River Journeys Podcast

01. ❝ Finding Home

5 min · 14. Mai 2026
Episode 01. ❝ Finding Home Cover

Beschreibung

“To create a memorable design, you need to start with a thought that is worth remembering.” —Thomas Manss The small box, with its geometric inlaid light and dark pattern, was a gift from my father after one of his Navy deployments. When he pulled it from his duffel bag, I tried to hide my disappointment. It looked like a decorated wooden rectangle. I had been hoping for a Japanese doll, or maybe a jewelry box. “What could it be?” I wondered. “It opens,” he smiled. “It’s a puzzle. See if you can solve it.” After several days and many broad hints from Dad, I figured out by pushing and pulling the delicate wood design that the box unfolded to reveal a tiny drawer. It became the destination for treasures — delicate seashells, colored stones, jaunty acorn caps, shiny coins retrieved from couch cushions. I grew older. The world grew more complicated, more strident, harder to understand. The box became a way of thinking about the challenges we all face on the other side of childhood—homemaking, parenting, shaping time beyond the ring of school bells. Most of my answers came from books. But not all of them. Facing those challenges was like unlocking the box: frustrating, no instructions provided. Through a process of trial and error — touching, shaking, looking from different angles — I found the secret lever. One step led to the next. The box grew bigger. More appealing. More beautiful than its surface design suggested. Life is the same. There are those who don’t consider crafts and porcelain painting art — dismissed as the product of technicians or “mere” illustrators. They are art — art for everyone, not just the wealthy or intellectual elite. Society thinks art needs intermediaries. It isn’t important if the public understands it. Even worse if they like it. Oscar Wilde captured the idea: “Art should never try to be popular. The public should try to make itself artistic.” My adventures with crafts and painting led me to an insight I might have otherwise missed. There are all kinds of stories to tell. Most use words, but some do not. The tools I chose and the projects woven through the decades have been simple ones. But in their ordinariness something happened. The dilemmas, disappointments, discoveries and often, the delights that have surprised me, have been easier to understand, as ideas that belonged to the arts became ideas for living. Most of my answers came from books. But not all of them. Beginning a craft project or opening my paint box feels like entering C.S. Lewis’s magic wardrobe. Other worlds appear. They are colorful places, teeming with possibilities. They are places where choices often lead to unanticipated outcomes — sometimes worse, more often better. Alvin Toffler observed in “The Third Wave” that to create a fulfilling emotional life and sane emerging civilization for tomorrow, people need three basic requirements: community, structure and meaning. I disagree. It isn’t only the future that needs those things. We have always needed ways to transform life from a box with no exit, to a place where dreams and discoveries make living a deeper, richer, wider journey. I was an unsuitable candidate for the kingdoms that make up art and design. Yet with no formal training at the outset, and no apparent aptitude, the time I have spent “thinking” with my hands — painting, printing, creating from scraps and castoffs — have sent shafts of light across countless murky hours. Set against the backdrop of my decisions to explore old-fashioned crafts, and later, porcelain painting, the essays here are a tribute to my journey with art — its influence and its unexpected lessons. There are lots of ways to open a box. Art is one. River Journeys is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to River Journeys at anneayerskoch.substack.com/subscribe [https://anneayerskoch.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

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11 Folgen

Episode 11. ❝ Moving On Cover

11. ❝ Moving On

Something was wrong. I couldn’t put my finger on it. What could it be?  Most of my graduate students were Generation Ys (aka Millennials)… born after 1982, raised in a digital world. Slogging through various credentials and degree programs at the end of their long workdays made it difficult for them to focus. The cares and worries of their days came with them every week. Their commutes, their own course preparations and classroom management challenges, and their responsibilities at home hung around them like Marley’s chains in Dickens’ Christmas Carol. For any teacher, it’s a problem. All students are difficult to focus, no matter what their age. I had decades of experience, but it wasn’t helping. Things weren’t going well. Written by Anne Ayers Koch. Find more of Anne's writing on Substack [https://anneayerskoch.substack.com/]. Edited and produced by Geoff Koch and Amanda Barranco MORE To counter the distracted hum and glazed looks, I filled a large easel at the front of the room with “presenting questions” to jumpstart the evening. Written in careful cursive, I reasoned the sheets would become part of the class record and help them remember what we were doing. As weeks passed, the room walls filled with topics from earlier sessions. It was like living inside a house with walls of grace, looping Palmer writing. It seemed like a good idea—sort of like “dinner special” easels in restaurant waiting areas. It wasn’t working. Students rummaged in their backpacks, pulled out papers, laptops, books, talked to each other, or gazed at the clock, willing it to advance. The same few people opened every discussion.  Midway through the term, a 30-something middle school history teacher approached me as I was putting the finishing touches on my easel questions. Twisting his hands, he lowered his eyes. Gesturing at the sheet behind me, I beamed, “Hi Mark. Would you like to add something?” Shoulders hunched, he sighed. “Some of us can’t read your handwriting.” He rushed on, “We only print or keyboard. We didn’t learn cursive.”  I’m not sure which of us was more embarrassed. Get full access to River Journeys at anneayerskoch.substack.com/subscribe [https://anneayerskoch.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

