5. Women in Theatre - A Very British Patriarchy

6. Tracy Ryan's Strike! - The Play

One day in 2008, a radio interview grabbed the attention of playwright Tracy Ryan. Irish Department store owner Ben Dunne was trying to apologise to a former employee. It wasn't going well. "So I was kind of like, What's this about? So I just started googling and looking around and then started to read about the strike and I was like, wow." That employee, Mary Manning, had spent more than two and a half years on strike at Dunnes. And Tracy had stumbled on to the story of how a small group of shop workers defied the Irish establishment. Her play Strike was born.  "You've got to tell the story. Tell the story with heart and truth and conviction and respect for what they did." Fast forward to 2023. With Ardent Theatre Company, Tracy brings strike to the London stage with Kirsty Patrick Ward directing.  "What we wanted to do was show police brutality on a much wider scale. That this actually can be happening is happening all over the world in different context." Explore the long journey from that first spark of an idea - to opening night at Southwark Playhouse.  Hosted by Ardent Theatre Company [https://www.ardenttheatre.co.uk/] Creative Director Andrew Muir [https://www.ardenttheatre.co.uk/andrew-muir]. In this Episode: 1:43 - Tracy Ryan discovers the Dunnes Stores strike story 3:55 - Meeting the strikers 6:58 - Director Kirsty Patrick Ward gets hooked on the script 8:45 - Early stagings of the play rekindle interest in the strikers' story 12:07 - Kirsty Patrick Ward starts working on the 2023 production 16:09 - Edits and rewrites tighten the pacing 23:15 - Shaping characters and bringing them to life 25:40 - The show goes on stage - with the strikers in the audience 29:02 The show's over. How to the writer and director feel? Activism in the 80s is a Creative Kin [https://www.creativekin.co.uk/] production for Ardent Theatre Company. Executive Producer & Producer: Jason Caffrey [https://www.linkedin.com/in/jason-caffrey/] Production music: Ellie Parker [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Mixing and Mastering: Adam Double [http://www.adamdouble.com/about] This production has been supported by the National Lottery Heritage Fund [https://www.heritagefund.org.uk/]. Thanks to National Lottery players. Links: https://www.ardenttheatre.co.uk/strike-about [https://www.ardenttheatre.co.uk/strike-about] https://www.creativekin.co.uk/ [https://www.creativekin.co.uk/] https://www.heritagefund.org.uk/ [https://www.heritagefund.org.uk/] https://www.ardenttheatre.co.uk/tracy-ryan [https://www.ardenttheatre.co.uk/tracy-ryan] https://theagency.co.uk/the-clients/kirsty-patrick-ward/ [https://theagency.co.uk/the-clients/kirsty-patrick-ward/] https://www.linkedin.com/in/jason-caffrey/ [https://www.linkedin.com/in/jason-caffrey/] https://www.ardenttheatre.co.uk/andrew-muir [https://www.ardenttheatre.co.uk/andrew-muir] http://www.adamdouble.com/about [http://www.adamdouble.com/about] https://www.linkedin.com/in/ellie-parker-9ba9aa195/ [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Remember to share, subscribe and leave a five-star review!

