Take Notes with Balmages and Bernotas
In one of the most powerful and timely episodes of the season, Brian and Chris sit down with Omar Thomas to discuss his "non-linear" evolution from a 23-year-old Berklee professor to one of the most significant voices in contemporary wind band music. The conversation dives into the "invisible music" that cannot be written on a page—the vernacular, the grit, and the soul of jazz and gospel. The episode culminates in a deep discussion about the "platform" of the band room and a direct address of the controversy surrounding his piece, Mother of a Revolution, currently being challenged by a school board in Wisconsin [https://www.wpr.org/news/wisconsin-school-board-watertown-spring-band-concert-lgbtq-history?fbclid=IwY2xjawRu4ORleHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe6JJz4MmS5jc0KDjcS_doL97MaOjOJMsCULEamNldQ_jp5Qi5gEHfmKmW20o_aem_bNJL__qwB8ng5A3p9IkiyQ]. 🖼️ Omar’s featured headshot was recently commissioned from queer artist, Anthony Hurd.
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