logics that center and uphold whiteness. The GLSEN reports function as a form of embedded science that mobilizes individual understandings of violence and queer investments in punishment. We offer queer of color critique as a strategy for researchers and policymakers to get unstuck on school safety. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit necropolitics.substack.com [https://necropolitics.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

8 jun 20261 min
aflevering Gendering (in)security: interrogating security logics within states of exception artwork

Gendering (in)security: interrogating security logics within states of exception

Dingli, S. and Purewal, N. (2018) ‘Gendering (in)security: interrogating security logics within states of exception’, Third World Thematics: A TWQ Journal, 3(2), pp. 153–163. doi: 10.1080/23802014.2018.1510295. Abstract: This collection contributes to debates, which seek to move feminist scholarship away from the reification of the war/peace and security/economy divides. However, rather than focusing on the terms of the debate, it foregrounds the empirical reality of the breakdown of these traditional divisions, paying particular attention to the ‘state of exception’ and similar frameworks. In doing so, contributors to this collection trouble the ubiquitous concept and practices of ‘(in)security’ and their effects on differentially positioned subjects. By gendering (in)securities in ‘states of exception’ and other paradigms of government related to it, especially in postcolonial and neo-colonial contexts, it provides an approach, which allows us to study the complex and interrelated security logics, which constitute the messy realities of different – and particularly vulnerable – subjects’ lives. In other words, it suggests that these frameworks are ripe for feminist interventions and analyses of the logics and production of (in)securities as well as of resistance and hybridisation. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit necropolitics.substack.com [https://necropolitics.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

7 jun 20261 min
aflevering Demographic engineering and identity erasure: China's securitization of the Uyghur population artwork

Demographic engineering and identity erasure: China's securitization of the Uyghur population

Kasim, M. (2025) ‘Demographic engineering and identity erasure: China’s securitization of the Uyghur population’, Ethnic and Racial Studies, pp. 1–21. doi: 10.1080/01419870.2025.2580516. Abstract: This article analyses China’s governance of the Xinjiang Uyghur Autonomous Region as a case of demographic engineering, understood as a set of state-directed measures that reshape the reproductive, cultural, and spatial continuity of a population. Drawing on theories of biopolitics (Foucault), necropolitics (Mbembe), and securitization, the paper interprets a coordinated strategy of birth suppression, child separation, linguistic assimilation, and demographic restructuring. Using a qualitative case study design, it triangulates official statistics, state discourse, and international reports to map how these practices operate. The analysis demonstrates that the dismantling of Uyghur group continuity aligns with patterns identified in genocide scholarship, with some measures corresponding to acts listed in the 1948 UN Genocide Convention. The article contributes conceptually by showing how modern authoritarian regimes employ technocratic and demographic instruments to preempt resistance and transform social identity, expanding theoretical debates on repression, population management, and slow forms of group destruction. 0 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit necropolitics.substack.com [https://necropolitics.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

6 jun 20261 min
aflevering ‘The dead are coming’: acts of citizenship at Europe’s borders artwork

‘The dead are coming’: acts of citizenship at Europe’s borders

Lewicki, A. (2017) ‘‘The dead are coming’: acts of citizenship at Europe’s borders’, Citizenship Studies, 21(3), pp. 275–290. doi: 10.1080/13621025.2016.1252717. Abstract: This article combines the research agenda of the acts of citizenship literature with reflections on emancipatory theatre. I examine the Centre for Political Beauty’s activity-based artwork ‘The dead are coming’ which problematizes the cruelties of the European border regime in symbolically charged spaces in the German public. Focusing particularly on the roles available to ‘actors’ and ‘spectators’, and the directionality of the message conveyed through the artwork, I examine how the performance subverts the ‘sites’ and ‘scales’ of citizenship. My analysis indicates that the artwork’s subversive potential emerges not only from the political vision conveyed by the artist collective, but also from the way in which others become involved in the performance. Acts of political beauty thus most extensively challenge instituted citizenship’s orientalist anchoring, reverse status-based role allocations and subvert the structural violence of borders when the performance enables the enactment of novel forms of political agency and solidarity. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit necropolitics.substack.com [https://necropolitics.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

5 jun 20261 min