5. Women in Theatre - A Very British Patriarchy

Go to a typical UK theatre show, and for every 10 people in the audience, seven will be women. This isn't new. Surveys in the 1980s showed that at least half of theatre audiences were women at that time. But inside the theatre industry, women faced a glass ceiling made of stone.  "One of the key stereotypes about women directors was that women were okay on the small scale. But large scale plays like Pravda, that sort of meaty work couldn't be done by women." Much like today, the most important and prestigious jobs in theatre were held by not by women, but by men. "Somebody on the board said there are too many ladies around here and not enough meat. It wasn't a pleasant environment to work in." And for women writers, producers, directors and actors, pursuing a theatre career meant a constant fight against deeply entrenched sexist prejudice and stereotyping. "Their stance was 'we employ the best'. And when you try to examine what 'the best' was, it was them. So it was a circular argument." Director Sue Dunderdale hosts this exploration of the challenges faced by women in theatre with historian and dramaturg Dr. Susan Croft and producer Gill Lloyd MBE.  Introduced by Ardent Theatre Company [https://www.ardenttheatre.co.uk/] Creative Director Andrew Muir [https://www.ardenttheatre.co.uk/andrew-muir]. In this Episode: 1:16 - Running an all-women theatre organisation 4:26 - Key practitioners and venues 7:27 - Dealing with entrenched sexism 8:30 - The Standing Conference of Women Theatre Directors and Administrators 13:22 - Intersection with anti-apartheid and the miners' strike 19:11 - The lack of women in leadership positions 28:00 - Increasing visibility of women in theatre by the end of the 80s Activism in the 80s is a Creative Kin [https://www.creativekin.co.uk/] production for Ardent Theatre Company. Executive Producer & Producer: Jason Caffrey [https://www.linkedin.com/in/jason-caffrey/] Production music: Ellie Parker [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Mixing and Mastering: Adam Double [http://www.adamdouble.com/about] This production has been supported by the National Lottery Heritage Fund [https://www.heritagefund.org.uk/]. Thanks to National Lottery players. Links: https://www.ardenttheatre.co.uk/strike-about [https://www.ardenttheatre.co.uk/strike-about] https://www.creativekin.co.uk/ [https://www.creativekin.co.uk/] https://www.heritagefund.org.uk/ [https://www.heritagefund.org.uk/] http://www.suedunderdale.com/ [http://www.suedunderdale.com/] https://www.unfinishedhistories.com/about/who-we-are/susan-croft/ [https://www.unfinishedhistories.com/about/who-we-are/susan-croft/] https://www.unfinishedhistories.com/ [https://www.unfinishedhistories.com/] http://www.unlimitedglobalalchemy.com/gill-lloyd [http://www.unlimitedglobalalchemy.com/gill-lloyd] https://www.peopleshow.co.uk/ [https://www.peopleshow.co.uk/] https://www.linkedin.com/in/jason-caffrey/ [https://www.linkedin.com/in/jason-caffrey/] https://www.ardenttheatre.co.uk/andrew-muir [https://www.ardenttheatre.co.uk/andrew-muir] http://www.adamdouble.com/about [http://www.adamdouble.com/about] https://www.linkedin.com/in/ellie-parker-9ba9aa195/ [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Remember to share, subscribe and leave a five-star review!

4. Free Nelson Mandela! - The British Anti-Apartheid Movement

In 1980s Britain, the anti-apartheid movement drew nationwide support. Its mission was to end South Africa's racist apartheid system. And as TV reports from that country showed increasing violence, support for anti-apartheid grew. "With the media coverage. We could look at, oh, my goodness, this system is actually attacking children. It's shooting children". The growth in support was a welcome shift for veteran campaigners such as Christabel Gurney, Nadia Joseph and Lela Kogbara.  "There was a huge spread of people who were involved in other issues like the miners strike, who also started supporting the anti-apartheid movement".  From simple boycotts to huge rallies, the Anti-Apartheid Movement grew in strength throughout the 80s. "The boycott was very important because it was something everybody could do". As activists and campaigners came together under the Anti-Apartheid banner, pressure grew on governments and businesses to withdraw support for the government in South Africa. And at the end of the decade, when South Africa's iconic opposition leader Nelson Mandela was freed after 27 years as a political prisoner, the Anti-Apartheid Movement celebrated a historic victory. "I know that from the bottom of my heart, because of the anti-apartheid movement, that knowledge changes how I behave and what I aspire to do. That knowledge that change is possible".  Introduced by Ardent Theatre Company [https://www.ardenttheatre.co.uk/] Creative Director Andrew Muir [https://www.ardenttheatre.co.uk/andrew-muir]. In this Episode: 1:08 - Becoming activated and joining the Anti-Apartheid Movement 1:13 - Success of co-ordinated efforts at national, regional and local levels 1:15 - The importance of the boycott and pressure on big business 1:19 - Campaigning in an analogue age - the power of turning up 1:25 - Solidarity and lasting camaraderies among activists 1:30 - Nelson Mandela is freed - a victory for anti-apartheid campaigners Activism in the 80s is a Creative Kin [https://www.creativekin.co.uk/] production for Ardent Theatre Company. Executive Producer & Producer: Jason Caffrey [https://www.linkedin.com/in/jason-caffrey/] Production music: Ellie Parker [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Mixing and Mastering: Adam Double [http://www.adamdouble.com/about] This production has been supported by the National Lottery Heritage Fund [https://www.heritagefund.org.uk/]. Thanks to National Lottery players. Links: https://www.ardenttheatre.co.uk/strike-about [https://www.ardenttheatre.co.uk/strike-about] https://www.creativekin.co.uk/ [https://www.creativekin.co.uk/] Creative Kin Guest Book [http://creativekin.co.uk/guest-book] Activism in the 80s Creative Kin mini-site [http://creativekin.co.uk/activism-in-the-80s] https://www.heritagefund.org.uk/ [https://www.heritagefund.org.uk/] https://www.aamarchives.org/ [https://www.aamarchives.org/] https://en.wikipedia.org/wiki/Christabel_Gurney [https://en.wikipedia.org/wiki/Christabel_Gurney] https://www.alumni.london.ac.uk/holden-lecture-2022-nadia-joseph-biography [https://www.alumni.london.ac.uk/holden-lecture-2022-nadia-joseph-biography] https://www.london.ac.uk/senate-house-library/news/new-collection-joseph-archive-mandela-letters-photos [https://www.london.ac.uk/senate-house-library/news/new-collection-joseph-archive-mandela-letters-photos] https://www.socialfinance.org.uk/who-we-are/people/lela-kogbara [https://www.socialfinance.org.uk/who-we-are/people/lela-kogbara] https://www.linkedin.com/in/jason-caffrey/ [https://www.linkedin.com/in/jason-caffrey/] https://www.ardenttheatre.co.uk/andrew-muir [https://www.ardenttheatre.co.uk/andrew-muir] http://www.adamdouble.com/about [http://www.adamdouble.com/about] https://www.linkedin.com/in/ellie-parker-9ba9aa195/ [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Remember to share, subscribe and leave a five-star review!

