The Treasure of the Sierra Madre - 1948

The Treasure of the Sierra Madre - 1948

Director/Screenplay: John Huston (based on the 1927 B.Traven novel)  Stars: Humphrey Bogart (Fred C. Dobbs), Walter Huston(Howard), Tim Holt (Bob Curtin), Bruce Bennett (James Cody), Barton MacLane (Pat McCormick), Alfonso Bedoya (“Gold Hat”)Cinematography: Ted D. McCord  | Music: Max Steiner  Studio: Warner Bros.   Runtime: 126 min  | Black and White  |  Released January 1948 Two broke drifters, Dobbs and Curtin, team with old prospector Howard to dig for gold in Mexico’s SierraMadre. As the gold piles up, Dobbs’s paranoia curdles into obsession, and the mountains take back what they gave. Huston read Traven’s novel in 1935 and spent 12 yearsgetting it made, finally using the clout from The Maltese Falcon (1941).   George Raft, Edward G. Robinson, and John Garfield wereearly casting ideas; Bogart badgered Huston for the role of Dobbs.   Reclusive author B. Traven sent “technical advisor” HalCroves to set; cast and crew widely believed Croves was Traven himself, thoughhe denied it for life.   Walter Huston performed without his false teeth on hisson’s instruction and learned his Spanish lines phonetically. His famous jig was unscripted — his own idea, learned years earlier from playwright Eugene O’Neill. Bogart told a critic before filming, “I play the worstshit you ever saw.” He wore a wig the whole shoot to hide hair loss from hormone treatments and heavy drinking.   Huston and Bogart pranked Alfonso Bedoya by gluing hissaddle before lunch, and rigged a mousetrap under a rock Bogart had to reachbeneath. The shoot ran in Mexico for 5.5 months, 29 days overschedule, and was briefly shut down after a bribery dispute with a local newspaper editor — who was later shot by a jealous husband. The film won three Oscars: Best Director and BestAdapted Screenplay (John Huston) and Best Supporting Actor (Walter Huston) — the first father/son Oscar wins for the same film. Bogart’s performance was never nominated for BestActor; the film lost Best Picture to Hamlet.   The famous “Badges? We don’t need no stinking badges!”line is a misquote — that exact phrasing was never spoken on screen.   Holds a 100% Rotten Tomatoes score; preserved in theNational Film Registry (1990); ranked #38 on AFI’s 100 Greatest American Movies. Cited as a major influence by Steven Spielberg (IndianaJones), Paul Thomas Anderson, Sam Raimi, Stanley Kubrick, and Breaking Bad creator Vince Gilligan. Subscribe: youtube.com/@FadetoChat  Email: ThePodTalkNetwork@gmail.comWeb: ThePodTalk.Net Spread the word to other Golden Age cinema lovers!

And Then There Were None (1945)