18. Juni 202611 min
Episode 10. ❝ Soul Shaping Cover

10. ❝ Soul Shaping

One Christmas, Jim brought home a set of calligraphy pens, the least wanted item in his office holiday party swap gift exchange. A beheaded fountain pen and collection of odd-looking nibs, they were left behind by the disappointed recipient. I was delighted. Written by Anne Ayers Koch. Find more of Anne's writing on Substack [https://anneayerskoch.substack.com/]. Edited and produced by Geoff Koch and Amanda Barranco MORE I practiced in the pre-dawn morning hours before the children were awake. It became a time of focus and meditation as I twisted the broad-edged square-cut pen to decorate note cards with sayings I found or had written. In the quiet at dawn, I was not just lettering, but talking to myself. I sent collections on colored linen paper to my parents and in-laws. Most were questions. Among them: “What if the rain never stopped? The earth would turn into one big sponge for wiping the universe clean.” “Who are teachers? The world is full of teachers, each of us for others and ourselves.” “What is soul? Perhaps it is a longing for an Infinite that is elusive in a finite world.” The careful writing helped me think. My answers might be different now but the process still works. Get full access to River Journeys at anneayerskoch.substack.com/subscribe [https://anneayerskoch.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

14. Juni 20264 min
Episode 09. ❝ Looking for Perfect Cover

09. ❝ Looking for Perfect

In the 20th century, handwriting was another place where perfection seemed important, in part because people thought one’s character could be improved by working on one’s handwriting. Alfred Binet, who came up with the Stanford-Binet IQ test, believed there was a “science of graphology” that revealed a person’s character in their handwriting. It is an idea still popular in Europe. Written by Anne Ayers Koch. Find more of Anne's writing on Substack [https://anneayerskoch.substack.com/]. Edited and produced by Geoff Koch and Amanda Barranco MORE My third-grade teacher, Mrs. Taltavall, was a devotee. She took our penmanship lessons as seriously as she did every other content area. A large, florid woman, she stood in front of the class at the appointed time every day, like a dance master before a ballet lesson. She would sway back and forth, arms shooting up or dropping down like an airport ground-crew worker guiding a plane to its gate, as we followed her body language with our pencils. I liked the symmetry and challenge of getting the shapes “just right”… though “just right” never happened. Get full access to River Journeys at anneayerskoch.substack.com/subscribe [https://anneayerskoch.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

11. Juni 20265 min
Episode 07. ❝ Eccentric Circles Cover

07. ❝ Eccentric Circles

It was no surprise I paid no attention to running a household or creating a home. In the subtle ways past generations shape future ones, Mother survived a childhood of drudgery compounded by poverty and parents with grade school educations. She wanted neither for her children. She ran the house. I studied. My much younger sister played. When faced with a home of my own, the shock was electric. I had no idea what to do. Written by Anne Ayers Koch. Find more of Anne's writing on Substack [https://anneayerskoch.substack.com/]. Edited and produced by Geoff Koch and Amanda Barranco MORE The children grew. I returned to what society called “work”; that is, work outside the household. It is a peculiar distinction, suggesting life at home isn’t work. In both places activities are sometimes creative, often mundane. Both have their share of boredom and stress. But only one has a salary. For many years I apologized for the time I spent at home. I no longer do. It’s the old Gatsby spin: the light through the windows is always more enchanting when viewed from the street outside. Get full access to River Journeys at anneayerskoch.substack.com/subscribe [https://anneayerskoch.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

4. Juni 20267 min