Elly Kent, "Artists and the People: Ideologies of Art in Indonesia" (NUS Press, 2022)

Jake Dyble, "Managing Maritime Risk in Early Modern Europe: General Average in Law and Practice in Seventeenth-Century Tuscany" (Boydell Press, 2025)

Commercial seafaring, both dangerous and with large amounts of capital at stake, was the source of the risk-management institutions that still undergird the global economy today. A key institution of early modern risk management was General Average, a procedure used to redistribute extraordinary costs arising from a maritime venture between all financially interested parties. For example, should one merchant’s cargo be jettisoned to lighten a ship in a storm, the loss would be shared pro rata by the shipper and all the cargo-owners. A risk-sharing practice, different from the risk-shifting of marine insurance which became established relatively late, General Average is still in widespread use. In Managing Maritime Risk in Early Modern Europe: General Average in Law and Practice in Seventeenth-Century Tuscany [https://bookshop.org/a/12343/9781837652822] (Boydell Press, 2025), Jake Dyble explores how General Average worked. It reveals the gap between General Average in law and how it worked on the ground. It shows how General Average partitioned a wide array of business costs, thereby performing a significant role in structuring maritime commerce, managing risk and promoting shipping and trade. In addition, the book discusses how far General Average was a feature of a supposedly ancient, universal, customary maritime law, and contributes to debates about the evolution of institutions in economic development. Dr Jake Dyble is a postdoctoral researcher at the University of Padova, Italy. This interview is conducted by Dr Lewis Wade, a Humboldt Research Fellow at the University of Bamberg. He is the author of the prize-winning Privilege, Economy and State in Old Regime France  [https://bookshop.org/a/12343/9781837650217]and can be found on Bluesky @wadehistory.bsky.social [https://bsky.app/profile/wadehistory.bsky.social]. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network [https://newbooksnetwork.supportingcast.fm/new-books-network]

Marielle Risse, "Ethnographic Reflections on Marriage in Dhofar, Oman" (Anthem Press, 2026)

In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman [https://bookshop.org/a/12343/9781839999550] (Anthem Press, 2026), with anthropologist Dr Marielle Risse. Drawing on nearly two decades of ethnographic fieldwork, Dr Risse offers a nuanced examination of marriage practices among Sunni Muslim communities in southern Oman, challenging many of the assumptions that often underpin Western discussions of gender, family, and personal autonomy. Rather than portraying marriage as either oppressive or emancipatory, Dr Risse presents it as a complex social institution shaped by kinship networks, religious values, and community expectations. Risse’s work encourages readers to reconsider familiar ideas about family, marriage, household, intimacy, autonomy, and social life. Amisah Bakuri (PhD) is [https://vu.nl/en/research/scientists/amisah-bakuri] an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network [https://newbooksnetwork.supportingcast.fm/new-books-network]

Colin Flahive, "The Galaxy's Last Ride: Shifting Gears in Rural China" (Earnshaw Books, 2026)

Colin Flahive [https://www.colinflahive.com/] is an American entrepreneur and writer who has spent more than two decades living and running social enterprises in southwestern China. He is best known as one of the founders of Salvador's Coffee House, which is a hub of international exchange in Kunming, the capital of Yunnan province. In this New Books Network episode, we talk with Colin about his latest book, The Galaxy's Last Ride: Shifting Gears in Rural China [https://bookshop.org/a/12343/9789888968039] (Earnshaw Books, 2026). The Galaxy's Last Ride is a rich combination of memoir, travelogue, and oral history that explores China's sweeping development through a deeply personal lens. The book weaves together several strands—a 2,500-kilometer solo motorcycle journey that Colin took across rural China during the height of the COVID-19 pandemic, the personal stories of Salvador’s employees, and recollections from Colin’s past travels—to paint a part-insider-part-outsider portrait of China’s evolutions over the last two decades. Anthony Kao [https://www.anthonykao.org/] is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist [https://www.cinemaescapist.com/]—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network [https://newbooksnetwork.supportingcast.fm/new-books-network]

Elly Kent, "Artists and the People: Ideologies of Art in Indonesia" (NUS Press, 2022)