3. Under Attack - The war on Trade Unions

On a June morning in 1984, one of the most violent episodes in British industrial relations unfolded. 5000 striking miners gathered at the Orgeave Coke processing plant in South Yorkshire. They'd face an assault by some 6000 police. "Thatcher and her cronies decided to try and smash the trade union movement and they organised set pieces in order to do that."  As police and picketers clashed. John Hendy, now Lord Hendy KC was a legal rep for the National Union of Miners.  Len McCluskey, later head of Unite the Union, was a full time official.  "The miners have a special place in the heart of ordinary working people. And once they were defeated, it was really, really bleak."  In this episode, Justice for Grenfell co-founder Yvette Williams explores how the 80s changed the face of British trade unions. Introduced by Ardent Theatre Company [https://www.ardenttheatre.co.uk/] Creative Director Andrew Muir [https://www.ardenttheatre.co.uk/andrew-muir]. In this Episode: 1:35 - The Dunnes Store strike as viewed from the UK 5:47 - The unions fail to properly resist the attacks against them 9:51 - Company closures and the tactics of resistance 13:10 - The Conservatives learn from their defeats of the 1970s 14:03 - How the Unions intersected with other movements 16:15 - The international face of British trade unions 19:53 - Restrictions imposed on unions and their legacy today 26:36 - An alternative vision of labour laws 29:36 - The power of working class solidarity Activism in the 80s is a Creative Kin [https://www.creativekin.co.uk/] production for Ardent Theatre Company. Executive Producer & Producer: Jason Caffrey [https://www.linkedin.com/in/jason-caffrey/] Production music: Ellie Parker [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Mixing and Mastering: Adam Double [http://www.adamdouble.com/about] This production has been supported by the National Lottery Heritage Fund [https://www.heritagefund.org.uk/]. Links: https://www.ardenttheatre.co.uk/strike-about [https://www.ardenttheatre.co.uk/strike-about] https://www.creativekin.co.uk/ [https://www.creativekin.co.uk/] https://www.heritagefund.org.uk/ [https://www.heritagefund.org.uk/] https://en.wikipedia.org/wiki/Len_McCluskey [https://en.wikipedia.org/wiki/Len_McCluskey] https://www.ier.org.uk/blog-author/john-hendy-qc/ [https://www.ier.org.uk/blog-author/john-hendy-qc/] https://www.ier.org.uk/blog-author/yvette-williams-mbe/ [https://www.ier.org.uk/blog-author/yvette-williams-mbe/] https://en.wikipedia.org/wiki/Battle_of_Orgreave [https://en.wikipedia.org/wiki/Battle_of_Orgreave] https://en.wikipedia.org/wiki/Thatcherism#:~:text=Thatcherism%20represents%20a%20systematic%2C%20decisive,regulation%20of%20the%20British%20economy [https://en.wikipedia.org/wiki/Thatcherism#:~:text=Thatcherism%20represents%20a%20systematic%2C%20decisive,regulation%20of%20the%20British%20economy] https://www.linkedin.com/in/jason-caffrey/ [https://www.linkedin.com/in/jason-caffrey/] https://www.ardenttheatre.co.uk/andrew-muir [https://www.ardenttheatre.co.uk/andrew-muir] http://www.adamdouble.com/about [http://www.adamdouble.com/about] https://www.linkedin.com/in/ellie-parker-9ba9aa195/ [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Remember to share, subscribe and leave a five-star review!

