Cleopatra 5: Cleopatra on Screen

What did the Romans dream about?

Nearly 2000 years before Sigmund Freud published The Interpretation of Dreams, a sage in Ephesus (now in Turkey) wrote a book whose title translates as… The Interpretation of Dreams. Armed with Artemidorus’ book, Mary and Charlotte dive into the surreal and revealing dreamscape of the Ancients.  If you’ve ever had a dream about flying or losing teeth or sex with a stranger, well… Artemidorus has a view about what this really means. Today, we might find his interpretations a little too neat and prescriptive, but they provide a fascinating insight into life on the edge of the Roman empire, including what people chatted (or sang) about at the public baths, the prevalence of mice in the home, and the hopes, aspirations and fears of household slaves. As with our episodes on Roman joke and cook books, we discover that the Ancients were simultaneously more like us and more dissimilar than we might expect.  Mary and Charlotte recommend some further reading: The best translation of Artemidorus is by Martin Hammond in the Oxford World’s Classics series (OUP,pb, 2020) with an introduction by Peter Thonemann. Thonemann discusses the text and its context in his An Ancient Dream Manual: Artemidorus’ The Interpretation of Dreams (OUP, 2020) A classic article is by Simon Price, “The future of dreams: from Freud to Artemidorus”, originally published in Past and Present for 1986, reprinted in R Osborne (ed), Studies in Greek and Roman Society (Cambridge UP, pb, 2012) @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com [instantclassicspod@gmail.com] Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices [https://podcastchoices.com/adchoices]

Cleopatra 5: Cleopatra on Screen

Mary and Charlotte talk to Professor Maria Wyke, classicist and film historian, about Cleopatra’s rebirth on the screen. By far the most famous Cleopatra film is the 1963 epic starring Elizabeth Taylor and Richard Burton - at the time the most expensive film ever made and with a steamy on-set love affair between the two stars to match that of the characters they were playing. Almost as brilliant, in its way, is the parody made the following year - Carry on Cleo - giving Kenneth Williams, as Julius Caesar, one of the greatest lines of all time: “Infamy, infamy, they’ve all got it in for me.”  This pair of films hog the limelight, but Maria shows how cinema’s fascination with Cleo goes right back to the early years of silent film through to the 21st Century. Why? On one hand, the Cleopatra story is an opportunity for spectacle and sex appeal - in other words, good business. On the other, the story is reinvented by each generation, playing on the anxieties and desires of the age. Looking at Cleopatra films tells us a lot about changing attitudes to sex, race and politics over the last 100+ years.   Mary and Charlotte recommend some further reading: Maria has written about Cleopatra on film in her books Projecting the Past (Routledge, pb, 1997) and The Roman Mistress (OUP, 2002). Films also figure in Lucy Hughes Hallett’s, Cleopatra: Histories, Dreams and Distortions (Fourth Estate, pb, 2026) A discussion of the Taylor-Burton film on its 60th anniversary: https://www.theguardian.com/film/2023/jun/12/cleopatra-60th-anniversary-elizabeth-taylor-richard-burton [https://www.theguardian.com/film/2023/jun/12/cleopatra-60th-anniversary-elizabeth-taylor-richard-burton]  And for the fashion aspect: https://fashionhistory.fitnyc.edu/1963-mankiewicz-cleopatra/ [https://fashionhistory.fitnyc.edu/1963-mankiewicz-cleopatra/]  @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com [instantclassicspod@gmail.com] Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices [https://podcastchoices.com/adchoices]

