Kansikuva näyttelystä The Tyler Woodward Project | Media & Radio Insights

The Tyler Woodward Project | Media & Radio Insights

Podcast by Tyler Woodward | Media and Technology Specialist

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The Tyler Woodward Project is a weekly show about how technology, media, and radio infrastructure shape the world around us, told through the lens of a broadcast engineer who grew up with dial-up internet, FM and AM static, and the rise of the algorithm. Each episode unpacks the systems, signals, and corporate decisions behind how we communicate, listen, and connect, cutting through the marketing fluff and tech-industry spin. Expect sharp analysis, grounded storytelling, a touch of broadcast nostalgia, and clear explanations that make the technical human again. tylerwoodward.me

Kaikki jaksot

28 jaksot

jakson Why Podcasting Metrics Matter: Understanding the RSS Enclosure Tag kansikuva

Why Podcasting Metrics Matter: Understanding the RSS Enclosure Tag

The Hidden Structure of Podcasting: Why It Matters Turns out, the core of podcasting isn't just about the content — it's about a tiny XML tag that nobody owns but everyone depends on. That one tag keeps the entire industry running, yet it leaves questions about measurement and control hanging in the air. In this episode: The origins of RSS and the enclosure tag Why no one owns the main infrastructure How platforms like Spotify tried to control the medium The complexity of measuring listens versus downloads What's new with Podcasting 2.0 and open extensions The implications for independence and platform risk Timestamps: 00:00 - The mystery of podcast download counts 00:21 - The birth of RSS and the enclosure tag 00:51 - How the enclosure tag revolutionized podcasting 02:04 - Who built the podcasting infrastructure? Nobody owns it. 03:56 - The basics of how podcast feeds work 04:37 - The difference between downloads and listens 06:14 - Radio vs podcast measurement methods 07:07 - How server logs improve download accuracy 08:07 - Spotify's big spend to control the medium 09:12 - The failure of platform-dependent exclusivity 10:29 - What's new with Podcasting 2.0 11:41 - The ongoing struggle to measure audience engagement 12:28 - The importance of openness for independence Resources & Links: RSS 2.0 Specification [https://www.rssboard.org/rss-specification] Adam Curry & Dave Jones' Podcasting 2.0 [https://podcasting2.org/] Spotify's Acquisition of Podsites [https://techcrunch.com/2022/07/28/spotify-forks-out-295m-for-findaway-podsights-chartable-and-sonantic-filing-reveals/] Lightning Payments for Podcasts [https://lightning.engineering/] Connect with Tyler: Threads [https://threads.com/@tylerwoodward.me] Instagram [https://instagram.com/tylerwoodward.me] BlueSky [https://bsky.app/profile/tylerwoodward.me] Get full access to The Tyler Woodward Project at tylerwoodward.me/subscribe [https://tylerwoodward.me/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

Eilen - 13 min
jakson Understanding RDS: The Hidden Backbone of FM Radio kansikuva

Understanding RDS: The Hidden Backbone of FM Radio

You press your ear to the radio and wonder what’s buried in the static. Turns out, there’s a tiny data protocol still riding shotgun inside FM signals after all these years—RDS and RBDS. It’s the reason your car’s dashboard knows what’s playing, and it’s holding up a lot more than most folks realize. Key topics: History of RDS/RBDS Technical workings of RDS/RBDS Impact of RDS on modern radio and vehicles Timestamps: 00:00 Introduction to RDS and RBDS 06:41 The Role of RDS in FM Radio 13:24 Future of RDS and Its Importance Resources & Links: RDS Spy [https://rdsspy.com/] — Free RDS decoder tool Omnia 9 Processor [https://www.telosalliance.com/radio-processing/radio-processors/omnia9]— Audio processor with embedded RDS Nautel Exciter [https://www.nautel.com/resources/ebooks/rds/rds-basics-and-best-practices/] — RDS built-in Orban Optimod 5950 [https://orban.com/] — Combines audio processing and RDS Connect with Tyler: Bluesky [https://bsky.app/profile/tylerwoodward.me] Threads [https://threads.net/@tylerwoodward.me] Instagram [https://instagram.com/tylerwoodward.me] Get full access to The Tyler Woodward Project at tylerwoodward.me/subscribe [https://tylerwoodward.me/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