2. Life under Apartheid in South Africa - The Harsh Reality

1980s South Africa was a nation in the grip of Apartheid - a regime as brutal as it was absurd. Every person was assigned a racial category: White, Indian, Coloured or Native. One way to determine this was the 'pencil test'. A pencil is pushed into your hair. If it falls out, you're White. If not, you're heading for a different category. And because Apartheid law prohibited people from different categories from living the same area, you could be torn from your family, your friends, your community - all on the basis of how easily a pencil falls from your hair. "On the streets it was very volatile. I saw a lot of people shot for doing nothing, basically being provoked by the security forces." Journalist Thapelo Moloantoa [https://www.thesouthafrican.com/author/thapelo/] and Historian Dr Wayne Dooling [https://www.soas.ac.uk/about/wayne-dooling] both grew up in Apartheid South Africa. They experienced first hand the violence and humiliations meted out by the Apartheid government. And witnessed the resistance and ultimate triumph that saw iconic leader Nelson Mandela released after decades as a political prisoner, and the end of the Apartheid regime. "It doesn't take a genius to work out that the best beaches were not available to black people. One had one's experiences of being forcibly removed from beaches and picnic places." Artist and activist Zita Holbourne [http://www.zitaholbourne.com] hosts this conversation, offering a riveting window life under Apartheid when the pencil didn't fall out. Introduced by Ardent Theatre Company [https://www.ardenttheatre.co.uk/] Creative Director Andrew Muir [https://www.ardenttheatre.co.uk/andrew-muir]. In this Episode: 1:28 - Education disrupted by the Group Areas Act 4:18 - Attending a historically white university as a non-white student 7:42 - The State of Emergency and violence in the Townships 11:00 - Resisting the Apartheid regime 15:39 - Interactions with people assigned different racial categories 18:01 - Opportunities to enjoy sports and leisure 23:58 - Approaching the '90s and the end of Apartheid Activism in the 80s is a Creative Kin [https://www.creativekin.co.uk/] production for Ardent Theatre Company. Executive Producer & Producer: Jason Caffrey [https://www.linkedin.com/in/jason-caffrey/] Production music: Ellie Parker [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Mixing and Mastering: Adam Double [http://www.adamdouble.com/about] This production has been supported by the National Lottery Heritage Fund [https://www.heritagefund.org.uk/]. Thanks to National Lottery players. Links: https://www.ardenttheatre.co.uk/ [https://www.ardenttheatre.co.uk/] https://www.creativekin.co.uk/ [https://www.creativekin.co.uk/] https://www.heritagefund.org.uk/ [https://www.heritagefund.org.uk/] https://www.soas.ac.uk/about/wayne-dooling [https://www.soas.ac.uk/about/wayne-dooling] http://www.zitaholbourne.com/ [http://www.zitaholbourne.com/] https://www.thesouthafrican.com/author/thapelo/ [https://www.thesouthafrican.com/author/thapelo/] https://www.linkedin.com/in/jason-caffrey/ [https://www.linkedin.com/in/jason-caffrey/] https://www.ardenttheatre.co.uk/andrew-muir [https://www.ardenttheatre.co.uk/andrew-muir] http://www.adamdouble.com/about [http://www.adamdouble.com/about] https://www.linkedin.com/in/ellie-parker-9ba9aa195/ [https://www.linkedin.com/in/ellie-parker-9ba9aa195/] Remember to share, subscribe and leave a five-star review!