Panning The Globe™
"In the distortion and rewriting of steelband history, nomenclature (how we go about naming things) continues to be a point of focus. Othello Mollineaux, continues (and will continue) to refer to his instrument as a STEEL DRUM! While many erroneously ascribe steel drum as a “foreign” term, it is not, and in this episode, I will explain why I say so." George D. Goddard. CONSIDER THIS: No one tries to take the luau and repackage it for Hawaiians. Why Trinidad and Tobago? Why pan? Why can’t we call our steel instruments “drums”, like we did with our bamboo instruments when they banned us from beating skin drums? (REMEMBER: Tamboo comes from “tambour”; French for drum.) Why do we have to call our steelbands “steel orchestras”? Why do we have to call our pan sticks “mallets”? Why do I have to reject the term “beat” even if I play softly and with skill? Why do we need someone else to tell us what a “Panorama song” should be and shouldn’t be? WHO gets to decide, and why? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app [https://anchor.fm/app]--- Send in a voice message: https://anchor.fm/pan-in-the-globe/message
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