Privatising Humanity by Kate Bayliss w/ Adrienne Buller

The Plot Is On Fire: Manuela Zechner w/ Max Haiven

We are delighted to welcome Manuela Zechner to Housmans to talk about her truly original and radical work in postcolonial eco-theory.As myths of progress and modernisation collapse in the relentless polycrisis of our time, how do we strengthen other plots—in community, practice and struggle? How do we come together as movements for earthcare?The Plot is on Fire: Care Struggles after Progress, Plantation and Patriarchy weaves stories, proposals, and analyses around a key domain of living reproduction in crisis: agriculture. Looking at peasant, indigenous, and transecofeminist practices, it formulates another plot on how we want to sustain life collectively—beyond progress, plantation, and patriarchy.Recovering and repurposing old and new technologies, and breaking down the division between rural and urban, the ground is made fertile for growing other futures. Alongside writers like Ursula Le Guin and Octavia Butler, this work of radical political theory raises critical questions about technology and storytelling, as matters of care and community.Manuela will be in conversation with Max Haiven author of Palm Oil: The Grease of Empire (Pluto). They will talk for around 45 minutes to an hour followed by a discussion with the audience.

Privatising Humanity by Kate Bayliss w/ Adrienne Buller

Kate Bayliss in conversation with Adrienne BullerPRIVATISING HUMANITY is a powerful exposé of how finance turns our basic human needs into assets.We have entered a new era of turbo-charged financial extraction. Having amassed huge reserves, global finance capital is seeking out fresh areas for profitable investments. Virtually all aspects of our lives are now targeted by someone seeking to make a profit.Kate Bayliss shows how wealthy investors, including asset managers, target our essential services. When it comes to investments in these sectors, shareholder profits are funded by us, the end-users and tax-payers who simply wish to meet our basic human needs for water, warmth and shelter. We have no alternative but to pay into these structures that often generate massive returns for investors and dysfunctional systems for society.Unpacking the details of these processes in three sectors in the UK – water, energy and housing – Bayliss exposes the harmful consequences of this model, which is contributing to deepening inequality.Kate will be joined in conversation by Adrienne Buller, author of The Value of a Whale: On the Illusions of Green Capitalism.

THE ASSET CLASS: Hettie O'Brien w/ Dan Hecox

‘PART WAKE-UP CALL, PART FINANCIAL THRILLER’ (SHAMI CHAKRABARTI) The Asset Class is an equal parts thrilling and enraging work of vital financial journalism, lifting the lid on the relentlessly destructive force of private equity. We are thrilled to welcome the book’s author Hettie O’Brien to Housmans to be interviewed about the book by celebrated journalist Dan Hancox.A thrilling, eye-opening investigation into private equity, a secretive wing of the finance industry that is so relentlessly destructive, it could have been created to undermine our way of life. You don’t know their names, but they own the house you rent. They own your hospitals, nurseries and care homes, the media you consume and the companies you work for. They even own the tools your union uses to fight back. Business is a contest – and they say their people are built to win. But when does competition become a struggle to the death? For decades, private equity firms have infiltrated every corner of modern life. Wielding debt as a weapon, they push vital services into crisis. Their cover story: that this is merely the ‘creative destruction’ essential to growth. Old-school capitalists say they’re dismantling everything that made our economies work.In The Asset Class, reporter Hettie O’Brien penetrates a hidden empire of billion-dollar deals and covert financial warfare. From Copenhagen to San Francisco, Barcelona to the Yorkshire Dales, she follows the money, the ideological roots and the trail of destruction. What she finds is chilling: private equity isn’t just reshaping the economy – it’s selling out the foundations of Western society. The new owners think they can hide in the shadows. But the owned are fighting back.Hettie will be interviewed by Dan Hancox, Guardian journalist and author of Multitudes: How Crowds Made the Modern World (Verso, 2024). They will talk about the book for about 45 minutes followed by a q&a.

TWENTY-ONE YEARS, FOUR MONTHS: The Journal of a Kurdish Political Prisoner

Please note that this talk was delivered with the assistance of a translator. Join for a discussion of the journal of Kurdish revolutionary, Ali Poyraz. He spent twenty-one years and four months in Turkish prisons. He was born in 1962 in Bozüyük, an Alevi village in the Gürün district of Sivas. According to Yeni Özgür Politika, his political consciousness was shaped by his older brother, Hüseyin Poyraz (also known as Rubar Dicle), a member of the PKK Central Committee. In 1981, Ali was captured by Turkish authorities in a rural area of Pazarcık while serving as a PKK cadre. Tried by a military court, he was sentenced to death. Although the Turkish Supreme Court upheld the sentence, it was later commuted to twenty-one years and four months of imprisonment following the abolition of the death penalty in Turkey under Prime Minister Turgut Özal.Ali’s journal records his thoughts and observations, providing invaluable insight into life inside Turkish prisons, including the organisation, morale, and activities of political prisoners. His journal is a mine of information that lends itself to much probing and understanding of the conflict between the Turkish state and the PKK over the past 45 years. This book is published for scholarly purposes, following the recent disbandment of the PKK as an armed force, and the changing political landscape in Turkey today.We will discuss this powerful and important book, followed by a wider discussion of political imprisonment more generally.This event will be chaired by Dr Becka Hudson is a postdoctoral researcher at Birkbeck College, University of London. Her research looks at the interaction between imprisonment, mental health diagnosis and colonial domination. She also has 15+ years experience working in campaigns, for struggles against criminalisation, housing injustice and state racism.

LECTURE: Laurence Housman and the Women’s Suffrage Movement

Learn about Housmans’ namesake and his efforts to fight for women’s suffrage. This free talk is in collaboration UCL, who hold the Laurence Housman archive. Personal items of Housman’s taken from the archive will be on display.This public lecture will explore Housmans Bookshop namesake Laurence Housman (1865-1958) and his active role in the women’s suffrage movement. It will shed new light on UCL’s Laurence Housman Collection by discussing how Housman’s sociopolitical values emerged during the Victorian period as he developed an artistic practice as an Aesthetic and Decadent illustrator. Housman was also a writer who would go on to contribute to Votes for Women (1908-18), a suffrage newspaper edited by Emmeline and Frederick Pethick-Lawrence. He would later collaborate with his sister, the engraver Clemence Housman, to found the Suffrage Atelier, an artists’ collective. Using illustration as a form of social and political resistance, Housman designed An Anti-Suffrage Alphabet (1911), a work that featured many women artists who would go on to forge professional careers, including Pamela Colman Smith.Dr Michelle Reynolds is a researcher in nineteenth- and twentieth-century art and visual culture. Her PhD thesis, which she completed at the University of Exeter, considered the professionalisation of women illustrators and cartoonists in late nineteenth- and early twentieth-century Britain and their relationship to the socio-political and cultural phenomenon of the New Woman. Her research interests include women artists and designers, illustration and book studies, gender and sexuality, reform movements, dress histories, and graphic satire.