Cleopatra 4: Cleopatra on the Page

Mary and Charlotte talk to Lucy Hughes-Hallett, acclaimed biographer and author of ‘Cleopatra: Histories, Dreams and Distortions’, about Cleopatra’s afterlife on the page. Lucy begins by observing that “the people who write about her aren't interested in describing her as a real person. They use her as a kind of mirror onto which they can project their own prejudices and anxieties and often erotic fantasies.” In the 14th Century, Boccaccio mined the old evil temptress angle. Geoffrey Chaucer, however, went the other way: she was a martyr to love, choosing to kill herself rather than consider life without Antony. For Shakespeare, she provided the perfect character to study the effects of unbridled passion. After Napoleon’s conquest of Egypt, Cleopatra was orientalised - her skin and hair became darker in pictures and she indulged in decadent acts of cruelty.  In recent decades, she has been framed as nationalist freedom fighter and feminist hero, but it feels like - even two thousand years on - there is more to explore in this most elusive of historical queens.  Mary and Charlotte recommend some further reading: The new edition of Lucy’s book is just out: Cleopatra: Histories, Dreams and Distortions (Fourth Estate, pb, 2026). It has discussion of all the texts we mentioned, and more (plus further bibliography). In the modern Egyptian tradition, the best known representation of Cleopatra, the freedom fighter is Ahmed Shawqi’s play, The Death of Cleopatra (there is a recent English translation by Jeanette Wahba Sourial Atiya, though not easy to get hold of). Cleopatra in modern painting and sculpture is the subject of a useful illustrated essay online” https://artuk.org/discover/stories/cleopatras-legacy-in-art-famous-pharaoh-and-femme-fatale @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com [instantclassicspod@gmail.com] Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices [https://podcastchoices.com/adchoices]

BONUS Mary & Charlotte on the latest trailer for Christopher Nolan's Odyssey

Another trailer for Christopher Nolan’s forthcoming adaptation of The Odyssey has just been released, giving more insights into the world the cast and crew have created. Mary and Charlotte give their quick-fire response. Have your say at… @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: ⁠instantclassicspod@gmail.com⁠ Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices [https://podcastchoices.com/adchoices]

Cleopatra 3: Life After Death

For many years, Cleopatra and Mark Antony lived a life of extravagance and passion - or so we’re told. In this episode, Mary and Charlotte look at what happened next. Mark Antony, with Cleopatra, met their enemy Octavian in a sea battle off the coast of Greece - and lost. The Battle of Actium was a turning point for Rome. After this moment, Octavian rebranded himself as Emperor Augustus, bringing an official end to many centuries of republican rule.  Rather than face capture and humiliation, both Antony and Cleopatra took their lives. The story of their final days survives through Plutarch, but how much of this official Roman version can we trust? Was Cleopatra really an exotic temptress who seduced Mark Antony into treason? And did she really kill herself with a poisonous snake? Accounts of her death are so tied up in the wider propaganda legitimising Augustus’ rise to Emperor that it’s impossible to know what really happened.  Soon after her death, she began to haunt the imagination of writers and artists. Mary and Charlotte believe she probably inspired the figure of Dido of Carthage in Virgil’s Aeneid, written only a decade or so later. The North African queen who takes her life for love of a Roman. But Virgil was by no means the last to take inspiration from her story, as we will be discovering in the next episode….  Mary and Charlotte recommend some further reading: The poem by Horace is his Odes 1.37 (Nunc est bibendum, “Now is the time for drinking”) with a decent translation online [https://www.poetryintranslation.com/PITBR/Latin/HoraceOdesBkI.php#anchor_Toc39402043]. (Charlotte's school song, oddly based on this poem, began “Nunc canendum, nunc laetandum” – “Now is the time for singing, now is the time for rejoicing,” all prime examples of gerundives of obligation, for the Latin nerds) Maria Wyke (who we will meet later in this Cleopatra series, talking about Cleopatra movies) explores the propaganda of the emperor Augustus and the figure of Cleopatra in this article available online: https://discovery.ucl.ac.uk/id/eprint/10143408/1/Augustan%20Cleopatras.pdf [https://discovery.ucl.ac.uk/id/eprint/10143408/1/Augustan%20Cleopatras.pdf] And more on Augustan propaganda: https://cleopatradigitized.wordpress.com/cleopatra-and-augustan-propaganda-after-the-battle-of-actium/ [https://cleopatradigitized.wordpress.com/cleopatra-and-augustan-propaganda-after-the-battle-of-actium/] The links between Dido and Cleopatra are discussed here: https://womeninantiquity.wordpress.com/2020/11/16/cleopatra-and-dido/ [https://womeninantiquity.wordpress.com/2020/11/16/cleopatra-and-dido/] @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com [instantclassicspod@gmail.com] Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices [https://podcastchoices.com/adchoices]