18. touko 2026 - 17 min
jakson Cable News Is Not a Radio Product kansikuva

Cable News Is Not a Radio Product

This is my opinion as someone who works in broadcasting and spends probably too much time thinking about radio. Take it for what it is. Cable news channels have the infrastructure, the staff, the brand recognition, and the content volume to build genuinely compelling audio products. They have people who know how to talk and news gathering operations most radio stations can only dream of. Instead, they route the 24/7 TV audio feed to a streaming platform and call it done. CNN is on TuneIn. Fox News is on SiriusXM. MS NOW has a linear feed on TuneIn as well. You can listen to all of them. But listening to TV without the picture isn’t the same thing as audio, and the fact that you can technically do it doesn’t make it a radio product. Real audio is built around the assumption that you cannot see anything. The writing accounts for it. The pacing accounts for it. When something visual happens, someone describes it. When there’s a graphic, someone reads it. When there’s a clip, the anchor sets it up so you know what you’re about to hear and why it matters. None of that is complicated, but all of it is deliberate. TV assumes you’re watching. When an anchor says “as you can see here” and pauses while a map fills the screen, audio listeners get silence and no idea what they were supposed to be seeing. When a breaking news chyron goes up, it doesn’t go anywhere on audio. It just sits there as invisible text nobody reads aloud because everyone in the studio assumes you can see it. That’s not a small problem. That’s the whole product. The proof that it can be done differently isn’t hard to find, and you don’t have to leave the country to find it. WTOP in Washington D.C. has been running commercial all-news radio since 1969. Traffic and weather on a regular cycle, written for listeners, paced for listeners, ads sold against all of it. It consistently ranks as the highest-rated radio station in the D.C. market -- not the highest-rated news station, the highest-rated station period -- and has the Murrow Awards to back it up. It built a great audio product and sold ads against it for over fifty-five years. The BBC and CBC get brought up in conversations like this because they did the same thing at a larger scale and earlier. BBC Radio and CBC Radio were built as distinct operations from their television sides, written and produced specifically for listeners. CBC Radio has been commercial-free since 1974. The BBC runs on the TV license fee. Those funding models are real differences, and anyone who says they don’t matter is wrong. But WTOP is right there as evidence that the commercial-free argument is a deflection. The question was never about the funding model. It was about whether you treat audio as its own discipline or as a TV byproduct. All three answered that question the same way, just with different revenue structures behind it. If the business case for a fully produced commercial feed is still a tough sell internally, SiriusXM and TuneIn already have the infrastructure for tiered models, a standard ad-supported feed and a premium ad-free option. That’s not a novel idea. Neither the production problem nor the monetization problem is actually hard to solve. MS NOW is worth noting here because they’re doing both things simultaneously. Their podcast operation is legitimate. Rachel Maddow Presents: Ultra earned an Edward R. Murrow Award in 2025, and those narrative series are produced for ears, not repurposed from TV. The criticism isn’t about that work. It’s specifically about the live 24/7 feed that gets dumped on a streaming platform and called radio. The national news audio space isn’t crowded. Public radio serves a different mission. There’s real room for a cable news operation to build something audio-first. The audience exists. The content pipeline exists. The talent exists. What’s missing is the decision to treat the live feed as something other than a TV byproduct. Nobody is choosing TuneIn CNN because it’s a great radio product. They’re there because it’s available and the brand is familiar. That’s inertia, not a product strategy. WTOP has been answering this question since 1969. Cable news just hasn’t bothered to ask it. Get full access to The Tyler Woodward Project at tylerwoodward.me/subscribe [https://tylerwoodward.me/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

15. touko 2026 - 6 min
jakson What’s Really Happening to AM Radio: The Infrastructure Side No One Talks About kansikuva

What’s Really Happening to AM Radio: The Infrastructure Side No One Talks About

The fight over AM radio isn’t about whether you listen to it — it’s about what happens when the infrastructure it relies on looks like a pile of scrap metal. Despite a steady decline in licenses and increasingly valuable real estate, AM's role in emergency warning and national security remains critical. But for how much longer? You’ll discover how radio towers are worth more than their signals, why copper theft gets more dangerous for stations, and what’s really behind the push to yank AM from new cars. The story isn’t about consumer habits. It’s about infrastructure, national safety, and whether this relic can survive the next ten years or get turned into a parking lot. The federal government and emergency responders say AM radio is vital — when the internet goes down, it’s still on. But private companies are choosing real estate over airwaves, and big bills to save AM are sitting in Congress waiting for a vote. In a world obsessed with bandwidth, AM is proving it’s still a lifeline when things get bad. If you care about national security, emergency preparedness, or how an entire industry collapses while the government talks about “modernizing,” this is your window into what’s really happening under the hood. AM isn’t dead yet — but it might be dead soon if nobody pays attention. Get full access to The Tyler Woodward Project at tylerwoodward.me/subscribe [https://tylerwoodward.me/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

11. touko 2026 - 14 min
jakson Ted Turner Didn’t Just Build a Network. He Exploited a Satellite Loophole. kansikuva

Ted Turner Didn’t Just Build a Network. He Exploited a Satellite Loophole.

