2.3: How Congo Square Survived

2.5: The 1832 Cholera Pandemic

Cholera strikes New Orleans. Ten percent of the city is killed. Reverend Theodore Clapp performs a minister’s duty amidst the horror. We learn about bizarre treatments. Germ theory is not yet a thing. READ MORE: Autobiographical Sketches and Recollections, during athirty-five years' residence in New Orleans by Theodore Clapp The Cholera Years by Charles E. Rosenberg “Nineteenth Century Public Health in New York and NewOrleans: A Comparison” by John Duffy “Cargo, ‘Infection,’ and the Logic of Quarantine in theNineteenth Century” by Davis S. Barnes “Asiatic Cholera in Louisiana, 1832-1873” by Leland A.Langridge Encyclopedia of Pestilence, Pandemics, and Plagues editedby Joseph P. Byrne “Outline of the History of Malignant or Asiatic Cholera inNew Orleans, La.” by Joseph Jones “How Yellow Fever Intensified Racial Inequality in19th-Century New Orleans” by Karin Wulf SOUNDS: French Quarter Bourbon walk.wav by volivieri -- https://freesound.org/s/110012/ -- License: Attribution 4.0

2.4: The End of Congo Square

New Orleans becomes hostile to Congo Square. The African dances are banned. The space falls into disrepair, then becomes a whites-only park. Against all odds, it fights for its original identity. LEARN MORE: Congo Square: African Roots in New Orleans by Freddi Williams Evans Congo Square in New Orleans by Jerah Johnson “A Window on Slave Culture: Dances at Congo Square in New Orleans, 1800-1862” by Gary A. Donaldson The World That Made New Orleans: From Spanish Silver to Congo Square by Ned Sublette City of a Million Dreams: New Orleans at 300 by Jason Berry The Accidental City: Improvising New Orleans by Lawrence N. Powell “African Cultural Memory in New Orleans Music” by Jason Berry “Deep Skin: Reconstructing Congo Square” by Joseph R. Roach “New Orleans Music as a Circulatory System” by Matt Sakakeeny “The Invention of a Memory: Congo Square and African Music in Nineteenth-Century New Orleans” by Ted Widmer Sinful Tunes and Spirituals: Black Folk Music to the Civil War by Dena J. Epstein https://antigravitymagazine.com/feature/sacred-ground/ https://chrisdier.com/2015/03/10/raquette-the-lost-sport-of-new-orleans/ SOUNDS: French Quarter Bourbon walk.wav by volivieri --https://freesound.org/s/110012/ -- License: Attribution 4.0

2.3: How Congo Square Survived

We explore why Congo Square existed for so long, how it retained an African character, and how its memory survived beyond New Orleans. We also talk about Louisiana Creole and some surprising aspects of this near-extinct language. LEARN MORE: Congo Square: African Roots in New Orleans by Freddi Williams Evans Congo Square in New Orleans by Jerah Johnson “A Window on Slave Culture: Dances at Congo Square in New Orleans, 1800-1862” by Gary A. Donaldson The World That Made New Orleans: From Spanish Silver to Congo Square by Ned Sublette City of a Million Dreams: New Orleans at 300 by Jason Berry The Accidental City: Improvising New Orleans by Lawrence N. Powell “African Cultural Memory in New Orleans Music” by Jason Berry “Deep Skin: Reconstructing Congo Square” by Joseph R. Roach “New Orleans Music as a Circulatory System” by Matt Sakakeeny “The Invention of a Memory: Congo Square and African Music in Nineteenth-Century New Orleans” by Ted Widmer Sinful Tunes and Spirituals: Black Folk Music to the Civil War by Dena J. Epstein https://antigravitymagazine.com/feature/sacred-ground/ SOUNDS: French Quarter Bourbon walk.wav by volivieri --https://freesound.org/s/110012/ -- License: Attribution 4.0

2.2: Congo Square

The enslaved of New Orleans make music and dance together at the city's edge. This is the story of Congo Square: the people who gathered there every Sunday—and the African culture they kept alive. Listen to "Tan Patate-La Tchuite" by Adelaide Van Wey: https://www.youtube.com/watch?v=1F8jFIbCD1o LEARN MORE: Congo Square: African Roots in New Orleans by Freddi Williams Evans Congo Square in New Orleans by Jerah Johnson “A Window on Slave Culture: Dances at Congo Square in NewOrleans, 1800-1862” by Gary A. Donaldson The World That Made New Orleans: From Spanish Silver to Congo Square by Ned Sublette City of a Million Dreams: New Orleans at 300 by Jason Berry The Accidental City: Improvising New Orleans by Lawrence N. Powell “African Cultural Memory in New Orleans Music” by Jason Berry “Deep Skin: Reconstructing Congo Square” by Joseph R. Roach “New Orleans Music as a Circulatory System” by Matt Sakakeeny “The Invention of a Memory: Congo Square and African Music in Nineteenth-Century New Orleans” by Ted Widmer Sinful Tunes and Spirituals: Black Folk Music to the Civil War by Dena J. Epstein https://antigravitymagazine.com/feature/sacred-ground/ SOUNDS: French Quarter Bourbon walk.wav by volivieri --https://freesound.org/s/110012/ -- License: Attribution 4.0

2.1: Congo Plains

Congo Square is often described as the “birthplace of jazz.” But its history goes far deeper—as a place where, every Sunday, the enslaved of New Orleans would practice traditional African music and dance. In this first episode of a trilogy, we examine Congo Square’s origins, its persistence across French and Spanish New Orleans, and how early American officials sought to regulate it. LEARN MORE: Congo Square: African Roots in New Orleans by Freddi Williams Evans Congo Square in New Orleans by Jerah Johnson “A Window on Slave Culture: Dances at Congo Square in NewOrleans, 1800-1862” by Gary A. Donaldson The World That Made New Orleans: From Spanish Silver toCongo Square by Ned Sublette City of a Million Dreams: New Orleans at 300 by JasonBerry The Accidental City: Improvising New Orleans byLawrence N. Powell “African Cultural Memory in New Orleans Music” byJason Berry “Deep Skin: Reconstructing Congo Square” by Joseph R. Roach “New Orleans Music as a Circulatory System” by Matt Sakakeeny “The Invention of a Memory: Congo Square and African Musicin Nineteenth-Century New Orleans” by Ted Widmer SOUNDS: French Quarter Bourbon walk.wav by volivieri --https://freesound.org/s/110012/ -- License: Attribution 4.0