The Hats We Wear

Part Two: What Inspired You In 2021?

This episode features: 0:46 - 1:15 – Kerry Ryan, The Winnipeg Foundation 1:17 - 2:41 – Chris Vajcner, National Screen Institute 2:44 - 3:04 – Adam Smoluk, Film Training Manitoba 3:06 - 3:36 – Dahlia Thompson, CBC 3:39 - 4:06 – Ursula Lawson, National Screen Institute 4:09 - 4:26 – Steven Foster, Directors Guild of Canada 4:29 - 4:50 – Esther Viragh, National Film Board of Canada 4:53 - 5:17 – Trish Dolman, Screen Siren Pictures 5:20 - 5:49 – Liz Janzen 5:51 - 6:15 – Jackie Wild, TELUS 6:17 - 6:40 – Avi Federgreen 6:42 - 8:33 – Annelise Larson, Storypreneurs Unite 8:35 - 8:54 – Marileen Bartlett, Centre for Aboriginal Human Resource Development (CAHRD) 8:56 - 9:29 – Maxine Quigley 9:31 - 9:48 – Maureen Judge 9:50 - 10:26 – Michael Levine, National Screen Institute board of directors 10:28 - 11:52 – Jennifer Holness, Hungry Eyes Media

Part One: What Inspired You In 2021?

This episode features: 1:54 - 2:23 – Nicole Matiation 2:24 - 3:19 – Jeff Newman, Nüman Films 3:22 - 3:48 – Nicole Ungurian and Bill Crossman, Guppy Design 3:51 - 4:11 – Julie Hackett, National Screen Institute 4:14 - 4:24 – Alexandra Zarowny 4:26 - 5:16 – Brad Pelman, National Screen Institute board of directors 5:18 - 5:50 – Naomi Johnson, imagineNATIVE 5:52 - 6:09 – Adam Garnet Jones, APTN 6:12 - 6:33 – Heather Daughtry, Final Draft Screenwriting 6:35 - 8:10 – John Bertrand, CBC 8:12 - 8:42 – John Nues, National Screen Institute 8:44 - 9:22 – Joan Jenkinson, Black Screen Office 9:24 - 9:41 – Jessica Gibson, National Screen Institute 9:44 - 11:10 – Jennifer Podemski, The Shine Network 11:12 - 11:55 – Iris Merritt, Yukon Media Development 11:57 - 13:46 – Sarah Simpson Yellowquill, National Screen Institute 13:59 - 14:41 – Dave Barber, Winnipeg Film Group

Part Three: What Inspired You In 2021?

This episode features: 0:46 - 2:32 – Andrew Forbes 2:34 - 2:50 – Greg Jeffs, William F. White 2:53 - 3:18 – Mandi Taylor, RBC 3:20 - 3:52 – Christa Dickenson, Telefilm Canada 3:54 - 4:11 – Adam Kirkham, Hot Docs 4:14 - 4:43 – Heather Hawthorn Doyle 4:46 - 5:05 - Carissa McCart, TELUS and National Screen Institute board of directors 5:07 - 5:27 – Kenny Boyce, City of Winnipeg 5:30 - 5:58 – Tim Southam 6:01 - 7:01 – Marlene Kendall, National Screen Institute board of directors 7:04 - 7:16 – Lisa Ducharme, APTN 7:19 - 7:37 – Monique Perro, IATSE Local 856 7:40 - 8:07 – Erin Creasey, Ontario Creates 8:10 - 9:18 – Dan Bekerman, Scythia Films 9:21 - 10:15 – Camilla MacEachern, Northwest Territories Film Commission 10:18 - 10:54 – Shane Smith, Hot Docs

Nadine Arpin

“It’s taken me a long time to feel really comfortable in my skin. I feel like I’ve finally come into my own.” Wiiya's current project, Eve Zaremba’s Dyke Detective, follows the origin story of the 1978 graphic novel character Helen Keremos, an Indigenous lesbian detective. Nadine reveals their personal connection to the character, as they describe their grief surrounding the loss of a friend - an Indigenous woman in Sioux Lookout whose death went unsolved. Nadine is a graduate of the NSI IndigiDocs [https://nsi-canada.ca/courses/nsi-indigidocs/] program. Wiiya: Michef pronoun, they/them  Trigger warning: This episode contains discussions surrounding trauma and violence against Indigenous women.

Joy Loewen

“I do have a belief that we can bring people together through story. And how we support those storytellers is critical - that’s the essence of what we do at the National Screen Institute.” Leader, advocate, mother and friend are just a few of the many hats worn by National Screen Institute CEO Joy Loewen.    In this episode, Joy discusses the path that led her to her current role as CEO. From growing up in Steinbach, Manitoba, to building her career in the media industry, to becoming a mother - Joy explains not only what she does but, more importantly, why she does it.   Joy has worked with the National Screen Institute for 10 years, serving in many different roles until her appointment as CEO in January 2020. Since then, Joy has launched multiple new programs to address the needs of storytellers, created a strategic plan for the organization and navigated the challenges of working through a global pandemic.