Episode Six: Agents

Episode Six: Agents

Gatekeepers, cheerleaders, partners-in-crime, the person you call to talk you down from a panic attack, or the person standing in the way of your dream. Literary agents have been labeled many different things in the publishing industry, but mostly they’re just people who love books just as much as you do. Bri and Mer, who were signed a few months apart in 2016, discuss their journey to getting representation, offer advice on the agent-writer relationship, and, gasp!, read their query letters. Come for the nuanced discussion about finding the right agent for you and stay for the typos they both find in said query letters.  Books mentioned: Famesick, Lena Dunham

Episode Five: Voice

It’s one of the most valuable tools in a writer’s kit, but what even is voice? And how does it differ from your characters’ voices? Bri and Mer chat about the way your whole life can shape your writing voice, discuss writing outside your own identity, and offer tips that include listening to curling podcasts and reading newspapers. They then realize they might be old. Come for the tips about how to create unique character voices even while using multiple POVs and stay for Bri and Mer’s one key element that will make you a better writer. Books mentioned: The Ending Writes Itself, by Evelyn Clarke Flyweight, Courtney Ellis Station Eleven and Exit Party, Emily St. John Mandel The Eyes are the Best Part, Monika Kim Mary, Nat Cassidy Have a question or a craft topic suggestion? Email us at novelwriterspodcast@gmail.com or DM us on Instagram @novelwriterspodcast. EPISODE OUTLINE 00:00-12:50 - Intro/What is going on in our writing lives? 12:50 - 54:38 - Craft Topic: Voice 54:38- 1:03:47 - Book Recommendations Opening and Closing Titles by Simon Schweitzer Audio Production by Simon Schweitzer

Episode Four: Pacing

Two writers with slow-burn allegations spill everything they know about pacing--and they do promise it doesn’t lag in the middle. Mer and Bri discuss the somewhat nebulous concept of pace, while also offering tips—like using multiple POVs—to keep the narrative arc moving. Their worldviews get slightly rocked when it’s revealed one of them likes writing toward the mid-point of the book instead of the ending, while their Grey’s Anatomy knowledge helps them remember what those heart-reading charts are called. Come for the flashing neon warning Bri offers about saving your work and stay for a little daydreaming about nineties boyband hair.  Books we recommend on this episode: American Fantasy by Emma Straub Go Gentle by Maria Semple Episode Outline 00:00-09:35 - Intro/What's going on in our writing lives 09:36-1:13:30 - Craft Topic: Pacing 1:13:30-1:17:30 - Book Recommendations

Episode Three: Twists

You know when you go to a magic show, you’re going to be tricked… and you’re going to love it. But how does the magician get the audience to look the other way when everyone is just as eager to catch him in the misdirection as they are to be delighted? Mer and Bri discuss the best way to write twists while at the same time solving a murder involving a greedy developer and some rat poison. Finally, they parse through the ways twists can mean different things in genre and literary fiction. Come for a a break down of the satisfying/unexpected endings quadrant and stay for a debate over a real-life, six-figure twist.  Books we recommend on this episode: Cherry, Baby by Rainbow Rowell Whidbey By T Kira Madden Episode Outline 00:00-15:00 - Intro/What is going on in our writing lives? 15:00 - 1:05:00 Our Craft Topic: Twists 1:05:00 - Book Recommendations Opening and Closing Titles by Simon Schweitzer Audio Production by Simon Schweitzer

Episode Two: Inciting Incidents

She woke up, walked down the stairs, made herself some breakfast and then posted her podcast about how you decide the right place to start the story. Mer and Bri discuss the fine balance between hooking readers’ interest and forcing an inciting incident too early into the plot, and how just because TV executives want big action to come within the first thirty seconds—to keep audiences from changing the channel—that doesn’t mean you should shove your first chapter full of dead bodies. Come for our honest reaction on some bad writing advice, and stay for us working through Big Feelings about editorial feedback.  Books we recommend on this episode: Last Stop at Union Station by Sarah James Julie Chan is Dead by Liann Zhang Murder on Sex Island by Jo Firestone