Ted Turner died on May 6, 2026 [https://www.npr.org/2026/05/06/nx-s1-3059290/ted-turner-obituary-cnn]. He was 87. Most of the tributes are going to focus on CNN [https://cnn.com], on the Gulf War coverage, on the $1 billion he gave to the United Nations [https://medium.com/@unfoundation/why-i-gave-1-billion-to-support-the-un-1d9df29a0fad]. All of that is real and worth discussing. But from a broadcast technology perspective, the most interesting thing Ted Turner ever did happened on December 17, 1976, at a satellite uplink in Atlanta. That’s the day he beamed a struggling UHF station up to RCA’s Satcom 1 [https://en.wikipedia.org/wiki/Satcom_(satellite)] and turned local television into something the industry hadn’t named yet. WTCG [https://en.wikipedia.org/wiki/WPCH-TV]was Channel 17 in Atlanta, a money-losing UHF station Turner had acquired six years earlier in exchange for a couple of radio properties. UHF was a graveyard in 1970. The FCC had mandated all-channel tuners in TVs just five years before, so the receivers existed, but nobody was watching. Turner programmed it cheap and scrappy: old movies, reruns, wrestling, and Atlanta Braves games. He made it profitable by 1973 on pure volume and low rates, not because anyone outside Atlanta had a reason to care about it. What changed was HBO. In September 1975, HBO [https://hbo.com]transmitted the Ali-Frazier “Thrilla in Manila [https://www.theguardian.com/sport/2025/sep/30/thrilla-in-manila-ali-frazier-boxing]” fight from a ground station in Vero Beach, Florida, up to Satcom 1, and back down to cable headends across the country. It was the first commercial satellite delivery of a cable signal in the United States. Turner saw it and immediately understood what it meant: the satellite didn’t care where your signal came from or what size your market was. If you had an uplink and the dish-to-dish connection, your local station was suddenly everywhere. The regulatory framework had not caught up to this idea. Turner’s lawyer, Tench Coxe, found the gap: a 1972 FCC “Open Skies” policy [https://www.nytimes.com/1973/01/13/archives/domestic-open-skies-global-satellites.html]had deregulated domestic satellite use to encourage competition. Nobody had thought to close the loophole that let a local broadcaster use that infrastructure to distribute nationally. Turner didn’t wait for permission. He negotiated transponder time on Satcom 1 for roughly $1 million a year, built a ground station at the station’s transmitter site, and on December 17, 1976, WTCG went national. Cable operators had a real problem: they were selling subscriptions but didn’t have enough content to justify the price. Turner solved it. WTCG was advertiser-supported, so retransmission was free, and the FCC’s distant signal rules had never been written with satellite distribution in mind. Within two years, more than two million cable subscribers were watching Channel 17 Atlanta from places that had never heard of the Atlanta Braves [https://www.mlb.com/braves]. The word “superstation [https://en.wikipedia.org/wiki/Superstation]” came from that gap. It wasn’t a regulatory category, it was a description of what accidentally happened: a local station with a satellite uplink and enough cable carriage to function as a national network without any of the obligations that came with being one. No owned-and-operated stations, no affiliates, no prime-time clearance requirements, no FCC scrutiny beyond the home market. Turner renamed it WTBS in 1979. Within a decade, the model had seeded ESPN, MTV, and The Weather Channel. All of them owed their distribution economics to the same principle: satellite is distance-agnostic, and if the rules don’t say you can’t, maybe you can. He bought the Atlanta Braves the same year he went national. That wasn’t a vanity move. That was vertical integration. The team was programming the superstation needed that nobody else could simulcast, and Turner owned it outright. None of this required genius. It required someone willing to read a regulatory gap as an invitation rather than an oversight, and to move before anyone thought to close it. The broadcast engineers who built that uplink in 1976 were solving a straightforward RF problem. What Turner understood was that the business problem and the technical problem had the same solution, and that the FCC hadn’t written any rules to stop him. Get full access to The Tyler Woodward Project at tylerwoodward.me/subscribe [https://tylerwoodward.me/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

7. touko 2026 - 6 min
Loistava design ja vihdoin on helppo löytää podcasteja, joista oikeasti tykkää
Loistava design ja vihdoin on helppo löytää podcasteja, joista oikeasti tykkää
Kiva sovellus podcastien kuunteluun, ja sisältö on monipuolista ja kiinnostavaa
Todella kiva äppi, helppo käyttää ja paljon podcasteja, joita en tiennyt ennestään.

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