Samantha Pious

Lesle Lewis

Lesle Lewis is the author of six poetry collections:  Small Boat  (2003), Landscapes I & II (2006),  lie down too (2011), A Boot’s a Boot (2014),  Rainy Days on the Farm (2019), John’s Table (2026) and the chapbooks,  It’s Rothko in Winter or Belgium  (2012), and Hydrogen (2025).  A new book, Survival of the Fittest Pronoun, is due out this fall.  She graduated from the UMass MFA program in 1995 .   She lives in the New Hampshire woods.

Carol Edelstein

Carol Edelstein, with Robin Barber, co-founded Gallery of Readers Press. With Liz George, she edits Switch, a journal of micro fiction. She is the author of three books of poems, most recently Past Repair (Simian Press, 2021). Her poetry and fiction have been featured in numerous anthologies and literary magazines, including The Massachusetts Review, The Georgia Review, and Alaska Quarterly Review. Her collection titled 73 very short stories will appear in the fall.

Samantha Pious

Samantha Pious translates women's poetry, especially sapphic women's poetry. Her aim is to contribute to a canon—or canons—of our own. So far, she has translated the selected poems of Renée Vivien, Natalie Barney, and Judith Teixeira. Her translations of Teixeira have been shortlisted for a Lambda Literary Award and for a Golden Crown Literary Award. She has also translated A Lover and His Lady: One Hundred Ballades, by Christine de Pizan, which is forthcoming with The Other Voice in Early Modern Europe: The Toronto Series through Iter Press. A volume of her original poems, Sappho Is Dead, is available through Headmistress Press.

Amy Gordon

Amy Gordon's poems have appeared in Antiques Magazine, The Amsterdam Review,  Ekphrastic Review, The Massachusetts Review, and other journals. She is the author of three chapbooks: Deep Fahrenheit (Prolific Press) and The Yellow Room (Finishing Line Press).  Leaf Town is the winner of the 2023 Slate Roof Press Elyse Wolf Chapbook Prize. Before turning to poetry, she wrote and published primarily for young readers. She taught drama at the Bement School for almost forty years and now she runs an after-school theater program for the elementary school kids in Gill.

Ted Pearson

In a career spanning six decades, Ted Pearson has published thirty-two books of poetry, most recently Epistrophy and Trilogy. He also co-authored The Grand Piano, a ten-volume experiment in collective autobiography; edited Epilogue, a posthumous edition of Craig Watson’s last poems, and co-edited Bobweaving Detroit: The Selected Poems of Murray Jackson. His work has appeared in Canada, England, France, Spain, and India.  Ted was born and raised on the San Francisco peninsula, a seventh generation Californian. His musical education began in 1960. His first sa teacher was Lee Konitz. In 1964, he began writing poetry at the suggestion of Paul Desmond, a family friend. He subsequently attended Vandercook College of Music, Foothill College, and San Francisco State University.   His first book appeared in 1976, when he began his life-long association with the San Francisco Language Poets. He has been a visiting lecturer in poetics at Cornell University, and has taught Composition and Rhetoric at Wayne State University and the University of Redlands. He now lives in Northampton.