FavourEconomy Vol 3. 2017 - 2018

Tal Fitzpatrick: Artist / Craftivist / Researcher / Community Development Worker FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Yvette Kiddle : Artist - painting FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Debra Cowen: Artist / Transpersonal Art Therapist

Xanthe Dobbie : New Media Artist / Curator FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Fayen d'Evie : Artist / Curator / Writer / Publisher FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com