Marty and Cindy review the film adaptation of Agatha Christie's favorite work. Title: And Then There Were None (1945) Director: René Clair | Screenplay: Dudley Nichols Stars: Barry Fitzgerald · Walter Huston · Louis Hayward · Roland Young · June Duprez · Mischa Auer · C. Aubrey Smith · Judith Anderson · Richard Haydn · Queenie Leonard Music: Mario Castelnuovo-Tedesco | Distributed by: 20th Century Fox Running Time: 97 minutes | Black and White | Released: October 30, 1945 The Source Material Christie's novel was first published in 1939. By the 1970s, And Then There Were None became the preferred title worldwide. She called it the most difficult of her novels to write: the killer had to be one of ten people — yet all ten had to die. The 1945 film follows Christie's 1943 stage adaptation, in which two characters survive — unlike the novel's bleak ending. Emily Brent's line "Those whom the gods would destroy..." draws on the Greek dramatist Euripides; her other quotation, "The wicked flee..." is from the Book of Proverbs. Several character names were altered from the source, partly to satisfy 1945 censorship codes. Production & Behind the Scenes Directed by René Clair, a French filmmaker working in Hollywood during WWII, the film was effectively his Hollywood farewell. It won the Golden Leopard and Best Direction Award at the 1946 Locarno Film Festival. The score, by Italian-Jewish composer Mario Castelnuovo-Tedesco, has an unusual chamber-music quality beneath the suspense. The film's copyright later lapsed; it is now in the public domain, with a 4K remaster available free on YouTube. The film was released October 30, 1945 — the day before Halloween. The timing appears deliberate. The opening five minutes contain no dialogue — the island setting is established entirely through visuals and music. In the UK, the film was released as Ten Little Indians — a title that would itself eventually become too controversial to use. The Cast Two cast members had won Academy Awards at filming: Barry Fitzgerald and Walter Huston. Judith Anderson, best known as Mrs. Danvers in Rebecca (1940), plays the severe Emily Brent. C. Aubrey Smith, 82 at filming, died the following year, making this one of his final appearances. Mischa Auer, cast as the first to die, was primarily known for screwball comedies — deliberate misdirection for audiences expecting him to last longer. Queenie Leonard, who played Ethel Rogers, was the last surviving cast member, dying January 17, 2002, at age 96. June Duprez, Louis Hayward, and Richard Haydn all died within six months of each other in 1984–85. Reception & Legacy The New York Times praised Clair's "light macabre touch." Variety called it a "dull whodunit." Leonard Maltin awarded four stars; Rotten Tomatoes holds it at 100% from 12 reviews. Christie's novel has sold more than 100 million copies and is widely cited as the world's best-selling mystery novel. The film's first documented TV broadcast was July 23, 1951, on Chevrolet Movie Time on KRON in San Francisco. Later remakes — 1965, 1974, 1987, 1989, and a 2015 BBC miniseries — all used a revised ending; none restored the novel's original bleak conclusion. Subscribe on YouTube: @FadetoChat | ThePodTalkNetwork@gmail.com | ThePodTalk.Net

It's a Mad, Mad, Mad, Mad World (1963)

Cindy and Marty settle on a favorite large cast comedy, It's a Mad, Mad, Mad, Mad World (1963) Film Overview • Title: It's a Mad, Mad, Mad, Mad World (1963) | Director: Stanley Kramer | Screenplay: William & Tania Rose • Stars: Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, Jonathan Winters • Supporting: Jimmy Durante, Peter Falk, Buster Keaton, Don Knotts, Jack Benny, The Three Stooges, Edie Adams, Carl Reiner, ZaSu Pitts, and more • Budget: $9.4M | Box Office: $60M | Format: Technicolor / Ultra Panavision 70 • Runtime: 192 min (premiere) / 163 min (release) / 197 min (2014 Criterion restoration) • Opened November 7, 1963 at the Cinerama Dome — the very first film shown there Production & Behind the Scenes • Working titles: "Where, But In America?" then "One Damn Thing After Another." Kramer briefly considered a fifth "Mad." • His first comedy as director — and the hardest, he said, he ever made. • Shot summer 1962 during TV hiatus. Desert scenes in Palm Desert, CA — now mostly country clubs and golf courses. • Kramer let Silvers run crap games to keep actors nearby. Jerry Lewis, uncredited, reportedly lost $500. • ~80 of ~100 working U.S. stunt people appeared — 39 performers, $252,000. • Title animation by Saul Bass, executed by Bill Melendez, who hid his crew's names in the letters for three frames. Schulz saw it, called Melendez, and the Peanuts specials followed. • The NY premiere was attended by Robert and Ted Kennedy. President Kennedy was assassinated five days later. • UA cut the film from 192 to 163 minutes against Kramer's wishes; the 2014 Criterion restoration (197 min) is closest to his 202-minute original. The Cast • Spencer Tracy received top billing; co-stars listed alphabetically. He worked nine days at three to four hours daily, sharing no screen time with any co-star until two hours in. • Ethel Merman's role was written for Groucho Marx as a doctor. When that fell through, Kramer swapped the gender — Groucho later joked he was to have played Mrs. Marcus. • Terry-Thomas got the role after Peter Sellers asked too much. His stunt double painted a tooth black to match Thomas's famous dental gap. • Jack Benny's cameo went first to Stan Laurel, who pledged never to perform again after Hardy's death. The bowler hat was already in the scene — shot for a stand-in before the offer was made. • The Three Stooges, as firemen with no dialogue, drew the biggest audience reaction in the film. Their 1930 debut Soup to Nuts also had them as firemen. • ZaSu Pitts and Willis H. O'Brien both died before release — the final film for each. • Arnold Stang broke his forearm days before filming and wears mechanic's gloves throughout to hide the cast. Stunts, Effects & Locations • Frank Tallman flew the plane-through-the-billboard stunt. A miss meant a sheared wing; impact stopped one engine and the plane barely made it back. • The water tower fell before the truck hit it; Linwood Dunn used optical split-screen to sync them in post. • The blowtorch-into-stairs gag took 86 takes. • The fire escape finale used miniatures, reuniting King Kong (1933) pair O'Brien and Marcel Delgado — O'Brien's last film. Script & Story Notes • Durante's dying closeup is Ultra Panavision — the largest-format shot in the film and his final theatrical feature. • Allen Jenkins, Arnold Stang, and Marvin Kaplan had all starred in Top Cat (1961), inspired by The Phil Silvers Show. Silvers is also in this film. • Jim Backus as the drunken pilot says "It's the only way to fly" — the slogan of Western Airlines, whose animated mascot Backus voiced. • Six Oscar nominations. Walter Elliott won Best Sound Effects: "From all of us in the mad, mad, mad world... Thank you very, very much." • Subscribe on YouTube | Contact: ThePodTalkNetwork@gmail.com | Visit: ThePodTalk.Net

