Discover Best Audiobooks in Fiction, Literary
Please visit https://thebookvoice.com/podcasts/audiobook/79/ [https://thebookvoice.com/podcasts/audiobook/79/] to download full audiobooks of your choice for free. Title: Winter Author: Ali Smith Narrator: Melody Grove Format: Unabridged Length: 7 hrs and 28 mins Language: English Release date: 01-09-18 Publisher: Recorded Books Ratings: 5 of 5 out of 8 votes Genres: Fiction, Literary Publisher's Summary: From the Man Booker-short-listed and Baileys Women's Prize-winning author of How to be both, the highly anticipated second novel in the acclaimed Seasonal series, which both continues the arc of the series and is also an extraordinary stand-alone listen. In Winter, life force matches up to the toughest of the seasons. In this second novel in her acclaimed Seasonal cycle, the follow-up to Ali Smith's sensational Autumn, Smith's shape-shifting quartet of novels casts a merry eye over a bleak post-truth era with a story rooted in history, memory, and warmth, its taproot deep in the evergreens: art, love, laughter. It's the season that teaches us survival. Members Reviews: Too Weird For Me I was disappointed in this book. Ali Smith is an award-winning literary star but this book failed to shine. The stream of consciousness storytelling fell flat and the style of the writing was too weird to enjoy. Maybe this book was too offbeat, too cerebral, too clever even. This book is about the dysfunctional family, anger, and with odd characters that just didnât gel for me. The floating head of a child was very disturbing and set me off from the start. The story structure is quirky with lots of flashbacks and memories if you like backstory threads. I found the story to veer in scattered directions and jumps in time. Some of the prose was beautifully done, okay, this lady can write--I get it--but what is the story here? Furthermore, I didnât like that the dialogue had no quotation marks. This is a modern trend now and used by intellectually elite authors, supposedly artful, clean, and elegant. I think it comes off pretentious and vague and burdens the reader. The characters donât speak, only the writer does. We canât âhearâ the characters talking because the lines stiffen into the narrative voice and exposition. In one scene we have dialogue with the attribution of the speakers in parenthesis about 20 times, identifying volleys between the aunt and the mother: [I cannot be near her f*****g chaos a minute longer. (His mother talking to the wall) â (His aunt speaking to the ceiling) â (His aunt) â (His mother) â(His aunt.)â(His mother)â]. Came off choppy and distracting like watching a movie with the mute button on. In the end I was dissatisfied with the story as a whole. I do recognize that for some readers who are in the Ali Smith fan club, they might love this kind of blurred jabberwocky. Not for me. What WINTER lacks in plot is more than compensated for by Ali Smithâs characteristic wit and keen observation of character Following less than a year after her 2017 novel, AUTUMN, shortlisted for the Man Booker Prize, Ali Smithâs WINTER is the second in a projected quartet of âseasonalâ novels. Like its predecessor, this book trades a conventional narrative structure for a collection of scenes that center on one small familyâs celebration of a contemporary Christmas in a sprawling Cornwall mansion. What WINTER lacks in plot is more than compensated for by Smithâs characteristic wit, her keen observation of character, and her unabashed sense of delight in the pleasure of well-deployed language. Sophia Cleves, one of the foursome of WINTERâs principal characters, lives in the aforementioned dwelling, where, as the novel opens, sheâs haunted, but far from terrified, by a floating, shape-shifting head thatâs become her constant companion.
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