Exploring the work of established and emerging artists in Indonesia’s vibrant art world, Artists and the People: Ideologies of Art in Indonesia [https://bookshop.org/a/12343/9789813251632] (NUS Press, 2022) examines why so many artists in the world’s largest archipelagic nation choose to work directly with people and in the studio. While the social dimension of Indonesian art makes it distinctive in the globalised world of contemporary art, Elly Kent is the first to explore this engagement in Indonesian terms. What are the historical, political and social conditions that lie beneath these polyvalent practices? How do formal and informal institutions, communities and artist-run-initiatives contribute to the practices and discourses behind socially-engaged art in Indonesia? What do artists do when they locate their practice in a broader social milieu, and what tensions arise when artists integrate communities, governments, politics, history and people into their practice? Drawing on interviews with artists, translations of archival material, visual analyses and participation in artists’ projects, this book presents a unique, interdisciplinary examination of ideologies of art in Indonesia. It portrays the ways art practice and theory are understood within Indonesia and inside Indonesian-language discourse. Indonesia's artists have continued to explore, resist and draw on the methodologies and discourses of social responsibility and artistic autonomy generated by Indonesian arts practitioners through their early 20th-century encounters with modernity and the founding of the nation state. This book brings contemporary practice into conversation with art history in Indonesia. Dr Elly Kent is a visual artist, translator, researcher and educator with 20 years of experience working in academia and the arts in Indonesia and Australia. Elly is Deputy Director of the ANU Indonesia Institute and Sub-dean of Languages in the College of Asia and the Pacific at the Australian National University. She convenes the Year in Asia program and is Treasurer of the Indonesia Council, Australia’s peak body for Indonesian studies. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network [https://newbooksnetwork.supportingcast.fm/new-books-network]

Brook Wilensky-Lanford, "A God-Shaped Nation: Five Hundred Years of Religion in America" (Atlantic Monthly Press, 2026)

Ever since conquistadores claimed Taino land in the name of their Catholic God and New England Puritans formed their strictly Protestant “city on a hill,” religion has been central to American life. Even as some found religious freedom—Rhode Island welcomed the Quakers, Jews, and Baptists that Massachusetts expelled as dissenters—indigenous people and Africans forced into slavery struggled to protect their religious practices. With the constitutional separation of church and state, it fell to the American people to decide: would they sharpen religion’s formidable powers of division, or reimagine its creative possibilities? In A God-Shaped Nation: Five Hundred Years of Religion in America [https://bookshop.org/a/12343/9780802167347] (Atlantic Monthly Press, 2026) Brook Wilensky-Lanford follows this essential American tension from first contact through the 2024 election. This is an expansive history of extraordinary religious questions, told through the ordinary people who grappled with them. It is a story of defiance: Anne Hutchinson, preaching against Puritan clergy; Reform rabbi Isaac Mayer Wise serving soft-shell crab to his kosher guests at an 1883 banquet; and Wovoka, a Paiute man who envisioned the Ghost Dance movement, which persisted in the face of violent government repression at Wounded Knee. It is also a story of community: Millerites waiting together in vain for Jesus’s return on a rainy October night in 1844; Chinese immigrants bringing Daoist and Buddhist gods to their California temples; Mormons pushing westward to build their “new Zion” in Utah. And in the last fifty years, it has been a story of muscular political power, as the religious right has sought to shape the present and paint the past in its own image. At a moment when religion penetrates even the most secular aspects of American life, understanding its history is more essential than ever before. “It is in history that the very human work of religion happens,” Wilensky-Lanford shows us, “and in ordinary time that even the most carved-in-stone tenets can and do change.” Brook Wilensky-Lanford is a religion writer, editor, and teacher. The author of Paradise Lust: Searching for the Garden of Eden, a New York Times Book Review Editors’ Choice, and former managing editor of Killing the Buddha, her work has been published in The New York Times, The Guardian, The New Republic, and elsewhere. Currently the Associate Director of Sacred Writes Public Scholarship, she holds an MFA in Nonfiction Writing from Columbia University and a PhD in Religion in the Americas from the University of North Carolina at Chapel Hill, where she lives. This episode’s host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices] Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network [https://newbooksnetwork.supportingcast.fm/new-books-network]