Father Goose (1964)

Cindy and Marty talk about a favorite childhood movie and Marty remembers Black and White scotch THE FILM - Father Goose (1964) Director: Ralph Nelson  | Screenplay: Peter Stone & Frank Tarloff Based on the short story “A Place of Dragons” by S.H. Barnett Stars: Cary Grant as Walter Eckland  |  Leslie Caron as Catherine Freneau  |  Trevor Howard as Commander Houghton Cinematography: Charles Lang  | Music: Cy Coleman  |  Runtime: 118 min Box Office: $12.5 million  | Released: December 1964 February 1942. Commander Houghton of the Royal Australian Navy coerces Walter Eckland — a whisky-soaked American beachcomber who wants nothing to do with the war — into manning a remote Pacific coast-watching post, using his beloved boat and strategically hidden Scotch as leverage. Eckland’s plan for solitary, unkempt peace unravels when a rescue mission strands prim French schoolteacher Catherine Freneau and her seven young charges on his island. Two people who couldn’t be more unlike, trapped with nowhere to go.   Grant Against Type Cary Grant was Hollywood’s most reliably polished star — here he plays an unshaven, hard-drinking recluse who resents being disturbed. He later said Eckland was the role closest to his real personality. Does it show on screen? Is there something in Walter that reads as more relaxed, more genuine than his formal-suit roles? The Comedy of Incompatibility The central engine is two people who couldn’t tolerate each other falling in love anyway. Does the film earn that arc? Commander Houghton’s incredulous radio call — “Goody Two-Shoes and the Filthy Beast?” — may be the most efficient summary of the whole film. The Seven Girls Director Ralph Nelson deliberately avoided casting professional child actors. Only one of the seven had any prior experience. Trevor Howard by Radio Howard’s character communicates almost entirely by radio — heard more than seen, playing straight man to Grant’s chaos from a distance. He credited the environment Grant created on set with producing some of his best comedy work. The Late Grant Father Goose was Grant’s penultimate film. He made one more (Walk Don’t Run, 1966) and retired.   The schoolgirls don’t exist in Barnett’s original story — they were invented by screenwriter Frank Tarloff, who initially dismissed the project as “a poor man’s African Queen.” Grant turned down the role of Henry Higgins in My Fair Lady to make this. He tried to cast his Charade co-star Audrey Hepburn as Catherine — she was already committed to My Fair Lady. When Peter Stone accepted the Oscar for Best Original Screenplay, he said: “Thank you to Cary Grant, who keeps winning these things for other people.” The theme song “Pass Me By” (music: Cy Coleman / lyrics: Carolyn Leigh) became a hit after release and was later recorded by Peggy Lee and Frank Sinatra. Awards: Won the Academy Award for Best Original Screenplay (37th Academy Awards, 1965). Also nominated forBest Film Editing and Best Sound. Golden Globe nomination for Best Motion Picture — Musical or Comedy. Subscribe on YouTube @FadetoChat  | ThePodTalk.Net  |  ThePodTalkNetwork@gmail.com SYNOPSISDISCUSSIONTRIVIA

