The Essence of You Podcast
This episode kicks off with a cold open - Steph and Chance Fuerstinger re-discovering their unlikely shared connection to Grand Junction, Colorado, before the mics officially turn on. Actor, writer, filmmaker, and acting teacher Chance Fuerstinger joins Steph Lokelani for a conversation that moves from the craft of storytelling to the harder work of understanding yourself. Chance breaks down the Meisner technique, why "the dialog is bullshit" (the truth underneath it is what matters), and the running joke of being crowned Boise's sixth-funniest person. From there the conversation turns to real life: walking away from a soul-crushing job in medical billing, rewriting a fantasy novel first drafted at 16, and directing documentaries about stories that deserve to be told without an agenda attached. The episode closes on the question this podcast always asks: who are you when the titles fall away? Chance talks candidly about the ongoing work of self-discovery, including a recent diagnosis that helped some long-standing pieces click into place, and learning to set boundaries with the people closest to him. About Chance Fuerstinger: Chance Fuerstinger is an international award winning actor, writer, and filmmaker. He lives in Kuna, Idaho with his husband and their three demon cats. He is an instructor at Boise Acting Studio. He spends his free time acting and directing for local community theatres in the Boise area and is currently serving on the board of directors at Boise Little Theater. Passionate about his craft, Chance lives by the mantra, "If you know everything there is to know about acting, you should stop acting." Outside of acting, Chance is hard at work on a fantasy novel. 💡 Key Takeaways - Acting method matters less than presence - Chance's Meisner-based approach centers on truly listening to your scene partner and building real imaginary circumstances, not performing emotion. - "The dialog is bullshit" - the words characters say matter less than the truth underneath them; playing the subtext is the actual job. - Walking away from a stable but miserable career opened space for teaching, writing, and acting full time. - Writing a novel is a different muscle than writing for stage or screen - you're the one painting the whole picture, inner monologue and all. - Feedback is only useful if you actually want it - Chance talks through learning to ask for, and sit with, honest critique. - Self-discovery isn't a finish line, it's an ongoing practice, done creatively and in public, and it includes learning to set boundaries with the people closest to you. ⏱️ Chapters 00:00 – Cold Open: The Grand Junction Connection 03:56 – Welcome & Meeting Chance Fuerstinger 19:39 – Boise's Funniest Person & Returning to Comedy 31:59 – Chance's Acting Method (Meisner Technique) 39:27 – Theater Etiquette & Staying Present On Stage 47:10 – Teaching Acting for Stage vs. Film 53:22 – Documentary Filmmaking & Stories Worth Telling 57:58 – Rewriting a Novel Started at 16 1:04:45 – Leaving a Soul-Sucking Job for Creative Freedom 1:12:46 – Feedback, Killing Your Darlings & the Writing Process 1:19:57 – Dream Roles 1:26:37 – Who Are You At Your Core?
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