Friday, Comebacks, and the Legends Who Never Left

Episode 8: The Oscars!

The Oscars are tonight, and the guys are back behind the mic. After a brief hiatus since November, Gerard, Ahmer, and Rakesh return to break down the 2026 Academy Awards. Who should win? Who will win? And which nominees did we actually see? The conversation ranges from big theatrical spectacles to smaller films that flew under the radar, along with the usual mix of strong opinions, friendly disagreements, and a few predictions that will either make us look like savants… or complete idiots. If you’re getting ready to watch the ceremony tonight, consider this your last-minute Oscar primer. Topics include: * The overall state of movies in 2025 * Which nominees actually lived up to the hype * Films we wish had gotten more recognition * Our official Should Win vs. Will Win Oscar predictions Listen before the ceremony and see how we did.

The Sting: Rizzlers, Redford, Newman… and the Mount Rushmore of Con Movies

We’re talking The Sting — peak Newman, peak Redford, peak rizz. The guys get into the long con, the (surprisingly) integrated 1930s Chicago vibe, the music, the writing, the twists, and why Paul Newman acts circles around pretty much everybody. Then it’s open season on con movies: Usual Suspects, Catch Me If You Can, A Fish Called Wanda, The Grifters, Inside Man, even Rounders. Who counts? Who doesn’t? Who should star in a con movie today? And which actors absolutely should not be allowed? We close with our holiday pick — and yes, someone tries to veto The Holiday before it even hits the table.

Say His Name: A Candyman Conversation (with Shanti Hubbard)

This week, the pod gets spooky. Our friend and horror queen Shanti Hubbard joins as our first-ever guest to talk Candyman (1992) — the urban-legend classic that mixed race, class, and supernatural terror in a way few films had before.We dig into childhood fears, the psychology of horror, why mirrors are still terrifying, and what makes a great scary movie. From Tales from the Hood to Hereditary, Saw, and The Shining, we cover the genre’s wildest corners — plus a few questionable shower scenes.Follow us on Instagram @bekindrewindpod [https://www.instagram.com/bekindrewindpod]

Friday, Comebacks, and the Legends Who Never Left

The crew revisits Friday (1995) — Ice Cube’s porch-hang classic that marked F. Gary Gray’s feature debut and put Chris Tucker’s high-voltage comedy front and center. They break down why “one-day” comedies hit so hard, then dig into what makes a true Hollywood comeback. The episode wraps with a toast to Dianne Keaton and Robert Redford and a selection of which legend’s film they’ll rewatch next. 📩 Like what you hear? Follow the show, drop us a review, and tell your group chat. 🎥 Email us: bkrewindpod@gmail.com 📱 Follow us on IG: ⁠@bekindrewindpod⁠ [https://instagram.com/bekindrewindpod] 🎧 We release weekly-ish. Let’s call it emotionally Tuesdays. Follow us so you don’t miss the next one.

Bamboozled, Tropic Thunder, and the 21st Century Comedy Draft

In this episode, the hosts delve into Spike Lee's controversial film Bamboozled, exploring its themes of race, representation, and satire in the entertainment industry. They discuss the impact of the film and its overt messages, as well as the complexities surrounding the use of blackface in cinema. The conversation transitions into a fun draft of the best comedies of the 21st century, showcasing the hosts' diverse tastes and opinions on what makes a great comedy. Throughout the discussion, they reflect on the evolution of African-American representation in film and the role of satire as a tool for social commentary. In this lively conversation, the hosts delve into the world of comedy films, discussing their favorite picks across various categories, including Will Ferrell comedies, Judd Apatow films, and female-driven comedies. They explore the significance of ensemble casts, debate the impact of directors, and reflect on the rewatchability of classic comedies. The episode culminates in a draft of their ultimate comedy lineups, followed by a selection of a classic film to rewatch together.