The Maltese Falcom (1941)

Marty and Cindy review the great film noir classic. Film Overview Title: The Maltese Falcon (1941) Director: John Huston | Screenplay: John Huston (based on Dashiell Hammett's 1930 novel) Stars: Humphrey Bogart as Sam Spade | Mary Astor as Brigid O'Shaughnessy | Peter Lorre as Joel Cairo | Sydney Greenstreet as Kasper Gutman Supporting Cast: Gladys George, Barton MacLane, Lee Patrick, Ward Bond, Jerome Cowan, Elisha Cook Jr., Walter Huston (uncredited cameo) Cinematography: Arthur Edeson | Studio: Warner Bros. Pictures Budget: $375,000 | Box Office: $1.8 million | Running Time: 101 minutes Release: October 3, 1941 (NYC); October 18, 1941 (wide) Production & Behind the Scenes The third film adaptation of Hammett's novel; the first was in 1931, the second a loose version titled Satan Met a Lady (1936) starring Bette Davis. Huston storyboarded every scene with shot-by-shot instructions. Not one line of dialogue was changed in the final edit. Given six weeks and $375,000, Huston finished two days early and $54,000 under budget. The climactic confrontation runs nearly 20 minutes — one-fifth of the film — and took over a week to shoot. Producer Henry Blanke's advice to Huston: "Shoot each scene as if it was the most important scene in the film." The Cast Sydney Greenstreet's film debut at age 60. His wardrobe and a chair for the hotel room scene had to be custom-built. George Raft turned down Sam Spade, reportedly unwilling to stake his career on a first-time director. Bogart was cast after Warner Bros. lifted his suspension. The role of Brigid was first offered to Geraldine Fitzgerald; others considered included Ingrid Bergman, Rita Hayworth, and Olivia de Havilland. Mary Astor's real-life scandal — a public diary from a custody hearing — made her perfect for the part. Peter Lorre was always Huston's first choice for Cairo and later called the film his personal favorite of his own work. Walter Huston — John's father — plays Captain Jacobi in an uncredited cameo, reportedly fumbling his walk-on as a joke and forcing multiple takes. This marks the first pairing of Greenstreet and Lorre, who would appear in nine more films together. The Falcon Props Eight statuettes were made — two lead, six plaster — for under $700 total. Three originals survive, each valued at over $1 million. One, owned by Leonardo DiCaprio, appears in Once Upon a Time… in Hollywood (2019). Screenplay & Literary Notes Hammett's Sam Spade bears no resemblance to Bogart — in the novel he's tall, blond, and described as looking like "a blond Satan." Spade's use of "gunsel" sailed past censors who thought it meant gunman; it's Yiddish-derived slang for a fall guy. Effie's single word "Gardenia" upon handing Spade Cairo's card is a celebrated example of Hays Code-era queer coding. Legacy & Recognition Among the first films selected for the National Film Registry in its inaugural year, 1989. Ranked #23 on AFI's 1998 list of the 100 Greatest American Movies; #31 on the 2007 update. Ranked #6 on AFI's Greatest Mystery films (2008). Sydney Greenstreet received an Academy Award nomination for Best Supporting Actor — his only Oscar nomination. After being cast in Casablanca, Ingrid Bergman watched The Maltese Falcon repeatedly to study Bogart's technique. A plaque at Bush and Stockton Streets in San Francisco marks where Miles Archer was shot — described by tourism officials as the only city marker commemorating a fictional event. Subscribe on YouTube YouTube.com/@FadeToChat Contact us: ThePodTalkNetwork@gmail.com Visit the network: ThePodTalk.Net