Alternative Models for Art Fairs | Episode 23

Art & Science – Twin Flames| In Conversation with Simeon Nelson

Simeon Nelson is an artist who’s always been preoccupied with systems and systems thinking, which has at regular intervals have landed him in the realm of science. In his most recent incarnation he is visiting art professor at the Inorganic Chemistry Laboratory, Oxford University. Supported by an inaugural Faraday Discovery Award from the Royal Society in London, he is collaborating on a research project called “Responsive Disorder in Functional Materials”. We speak to Simeon about negotiating the broad spectrum of knowledge and experience between art and science, the possibilities for meaningful synthesis and how to work through the constraints.

Outsourcing Humanity: The AI Conversation| Episode 26

As society rushes to automate creativity, we ask a difficult question, what happens when humanity begins outsourcing the very things that make us human before we’ve even understood our own humanity? Join hosts Valerie and Jonathan in conversation as they unpack AI participation in the creation and critique of art.

Fuck Process| Episode 25

What happens when the preciousness of process in practice itself to be challenged? Join hosts Valerie Kabov and Jonathan Freemantle as they explore when to adopt a process and when to release it

Abdollah Nafisi in Conversation: Public Sculpture, Iran, and Nature | Episode 24

Our special guest this episode is Abdollah Nafisi, a public sculpture artist born in Tehran, Iran, during the Iran–Iraq War. In his twenties, Nafisi travelled with nomadic tribes to learn traditional crafts and local material practices. Originally trained as a furniture maker in Iran and later relocating to the UK, he has developed a sculptural practice that considers the relationship between material, space, and identity. Working primarily with wood, his work often reflects a deep sensitivity to trees.

Alternative Models for Art Fairs | Episode 23

In Episode 23, Valerie and Jonathan propose some iconoclastic new paradigms for art fair business model, which would both promote economic equity and access as well as artistic innovation. Change must happen if art fairs are to survive and thrive! What changes would you like to see? Comment below, we would love to hear from you!